From the first heliograph (taken in 1826) to the controversial work of Robert Mapplethorpe, Clarke provides a perspective-altering examination of photography's main subjects--landscape, the city, portraiture, the body, and reportage.
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Graham Clarke, Reader in Literary and Image Studies at the University of Kent, Canterbury, serves on the advisory board of the journal, History of Photography. His recent publications include The Portrait in Photography and The American City: Literary & Cultural Perspectives.
In a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting critics on the subject such as Roland Barthes and Susan Sontag. At the heart of the book is his innovative examination of the main subject areas - landscape, the city, portraiture, the body, and documentary reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts.
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Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. From the first misty `heliograph' taken by Joseph Nicephore Niepce in 1826 to the classic compositions of Cartier-Bresson and Alfred Steiglitz, to the striking postmodern strategies of Robert Mapplethorpe, Cindy Sherman and Victor Burgin, the history of photography is a record of dazzling and penetrating images. But photographs are also the most pervasive images of our time, infinite in their capacity to record and make moments significant, granting status to everything they touch. So how do we read a photograph? In a series of brilliant discussions of major themes and genres, Graham Clarke gives a clear and incisive account of the photograph's historical development, and elucidates the insights of the most interesting thinkers on the subject such as Roland Barthes and Susan Sontag. At the heart of the book is his ground-breaking examination of the main subject areas - landscape, the city, portraiture, the body, and reportage - and his detailed analysis of exemplary images in terms of their cultural and ideological contexts. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Artikel-Nr. GOR001522058
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