The Mahler Companion consists of a collection of original essays on Mahler written especially for the occasion by Mahler specialists from around the world. It addresses all parts of his life and work-- symphonies, songs and song-cycles (each of which is discussed individually), his conducting activities, compositional habits, and aesthetic development--and sets these within the cultural and political context of his time. In addition, it responds to the global spread of this remarkable composer's music, and an almost universal fascination with it, by attempting to give an account of the reception of Mahler's music in many of the countries in which it eventually came to flourish, eg. Holland, France, Japan, Russia, England, and the United States. This particular series of chapters reveals that the 'Mahler Phenomenon' earned its description principally in the years after the Second World War, but also that the Mahler revival was already well under way pre-war, perhaps especially in England and the States, and most surprisingly of all, Japan.
The selection of contributors, who between them cover all Mahler's musical output, shows that here too this volume significantly crosses national boundaries. The very diverse approaches, analyses and commentaries, amply illustrated with music examples, are evidence of the uniquely rich and complex character of a music that spans more than one culture and more than one century. The volumes includes the most significant and up-to-date Mahler research and debate, and illumines some hitherto unexplored areas of Mahler's life eg. his visit to London in 1892, his sculptor daughter, Anna, and the hall in which the Seventh Symphony was first performed in Prague in 1908.
It has often been claimed that Mahler, born in 1860, was in fact a prophet of much that was to come in the 20th century. His later works undeniably anticipate, often with dazzling virtuosity, many of the principal techniques and aesthetics of the new century, only the first decade of which he lived to see. Small wonder that among his earliest admirers was a collective of some of the most important and innovative composers of our time, Schoenberg, Berg, and Webern. Their successors (Copland, Shostakovich, and Britten, to name a few) were to range across contrasting cultures and national frontiers.
Drawing on the best resources and the most up-to-date information about the composer, this volume fulfils the need in Mahler literature for a genuinely comprehensive guide to the composer and will be the authoritative guide for Mahler enthusiasts for years to come.
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Dr Mitchell is a Trustee of the Britten-Pears Foundation and Chairman of the Britten Estate Ltd; Founder Professor of Music at the University of Sussex (1971 - 1976); and is currently visiting Professor at Sussex, York and King's College, London. Andrew Nicholson is a Research Fellow in
Romantic Studies, Department of English, University of Bristol.
"It is rare to find such an extensive treatment of one of Mahler's more popular works, and it certainly highlights the importance of the Fifth Symphony in the composer's oeuvre. This is volume produced on a lavish scale that few other publishers would risk. Its existence is testimony to the continuing interest in Mahler's music, and it's contents suggest directions yet to be explored."-- Journal of the American Musicological Society.
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Buchbeschreibung Oxford: OUP, 1999. *, 1999. Large 8vo 633 pages. Cloth in d/w, VG/VG. Binding very slightly shaken. Music examples and illustrations. Artikel-Nr. _5727_J_
Buchbeschreibung Oxford University Press, 27.05.1999., 1999. Buchzustand: Sehr gut. 640 Seiten Cover leicht berieben, kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen 110581 Sprache: Englisch Gewicht in Gramm: 1540 24,6 x 19,6 x 4,6 cm, Gebundene Ausgabe. Artikel-Nr. 140946