Frank Kermode here returns to the literature of his youth to ask why we seem to have forgotten how urgent and powerful this literature was during a time of economic crisis and imminent world war. First examining bourgeois left-wing writing in England in the 1930s and, to a lesser extent, in the United States, Kermode explores the causes of literary neglect and the nature of the bond between a book and its historical context. He goes on to discuss left-wing novelists and their response to the crises and political myths of the decade and the "committed" work of left-wing bourgeois poets, including Auden, MacNeice, Spender, Upward, Wyndham Lewis, and the Welsh miner and author Lewis Jones. The second part of the book draws on Marxist and postmodernist criticism, and strategies of canon- and period-formation, to address the more general question of how literature dies or survives and how we go about deciding whether to attribute value to it.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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