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Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje (Oxford English Monographs) - Hardcover

 
9780198122999: Rereading the Imperial Romance: British Imperialism and South African Resistance in Haggard, Schreiner, and Plaatje (Oxford English Monographs)

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This book examines literary romance as a vehicle for the ideological contradictions of British imperialism in South Africa. Chrisman draws upon postcolonial theory and cultural materialism to discuss the imperialist Rider Haggard's fictional accounts of mining in King Solomon's Mines, and Zulu history in Nada the Lily, examining these novels as fraught responses to the introduction of capitalist modernity. She goes on to analyse the counter-narratives of metropolitan and African resistance of feminist Olive Schreiner and black nationalist Sol Plaatje. Exploring Schreiner's much-neglected Trooper Peter Halket of Mashonaland, Chrisman situates this book in relation to the violent creation of 'Rhodesia', the 1896-7 Shona uprisings, and contemporary criticism of Cecil Rhodes. In doing so, she shows how Schreiner's is a much more challenging example of anti-imperialist fiction than Conrad's Heart of Darkness, published two years later. Chrisman's discussion of Plaatje's Mhudi–the first black African novel in English–considers the book as a direct response to Haggard's imperialism and Schreiner's feminist theory. Locating the book through the politics and epistemology of the early ANC, she reveals how Plaatje challenges Haggard's misogyny and fatalistic historiography. Mhudi, she argues, is a novel whose nationalist and sexual politics are considerably more complex than has been recognized. Plaatje uses his narrative form to articulate both radical and liberal alternatives to white South African rule.

Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature of empire; South African literary history; African studies; black nationalism; and the literature of resistance.

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Über die Autorin bzw. den Autor

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.

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Chrisman, Laura
Verlag: Clarendon Press, 2000
ISBN 10: 0198122993 ISBN 13: 9780198122999
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Laura Chrisman
ISBN 10: 0198122993 ISBN 13: 9780198122999
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Buch. Zustand: Neu. Neuware - This book examines literary romance as a vehicle for the ideological contradictions of British imperialism in South Africa. Chrisman draws upon postcolonial theory and cultural materialism to discuss the imperialist Rider Haggard's fictional accounts of mining in King Solomon's Mines, and Zulu history in Nada the Lily, examining these novels as fraught responses to the introduction of capitalist modernity. She goes on to analyse the counter-narratives of metropolitan and African resistance of feminist Olive Schreiner and black nationalist Sol Plaatje. Exploring Schreiner's much-neglected Trooper Peter Halket of Mashonaland, Chrisman situates this book in relation to the violent creation of 'Rhodesia', the 1896-7 Shona uprisings, and contemporary criticism of Cecil Rhodes. In doing so, she shows how Schreiner's is a much more challenging example of anti-imperialist fiction than Conrad's Heart of Darkness, published two years later. Chrisman's discussion of Plaatje's Mhudi-the first black African novel in English-considers the book as a direct response to Haggard's imperialism and Schreiner's feminist theory. Locating the book through the politics and epistemology of the early ANC, she reveals how Plaatje challenges Haggard's misogyny and fatalistic historiography. Mhudi, she argues, is a novel whose nationalist and sexual politics are considerably more complex than has been recognized. Plaatje uses his narrative form to articulate both radical and liberal alternatives to white South African rule. Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature of empire; South African literary history; African studies; black nationalism; and the literature of resistance. Artikel-Nr. 9780198122999

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