A fluid, expansive new collection from a poet whose work "dazzles with [an] energetic exploration of the Puerto Rican experience in the new millennium" (NBC News)
Puerto Rican poet Vincent Toro's new collection takes the Latin American idea of an artistic social gathering (the "tertulia") and revises it for the Latinx context in the United States. In verses dense with juxtaposition, the collection examines immigration, economics, colonialism and race via the sublime imagery of music, visual art, and history. Toro draws from his own social justice work in various U.S. cities to create a kaleidoscopic vision of the connections between the personal and the political, the local and the global, in a book that both celebrates and questions the complexities of the human condition.
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Vincent Toro's debut poetry collection, STEREO.ISLAND.MOSAIC., was awarded the Poetry Society of America's Norma Farber First Book Award and the Sawtooth Poetry Prize. He is also a Poet's House Emerging Poets Fellow, a New York Foundation for the Arts Fellow in Poetry, and winner of The Caribbean Writer's Cecile De Jongh Poetry Prize and Repertorio Español's Nuestras Voces Playwriting Award. Vincent is a professor at Bronx Community College, is poet in the schools for Dreamyard and the Dodge Poetry Foundation, is writing liaison for The Cooper Union's Saturday Program, and is a contributing editor at Kweli Literary Journal.
On Battling (Baltimore Strut)
Gray cased in gray, shaken
and truncated like timber,
the bleat rouses all provinces,
calling each seed to surface
and insist on a redress. This trumpet
of grief and homespun placards
is met with gunmetal treads
bruising the fruit stands, mustard
gas suffocating the night's
coruscation. As elbows
lock before storefronts
to shelter shop windows
from the wallop of pitiless
Kevlar, as flares browbeat
boulevards and arsenals
are dispatched across the wet
gravel, a single shirtless
seraph unfurls himself
upon the tarmac. Flexing
faux leather, he gyrates, feather-
glides, thunderclaps, then jukes
toward the 16,000-pound
armored personnel carrier.
The bullying smog flinches
at his voltaic gait, as he peacocks
into the boomerang hour,
cranes his neck and shrieks
to remind the intruder your tanks
are no match for my toprock.
Days of Being Wild (dir. Wong Kar-Wai, 1990)
(Dissolve)
At the funeral of his birth the seamstresses sing matte-muted adagio
of rouge and torn hems. Oleaginous in both mane and vow. Bronze
king of ennui. She drifts across oxidized hallways. Her dress, the slug
line. Blue filtered lights and non-filtered cigarettes imbibe them.
CUT TO: Closing credits. Exit. Pressed
suit preens for role
as auteur's unsung enigma.
One mistakes soliloquy for an affair. The other lives as an atoll, divot-
headed and bleak-lacquered. Boast-throated, he follows her like
a tracking shot that took the crew three weeks to stage. With days
drenched in despondent night, they mutiny through stasis, resist
CUT TO: Again, that infernal clock.
Train car hemorrhaging, roof
top scaled. An ellipsis.
the throttling of the hours toward shopping carts glutted with ailment.
These railways run parallel but incongruent; one stretches toward
longing, the other hunts for omission. They sleep in the wind of radio
static. She sways for the unthreaded fishhook. He is a desert gawking
CUT TO: Suitcase. Flower print dress.
Unrequited knock at brass
gates. Clock, grief-stricken.
in Dutch tilt at the inebriated street that spurned him. Reviled Coke
bottles. Bedroom slippers under the vanity caught in soft focus.
Castigated like a dipsomaniacal gumshoe by the blunted edge
of minutes. Triangulated cravings asphyxiate them. Each tantalizes
CUT TO: Pearl earring gifted to
the second thief once
reclaimed from the first.
the other through taciturn tides of withholding. Hell-bent on boring
the sea. But this mise-en-scne does not belong to them. This
is the viewer's Malebolge, a whorl of truancy spliced from B-rolls
of rambunctious prodigals who refuse to catch what they chase.
CUT TO: Clock. Stairwell in need
of serenading. Threat posing
as flirtation. Opening credits.
(Fade in)
Disco Ballistics
friday nights we prep for hot
skirmishes. take three to five
business days to primp and pick out
duds. shave. apply makeup. contact
all accomplices. hail our platoon.
then a cab. breach the checkpoint
with a wink. order a round of shots
during tactical strike assemblies. stake
out our first kill of the evening. flanked
by chaise lounges and black lights.
the beat drops in syncopation
with our first village
raid. clink our cosmos like mac clips.
chuck disco ball grenades into middle
schools. flirt bump and grind. spawn
mushroom clouds in unisex bathroom
stalls. flick cigarettes sucked
to the filter onto the casualties
we create. the styles we pilfer. smack
lips in the mirror. launch glitter drone
assassinations. snipe the bartender's
digits. swipe...
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Zustand: New. Vincent Toro s debut poetry collection, STEREO.ISLAND.MOSAIC., was awarded the Poetry Society of America s Norma Farber First Book Award and the Sawtooth Poetry Prize. He is also a Poet s House Emerging Poets Fellow, a New York Foundation for the Arts Fello. Artikel-Nr. 336108549
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Taschenbuch. Zustand: Neu. Neuware - A fluid, expansive new collection from a poet whose work 'dazzles with [an] energetic exploration of the Puerto Rican experience in the new millennium' (NBC News)Puerto Rican poet Vincent Toro's new collection takes the Latin American idea of an artistic social gathering (the 'tertulia') and revises it for the Latinx context in the United States. In verses dense with juxtaposition, the collection examines immigration, economics, colonialism and race via the sublime imagery of music, visual art, and history. Toro draws from his own social justice work in various U.S. cities to create a kaleidoscopic vision of the connections between the personal and the political, the local and the global, in a book that both celebrates and questions the complexities of the human condition. Artikel-Nr. 9780143135340
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