Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback
Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin’s iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.
The Snow Leopard
In 1973, Peter Matthiessen and field biologist George Schaller traveled high into the remote mountains of Nepal to study the Himalayan blue sheep and possibly glimpse the rare and beautiful snow leopard. Matthiessen, a student of Zen Buddhism, was also on a spiritual quest to find the Lama of Shey at the ancient shrine on Crystal Mountain. The result is a remarkable account of a journey both physical and spiritual, as the arduous climb yields to Matthiessen a deepening Buddhist understanding of reality, suffering, impermanence, and beauty.
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Peter Matthiessen (1927–2014) is the only writer to win the National Book Award for fiction and nonfiction. A cofounder of The Paris Review, he was a member of the American Academy of Arts and Letters and a recipient of its William Dean Howells Award, among many other honors. He was also a world-renowned naturalist, explorer, activist, and Buddhist teacher.
Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperback
Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition
For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.
The Snow Leopard
In 1973, Peter Matthiessen and field biologist George Schaller traveled high into the remote mountains of Nepal to study the Himalayan blue sheep and possibly glimpse the rare and beautiful snow leopard. Matthiessen, a student of Zen Buddhism, was also on a spiritual quest to find the Lama of Shey at the ancient shrine on Crystal Mountain. The result is a remarkable account of a journey both physical and spiritual, as the arduous climb yields to Matthiessen a deepening Buddhist understanding of reality, suffering, impermanence, and beauty.
Prologue
In late September of 1973, I set out with GS on a journey to the Crystal Mountain, walking west under Annapurna and north along the Kali Gandaki River, then west and north again, around the Dhaulagiri peaks and across the Kanjiroba, two hundred and fifty miles or more to the Land of Dolpo, on the Tibetan Plateau.
GS is the zoologist George Schaller. I knew him first in 1969, in the Serengeti Plain of East Africa, where he was working on his celebrated study of the lion.1* When I saw him next, in New York City in the spring of 1972, he had started a survey of wild sheep and goats and their near relatives the goat-antelopes. He wondered if I might like to join him the following year on an expedition to northwest Nepal, near the frontier of Tibet, to study the bharal, or Himalayan blue sheep; it was his feeling, which he meant to confirm, that this strange “sheep” of remote ranges was actually less sheep than goat, and perhaps quite close to the archetypal ancestor of both. We would go in the autumn to observe the animals in rut, since the eating and sleeping that occupied them throughout the remainder of the year gave almost no clue to evolution and comparative behavior. Near Shey Gompa, “Crystal Monastery,” where the Buddhist lama had forbidden people to molest them, the bharal were said to be numerous and easily observed. And where bharal were numerous, there was bound to appear that rarest and most beautiful of the great cats, the snow leopard. GS knew of only two Westerners—he was one—who had laid eyes on the Himalayan snow leopard in the past twenty-five years; the hope of glimpsing this near-mythic beast in the snow mountains was reason enough for the entire journey.
Twelve years before, on a visit to Nepal, I had seen those astonishing snow peaks to the north; to close that distance, to go step by step across the greatest range on earth to somewhere called the Crystal Mountain, was a true pilgrimage, a journey of the heart. Since the usurpation of Tibet by the Chinese, the Land of Dolpo, all but unknown to Westerners even today, was said to be the last enclave of pure Tibetan culture left on earth, and Tibetan culture was the last citadel of “all that present-day humanity is longing for, either because it has been lost or not yet been realized or because it is in danger of disappearing from human sight: the stability of a tradition, which has its roots not only in a historical or cultural past, but within the innermost being of man. . . .”2 The Lama of Shey, the most revered of all the rinpoches, the “precious ones,” in Dolpo, had remained in seclusion when a scholar of Tibetan religions3 reached the Crystal Monastery seventeen years ago, but surely our own luck would be better.
On the way to Nepal, I stopped at Varanasi, the holy city on the Ganges, and visited the Buddhist shrines at Bodh Gaya and Sarnath. In those monsoon days of mid-September, the brown heat of India was awesome, and after a few days on the Ganges Plain, I was glad to fly north to Kathmandu, in the green foothills of the Himalayan wall. That day was clear, and among the temple spires and tiered pagodas, black kites and red veered on the wind. The dry air at 4000 feet was a great relief from the humidity of India, but in the north the peaks were hidden by thick clouds of the monsoon, and by evening it was raining.
I found GS at the hotel. We had not met in a year or more, our last correspondence had been in midsummer, and he was relieved that I had turned up without mishap. For the next two hours we talked so intensely that I wondered later if there was anything left to speak about in the months ahead; we shall have no company but each other, and we do not know each other very well. (Of GS, I had written earlier that “he is single-minded, not easy to know,” and “a stern pragmatist, unable to muster up much grace in the face of unscientific attitudes; he takes a hard-eyed look at almost everything.” He was also described as a “lean, intent young man,”4 and I find him as lean and as intent as ever.)
The rains prevailed throughout the last three days in Kathmandu. GS was desperate to get under way, not only because he loathes all cities but because winter comes early to the Himalaya, and these rains of the monsoon would bring heavy snow to the high passes between this place and our destination. (We later learned that the October rains set an all-time record.) Months before, he had applied for permission to enter Dolpo, but only now, on the final day, were permits granted. Last letters were written and sent off; there would be no mail where we were going. All excess gear and clothing were discarded, and traveler’s checks exchanged for small rupee notes by the dirty packet, since large bills have no currency among the hill peoples. With our Sherpa camp assistants, we packed tents and pots, and bargained for last-minute supplies in the Oriental rumpus of the Asan Bazaar, where in 1961 I had bought a small bronze Buddha, green with age. My wife and I were to become students of Zen Buddhism, and the green bronze Buddha from Kathmandu was the one I chose for a small altar in Deborah’s room in the New York hospital where she died last year of cancer, in the winter.
In the early morning of September 26, in a hard rain, with a driver, two Sherpas, and all expedition gear, we packed ourselves into the Land Rover that would carry us as far as Pokhara; two more Sherpas and five Tamang porters were to come next day by bus, in time for departure from Pokhara on the twenty-eighth. But all arrivals and departures were in doubt; it had rained without relent for thirty hours. In the calamitous weather, the journey was losing all reality, and the warm smile of a pretty tourist at the hotel desk unsettled me; where did I imagine I was going, where and why?
From Kathmandu there is a road through Gorkha country to Pokhara, in the central foothills; farther west, no roads exist at all. The road winds through steep gorges of the Trisuli River, now in torrent; dirty whitecaps filled the rapids, and the brown flood was thickened every little while by thunderous rockslides down the walls of the ravine. Repeatedly the rocks fell on the road: the driver would wait for the slide to ease, then snake his way through the debris, while all heads peered at the boulders poised overhead. In raining mountains, a group of shrouded figures passed, bearing a corpse, and the sight aroused a dim, restless foreboding.
After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then, four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone—the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom.
In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon. In the shed where we lay down, behind a sort of inn, there were mosquitoes. My friend, dreaming, cried out in his sleep. Restless, I went out at daybreak and saw three peaks of Annapurna, soaring clear of low, soft clouds. This day we would depart for the northwest.
Westward
Just as a white summer cloud, in harmony with heaven and earth freely floats in the blue sky from horizon to horizon following the breath of the atmosphere—in the same way the pilgrim abandons himself to the breath of the greater life that . . . leads him beyond the farthest horizons to...
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Taschenbuch. Zustand: Neu. Neuware - Part of the Penguin Orange Collection, a limited-run series of twelve influential and beloved American classics in a bold series design offering a modern take on the iconic Penguin paperbackWinner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition For the seventieth anniversary of Penguin Classics, the Penguin Orange Collection celebrates the heritage of Penguin's iconic book design with twelve influential American literary classics representing the breadth and diversity of the Penguin Classics library. These collectible editions are dressed in the iconic orange and white tri-band cover design, first created in 1935, while french flaps, high-quality paper, and striking cover illustrations provide the cutting-edge design treatment that is the signature of Penguin Classics Deluxe Editions today.The Snow Leopard In 1973, Peter Matthiessen and field biologist George Schaller traveled high into the remote mountains of Nepal to study the Himalayan blue sheep and possibly glimpse the rare and beautiful snow leopard. Matthiessen, a student of Zen Buddhism, was also on a spiritual quest to find the Lama of Shey at the ancient shrine on Crystal Mountain. The result is a remarkable account of a journey both physical and spiritual, as the arduous climb yields to Matthiessen a deepening Buddhist understanding of reality, suffering, impermanence, and beauty. Artikel-Nr. 9780143129523
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