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Tertulia (Penguin Poets) - Softcover

Buch 145 von 156: Penguin Poets

Toro, Vincent

 
9780143135340: Tertulia (Penguin Poets)

Inhaltsangabe

A fluid, expansive new collection from a poet whose work "dazzles with [an] energetic exploration of the Puerto Rican experience in the new millennium" (NBC News)

Puerto Rican poet Vincent Toro's new collection takes the Latin American idea of an artistic social gathering (the "tertulia") and revises it for the Latinx context in the United States. In verses dense with juxtaposition, the collection examines immigration, economics, colonialism and race via the sublime imagery of music, visual art, and history. Toro draws from his own social justice work in various U.S. cities to create a kaleidoscopic vision of the connections between the personal and the political, the local and the global, in a book that both celebrates and questions the complexities of the human condition.

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Über die Autorin bzw. den Autor

Vincent Toro's debut poetry collection, STEREO.ISLAND.MOSAIC., was awarded the Poetry Society of America's Norma Farber First Book Award and the Sawtooth Poetry Prize. He is also a Poet's House Emerging Poets Fellow, a New York Foundation for the Arts Fellow in Poetry, and winner of The Caribbean Writer's Cecile De Jongh Poetry Prize and Repertorio Español's Nuestras Voces Playwriting Award. Vincent is a professor at Bronx Community College, is poet in the schools for Dreamyard and the Dodge Poetry Foundation, is writing liaison for The Cooper Union's Saturday Program, and is a contributing editor at Kweli Literary Journal.

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On Battling (Baltimore Strut)

 

Gray cased in gray, shaken

 

            and truncated like timber,

 

            the bleat rouses all provinces,

 

calling each seed to surface

 

and insist on a redress. This trumpet

 

            of grief and homespun placards

 

            is met with gunmetal treads

 

bruising the fruit stands, mustard

 

gas suffocating the night's

 

            coruscation. As elbows

 

            lock before storefronts

 

to shelter shop windows

 

from the wallop of pitiless

 

            Kevlar, as flares browbeat

 

            boulevards and arsenals

 

are dispatched across the wet

 

gravel, a single shirtless

 

            seraph unfurls himself

 

            upon the tarmac. Flexing

 

faux leather, he gyrates, feather-

 

glides, thunderclaps, then jukes

 

            toward the 16,000-pound

 

            armored personnel carrier.

 

The bullying smog flinches

 

at his voltaic gait, as he peacocks

 

            into the boomerang hour,

 

            cranes his neck and shrieks 

 

to remind the intruder your tanks

 

are no match for my toprock.

 

Days of Being Wild (dir. Wong Kar-Wai, 1990)

 

            (Dissolve)

 

At the funeral of his birth the seamstresses sing matte-muted adagio

 

of rouge and torn hems. Oleaginous in both mane and vow. Bronze

 

king of ennui. She drifts across oxidized hallways. Her dress, the slug

 

line. Blue filtered lights and non-filtered cigarettes imbibe them.

 

CUT TO:          Closing credits. Exit. Pressed

 

            suit preens for role

 

            as auteur's unsung enigma.

 

One mistakes soliloquy for an affair. The other lives as an atoll, divot-

 

headed and bleak-lacquered. Boast-throated, he follows her like

 

a tracking shot that took the crew three weeks to stage. With days

 

drenched in despondent night, they mutiny through stasis, resist

 

CUT TO:          Again, that infernal clock.

 

            Train car hemorrhaging, roof

 

            top scaled. An ellipsis.

 

the throttling of the hours toward shopping carts glutted with ailment.

 

These railways run parallel but incongruent; one stretches toward

 

longing, the other hunts for omission. They sleep in the wind of radio

 

static. She sways for the unthreaded fishhook. He is a desert gawking

 

CUT TO:          Suitcase. Flower print dress.

 

            Unrequited knock at brass

 

            gates. Clock, grief-stricken.

 

in Dutch tilt at the inebriated street that spurned him. Reviled Coke

 

bottles. Bedroom slippers under the vanity caught in soft focus. 

 

 

Castigated like a dipsomaniacal gumshoe by the blunted edge

 

of minutes. Triangulated cravings asphyxiate them. Each tantalizes

 

CUT TO:          Pearl earring gifted to

 

            the second thief once

 

            reclaimed from the first.

 

the other through taciturn tides of withholding. Hell-bent on boring

 

the sea. But this mise-en-scne does not belong to them. This

 

is the viewer's Malebolge, a whorl of truancy spliced from B-rolls

 

of rambunctious prodigals who refuse to catch what they chase.

 

CUT TO:          Clock. Stairwell in need

 

            of serenading. Threat posing

 

            as flirtation. Opening credits.

 

            (Fade in)

 

 

Disco Ballistics

 

friday nights we prep for hot

 

skirmishes. take three to five

 

business days to primp and pick out

 

duds. shave. apply makeup. contact

 

all accomplices. hail our platoon.          

 

then a cab. breach the checkpoint

 

            with a wink. order a round of shots

 

            during tactical strike assemblies. stake

 

            out our first kill of the evening. flanked

 

            by chaise lounges and black lights.

 

            the beat drops in syncopation

 

            with our first village

 

raid. clink our cosmos like mac clips.

 

chuck disco ball grenades into middle

 

schools. flirt bump and grind. spawn

 

mushroom clouds in unisex bathroom

 

stalls. flick cigarettes sucked

 

to the filter onto the casualties

 

            we create. the styles we pilfer. smack

 

            lips in the mirror. launch glitter drone

 

            assassinations. snipe the bartender's

 

            digits. swipe...

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