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Inhaltsangabe
A beautifully illustrated account of how the great Renaissance artists revived the myths of Greece and Rome and changed the course of Western art
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Über die Autorinnen und Autoren
Malcolm Bull is head of Art History at the Ruskin School of Drawing and Fine Art, University of Oxford, and a Fellow of St. Edmund Hall.
Malcolm Bull is head of Art History at the Ruskin School of Drawing and Fine Art, University of Oxford, and a Fellow of St. Edmund Hall.
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The Mirror of the Gods: How Renaissance Artists Rediscovered the Pagan Gods
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Oxford University Press, USA, 2005
ISBN 10: 0195219236
ISBN 13: 9780195219234
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The Mirror of the Gods: How Renaissance Artists Rediscovered the Pagan Gods
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Oxford University Press, USA, 2005
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ISBN 13: 9780195219234
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0195219236I3N00
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The Mirror of the Gods: How Renaissance Artists Rediscovered the Pagan Gods
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Oxford University Press, USA, 2005
ISBN 10: 0195219236
ISBN 13: 9780195219234
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0195219236I4N00
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The Mirror of the Gods: How Renaissance Artists Rediscovered the Pagan Gods
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Oxford University Press, USA, 2005
ISBN 10: 0195219236
ISBN 13: 9780195219234
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Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Artikel-Nr. G0195219236I3N00
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The Mirror of the Gods: How Renaissance Artists Rediscovered the Pagan Gods
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The Mirror of the Gods: How the Renaissance Artists Rediscovered the Pagan Gods
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Hardcover. Zustand: Good. No dust jacket. The page edge is tanned. The copy shows minor external wear, but is in otherwise clean condition. Artikel-Nr. mon0004184460
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The Mirror of the Gods : How Renaissance Artists Rediscovered the Pagan Gods
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 4601813-6
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The Mirror of the Gods: How the Renaissance Artists Rediscovered the Pagan Gods
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Oxford University Press, 2005
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ISBN 13: 9780195219234
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Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Oxford University Press, 2005. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Artikel-Nr. 446692
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THE MIRROR OF THE GODS; How the Renaissance Artists Rediscovered the Pagan Gods
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 9.6 X 6.39 X 1.45 inches; 496 pages. Artikel-Nr. 40992
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The Mirror of the Gods. How Renaissance Artists Rediscoverd the Pagan Gods.
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Oxford University Press, Oxford (.), 2005. XI,465p. Richly ills.(B&W and some full-colour pictures). Hard bound. ?This book is most valuable for its overview of a vast field - the reception of classical mythology throughout European art and literature from the fourteenth through the seventeenth centuries. It surveys the literary sources that spurred the revival of interest in the pagan gods and categories the types of artistic objects - domestic furnishings, painting, sculpture, prints, tapestries, manuscripts, and majolica - where their images appeared. Bull conclues that Hercules, Jupiter, Venus, Bacchus, Diana, and Apollo were the most frequently depicted, and accordingly devotes a chapter to each. The final chapter analyses the selection pattern attributing it to individual choices of patrons interested in astrology, and hence planetary deities, and in subject matter involving amorous encounters or exotic animals. The epilogue explains the thematic distribution in terms os mythology supplying what Christianity eschewed, an imagery of sexuality, fertility and secular power. (?) His large scope allows Bill to make a number of interesting general observations. He frames his remarks about mythological art in the Renaissance and Baroque periods by contrast with its Greco-roman origins to underscore the very different circumstances in the later epoch, where no one believed in the pagan gods and very little precise information survived about their imagery?s ritual use and display. (?) Bull contends that mythological visual imagery appeared mostly in what he characterises as secondary locations: domestic furnishings such as marriage chests, majolica, birth trays, and small boxes for jewellery and other precious objects, temporary decorations for festivals or triumphal entries, prints, and sculptures for fountains and gardens. (?) Readers will profit from the separate analyses of the six deities most favoured in European iconography ca. 1400-1700 and the summaries by their myths? literary sources. Everyone will enjoy his lively writing and the accompanying abundant, if poor quality, illustrations, but scholars will be frustrated by the sparse endnotes.? (SARAH BLAKE McHAM in Renaissance Quarterly, 2006, pp.239-241). Artikel-Nr. 59883
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