Gigi said my guardian angel must have been watching over me real good when I was born. Maybe so, but I wish the angel had watched over me less and seen to Mama more. I never liked hearing about how I came into this world anyway. It didn't seem natural, a live baby coming out of the body of a dead woman. Gigi said it was the greatest miracle ever to come down the pike.

"That's how come we call you Miracle," she told me for the millionth time when I was ten, after she had recited the whole story. She and Dane, my daddy, were setting up the card table for the séance we were going to have with Aunt Casey and Uncle Toole that night.

"And there's no need hanging your head like there's something to be ashamed of, you hear? Being pulled live from your mama's twisted body like that was an omen, a portent of great things to come, isn't that right, Dane?" She slid the Ouija board out of the box and set it on the card table. Dane didn't answer her, and she could tell by the way he studied the floorboards, his brows bunched up in fierce concentration, that he was too busy with his own important thoughts to bother with anything we might have to say. Gigi just kept right on talking anyway.

"She'll be something great one of these days," she said, nodding, her silver-streaked bun bobbling on top of her head. "You mark my words, I'll discover her special talent and I'll —"

"Need anything else done, Mama?" Dane asked, cutting her off. He never liked having to take time out from his thinking to do anything. I liked to think a lot, too, and it often got me in trouble with the teachers at school who accused me of daydreaming, so I understood. Gigi did, too, most of the time. She told him we'd do just fine without him and for him to go on back down to his room, and she'd send me down later with a tray of sweet tea and sandwiches for him.

Dane lit up a cigarette and blew the first puff at the ceiling. I watched his eyes follow the swirl of smoke. Then I saw them narrow into little slits, and he stayed like that a minute or two, squinting at the ceiling, lost in thought again. I studied him, with his long, long body and his shoulders hunched forward as if he'd been wounded in the chest, and I wanted to do something — dance, or show him my report card with all the A's again — something that would lift him up, smooth out the furrows in his face, and bring light to the dull glances he gave me. I touched his hand and it startled him. He looked down, scowling at first, and then seeing it was just me, his scowl disappeared and he blinked. Then, without a word he turned and shuffled away, his slippers flapping at his heels and his bathrobe sash dragging behind him like a tail.

To look at him you wouldn't think my daddy ever did a lick of work, always in that robe and slippers with the mashed-down heels, but he was a writer, a prodigy. He had his first novel published when he was just thirteen, and Gigi always said that right away he was a literary sensation, the great Dane McCloy! I had a copy of his book on my shelf, and inside the book, below the title, Dane had written to me, "For Miracle, with love, Dane McCloy." It was my own special copy, and I told Dane that I loved it even though I had only read the last page. It was the first book I'd ever owned that didn't end with "And they lived happily ever after."

He wrote his next book when he was fifteen and the next at seventeen, the same year he married Mama, who was four months pregnant with me. Gigi always said that four is a sacred and holy number. She said all numbers are important because they contain all things in the natural and spiritual world, but I didn't like the number four because four and a half months after Mama married Dane, she got run over by an ambulance speeding to the scene of an accident. They pulled over and put Mama on a stretcher and kept her alive long enough to pick up the real accident victims, but by the time they wheeled her into the hospital she was dead. Then, of course, came the part where they realized the woman they ran over was pregnant and not fat and even though I should have been dead, too, by that time, they cut Mama open and out I came, full of portents and omens — a miracle.

Yes, I had heard the story many times, but it was hearing it that night, six years ago, that stands out in my mind. That was the night I learned that portents and omens could mean the foretelling of something bad as well as something good.

It was the night of the séance with Aunt Casey and Uncle Toole. For once I was going to get to stay up and participate, maybe even talk to Mama if Aunt Casey would let me. Sissy, my mama, was Aunt Casey's younger sister, and Dane said when the two of them connected on the Ouija board, there was no getting a word in edgewise, which I could imagine to be true because Aunt Casey always had to give her opinion about everything.

I was so excited about the séance, I couldn't stay away from the Ouija board, and all afternoon I kept pestering Gigi. I wanted her to explain everything to me so I'd look professional and Aunt Casey wouldn't make fun of me. Gigi was patient with me for a while. She explained about the pointed wooden thing with the nail poking down in the middle. "This is called a planchette," she said. "Now you place your fingertips on one side like so, and then I place mine on the other. Now, not so heavy. Lightly, lightly, like you're resting them on marshmallows. Good. Now tonight, if we get us a spirit, this planchette will start moving. And you don't push it, hear? Your fingers stay soft, let them just go along for the ride." Gigi pushed the planchette across the board and watched my fingers. I held them so they were just barely touching the wooden edge.

"Good. Now the planchette will move over the alphabet or over to the word yes or no, or good or bad, or use the numbers. See, it can use any part of the board."

"And that will be the spirit talking to us?" I asked. "That will be Mama talking?" "That's right, baby doll." She left me then to go finish up her load of laundry in the basement. I stayed at the table, playing Ouija with my Barbie doll, and thought about all the questions I was going to ask Mama, the same questions I had asked her every night since I could remember. "Where are you, Mama?" I always began, lying in my bed and staring up into the darkness, feeling her silence. "Where is the spirit world? Is it just like heaven? Are you happy? Do you know who I am? Do you know what I look like? They say I'm small for my age and way too skinny, and I feel small, Mama, like the smallest seed, so far away from you. I'm taking good care of Dane. Do you know that? Are you proud of me for looking after Dane?"

Finally, Gigi said I had fiddled enough with the board and I was getting too much body heat on the planchette. She told me to leave it alone and find myself something else to do for the next hour.

I slipped Dane's Bob Dylan's Greatest Hits tape into my tape player and sang and danced all over the living room furniture. I was teetering on the arm of the sofa, trying to do an arabesque, when Aunt Casey came hip-swaying into the room. She stopped halfway across, looked at me with her mean eyeliner eyes, and said, "Miracle, does your grandmama know you're out here busting up her furniture?" "Sure she does," I lied. "I'm going to be a great prodigy someday, and I need to practice. Gigi says so."

I did a flip off the armrest and...