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Book by Taplin Oliver
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`Oliver Taplin's imaginative approach to Greek drama amy change our perpsective on the fate of both classical tragedy and - more surprisingly - Old Comedy ... His discussions of the "Choregoi" display scholarship as well as clever detective work ... This incisive study will raise both cheers and hackles. But it will not be ignored.'Times Literary Supplement
'Oliver Taplin is the doyen of Greek theatre studies ... The appearance of a third book on Greek drama must be an important event. Comic Angels is modest in its scale and ambitions, but the achievement is significant. The core of the book is entirely convincing ... It is a mark of the book's concrete achievement that it opens up so many potential areas of investigation. The 48 black and white plates are a valuable resource.'Times Higher Education Supplement
'the book is well written and interesting; the pictures are well chosen, situated conveniently in the text, and easy to consult as one reads ... altogether this is a book that students will find easy reading ... anyone who is interested in the history of drama must feel grateful to Taplin for bringing his thesis to public attention in such an interesting format and with sufficient illustration that even those not normally interested in vase painting will feel the attraction of these fascinating vases'William J. Slater, McMaster University, Bryn Mawr Classical Review 4.4 (1993)
'very worthwhile study ... the book has some superb, well-chosen illustrations which demonstrate to good effect all of the feaures we have come to associate with comic characters ... This is an interesting and thought-provoking study, whih will encourage us to reappraise some long-held assumptions about the role of comedy beyond mainland Greece.'Richard Harrison, The Greek Gazette, November 1993
'This brief but thoroughly argued book...will interest mostly the specialist in vase-paintings, but moreso the student of the influence and recption of Athenian drama. Black-and-white photographs are numerous, all Greek quotations are translated, footnotes are copious, and a thorough index is provided.'Donald L Jennermann, Religious Studies Review, Vol 20, No 1, January 1994
'T. writes enthusiastically and with personal engagement ... This book is most stimulating both for art history and for the study of comedy.'John Wilkins, University of Exeter, The Classical REview, Vol. XLIV, No. 2, 1994
illuminating (Greece and Rome Reviews 42)
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'Oliver Taplin is the doyen of Greek theatre studies ... The appearance of a third book on Greek drama must be an important event. Comic Angels is modest in its scale and ambitions, but the achievement is significant. The core of the book is entirely convincing ... It is a mark of the book's concrete achievement that it opens up so many potential areas of investigation. The 48 black and white plates are a valuable resource.'Times Higher Education Supplement
'the book is well written and interesting; the pictures are well chosen, situated conveniently in the text, and easy to consult as one reads ... altogether this is a book that students will find easy reading ... anyone who is interested in the history of drama must feel grateful to Taplin for bringing his thesis to public attention in such an interesting format and with sufficient illustration that even those not normally interested in vase painting will feel the attraction of these fascinating vases'William J. Slater, McMaster University, Bryn Mawr Classical Review 4.4 (1993)
'very worthwhile study ... the book has some superb, well-chosen illustrations which demonstrate to good effect all of the feaures we have come to associate with comic characters ... This is an interesting and thought-provoking study, whih will encourage us to reappraise some long-held assumptions about the role of comedy beyond mainland Greece.'Richard Harrison, The Greek Gazette, November 1993
'This brief but thoroughly argued book...will interest mostly the specialist in vase-paintings, but moreso the student of the influence and recption of Athenian drama. Black-and-white photographs are numerous, all Greek quotations are translated, footnotes are copious, and a thorough index is provided.'Donald L Jennermann, Religious Studies Review, Vol 20, No 1, January 1994
'T. writes enthusiastically and with personal engagement ... This book is most stimulating both for art history and for the study of comedy.'John Wilkins, University of Exeter, The Classical REview, Vol. XLIV, No. 2, 1994
illuminating (Greece and Rome Reviews 42)
This book opens up a neglected chapter in the reception of Athenian drama, especially comedy; and it gives stage-center to a particularly attractive and entertaining series of vase-paintings, hitherto regarded as marginal curiosities. These are the so-called "phlyax" vases; nearly all painted in the Greek cities of South Italy in the period 400-300 BC. Up till now, they have been taken to reflect some kind of folk theatre, but Oliver Taplin, promoted by three new vases recently published, argues that many reflect Athenian comedy of the sort represent by Aristophanes. This bold thesis opens up questions of the relation of tragedy as well as comedy to vase painting, the cultural climate of South Italy, and the potential of Athenian drama as an export. It also enriches appreciation of many key aspects of Aristophanic comedy: its metatheatre and self-reference; its use of stage action and stage props; it unabashed indecency; and its polarized relationship, even rivalry, with tragedy. The book contains 47 photographs of vase-paintings, many of which have only come to light in the last twenty years, with some being published here for the first time outside specialist journals.
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- VerlagClarendon Press
- Erscheinungsdatum1993
- ISBN 10 019814797X
- ISBN 13 9780198147978
- EinbandTapa dura
- Anzahl der Seiten142
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Comic Angels and Other Approaches to Greek Drama Through Vase-Painting
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Buchbeschreibung Hardcover, no dust jacket. Ex-library, otherwise very good. 129 pages. 129 pp. Artikel-Nr. 644511
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Buchbeschreibung Hardcover, no dust jacket. Ex-library, otherwise very good. 129 pages. 129 pp. Artikel-Nr. 656733
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Comic Angels and Other Approaches to Greek Drama through Vase-Paintings
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Clarendon Press
(1994)
ISBN 10: 019814797X
ISBN 13: 9780198147978
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Buchbeschreibung Hardcover. Zustand: Bon. Salissures sur la tranche. Jaquette abîmée. Edition 1994. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Soiling on the side. Damaged dust jacket. Edition 1994. Ammareal gives back up to 15% of this book's net price to charity organizations. Artikel-Nr. C-651-255
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Comic Angels: And Other Approaches to Greek Drama through Vase-Paintings
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Oxford University Press, USA
(1993)
ISBN 10: 019814797X
ISBN 13: 9780198147978
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Buchbeschreibung Zustand: Used - Very Good. 1993. Cloth, 8vo., 129 pp., illust. Artikel-Nr. S37339
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Comic Angels and Other Approaches to Greek Drama through Vase-Paintings.
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Clarendon Press
(1993)
ISBN 10: 019814797X
ISBN 13: 9780198147978
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Buchbeschreibung Zustand: Antiquarian. Clarendon Press, Oxford, 1993. XII,129p. ills.(B&W photographs). Original blue gilt titled cloth with dust wrps. With review loosely inserted. Im Zentrum Taplins Untersuchung 'steht der Nachweis, daß die (.) Phlyakenvasen nicht etwa eine autochtone unteritalische Posse des 3.Jh. vor Chr. abbilden, sondern Szenen aus der attischen Komödie, die in der Magna Graecia ein exklusives Nachleben gefunden hätten (.) Auch so wird deutlich geworden sein, daß T. ein wichtiges Kapitel der griechischen Literatur- und Theatergeschichte umgeschrieben und zur Diskussion gestellt hat. Die These der 'Comic Angels', nämlich die Verknüpfung der sog. 'Phlykatenvasen' mit der attischen Komödie des 5. und 4. Jh., wird Bestand haben, auch wenn bei der Interpretationene einzelner Gefäße noch Fragen offen sind.' (EGERT PÖHLMANN in Gnomon, 1998, p.389-390). 'There is much to quibble with in this book, but anyone who is interested in the history of drama must feel grateful to Taplin for bringing his thesis to public attention in such an interesting format and with sufficient illustration that even those not normally interested in vase painting will feel the attraction of these fascinating vases.' (WILLIAM J. SLATER in Bryn Mawr Classical Review 04.05.12). From the library of the late Prof. W. Geoffrey Arnott. Antiquarian. Artikel-Nr. 26541
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