The Truth About Forever - Softcover

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Sarah Dessen is the author of thirteen novels, which include the New York Times bestsellers The Moon and More, What Happened to Goodbye, Along for the Ride, Lock and Key, Just Listen, The Truth About Forever, and This Lullaby. Her first two books, That Summer and Someone Like You, were made into the movie How to Deal. 
 
Dessen’s books are frequently chosen for the Teens’ Top Ten list and the list of Best Fiction for Young Adults. They have been translated into twenty-five languages. Sarah Dessen is the recipient of the 2017 Margaret A. Edwards Award from the Young Adult division of the American Library Association.
 
Sarah Dessen graduated from the University of North Carolina at Chapel Hill with highest honors in creative writing. She lives in Chapel Hill with her husband, Jay, and their daughter, Sasha Clementine.
 
Visit Sarah at sarahdessen.com.

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Chapter One

Jason was going to Brain Camp. It had another name, a real name, but that’s what everyone called it.

“Okay,” he said, wedging a final pair of socks along the edge of his suitcase. “The list. One more time.”

I picked up the piece of paper beside me. “Pens,” I said. “Notebooks. Phone card. Camera battery. Vitamins.”

His fingers moved across the contents of the bag, finding and identifying each item. Check and double-check. With Jason, it was always about being sure.

“Calculator.” I continued, “Laptop. . . .”

“Stop,” he said, putting up his hand. He walked over to his desk, unzipping the slim black bag there, then nodded at me. “Skip down to list number two.”

I scanned down the page, found the words LAPTOP (CASE), and cleared my throat. “Blank CDs,” I said. “Surge protector. Headphones. . . .”

By the time we’d covered that, then finished the main list—stopping to cover two other sub-headings, TOILETRIES and MISCELLANEOUS—Jason seemed pretty much convinced he had everything. Which did not, however, stop him from continuing to circle the room, mumbling to himself. It took a lot of work to be perfect. If you didn’t want to break a sweat, there was no point in even bothering.

Jason knew perfect. Unlike most people, for him it wasn’t some distant horizon. For Jason, perfect was just over the next hill, close enough to make out the landscape. And it wasn’t a place he would just visit. He was going to live there.

He was the all-state math champ, head of the debate team, holder of the highest GPA in the history of our high school (he’d been taking AP classes since seventh grade, college sections since tenth), student council president two years running, responsible for an innovative school recycling program now implemented in districts around the country, fluent in Spanish and French. But it wasn’t just about academics. Jason was also a vegan and had spent the past summer building houses for Habitat for Humanity. He practiced yoga, visited his grandmother in her rest home every other Sunday, and had a pen pal from Nigeria he’d been corresponding with since he was eight years old. Anything he did, he did well.

A lot of people might find this annoying, even loathsome. But not me. He was just what I needed.

I had known this from the first day we met, in English class sophomore year. We’d been put into groups to do an assignment on Macbeth, me and Jason and a girl named Amy Richmond who, after we pulled our desks together, promptly announced she was “no good at this Shakespeare crap” and put her head down on her backpack. A second later, she was sound asleep.

Jason just looked at her. “Well,” he said, opening his textbook, “I guess we should get started.”

This was right after everything happened, and I was in a silent phase. Words weren’t coming to me well; in fact I had trouble even recognizing them sometimes, entire sentences seeming like they were another language, or backwards, as my eyes moved across them. Just printing my own name on the top of a page a few days previously, I’d second-guessed the letters and their order, not even sure of that anymore.

So of course Macbeth had totally mystified me. I’d spent the entire weekend struggling with the antiquated language and weird names of the characters, unable to even figure out the most basic aspects of the story. I opened my book, staring down at the lines of dialogue: Had I but died an hour before this chance/I had liv’d a blessed time; for, from this instant,/ there’s nothing serious in mortality:/all is but toys.

Nope, I thought. Nothing.

Lucky for me, Jason, who was not about to leave his grade in someone else’s hands, was used to taking control of group work. So he opened his notebook to a clean page, pulled out a pen, and uncapped it. “First,” he said to me, “let’s just get down the basic themes of the play. Then we can figure out what to write about.”

I nodded. All around us I could hear our classmates chattering, the tired voice of our English teacher, Mr. Sonnenberg, telling us again to please settle down.

Jason skipped down a few lines on his page. Murder, I watched him write. His handwriting was clean, block-style, and he moved across the page quickly. Power. Marriage. Revenge. Prophecy. Politics. It seemed like he could go on forever, but then he stopped and looked at me. “What else?” he asked.

I glanced back down at my book, as if somehow, the words there would suddenly form together into something coherent. I could feel Jason looking at me, not unkindly, just waiting for me to contribute.

“I don’t . . .” I said finally, then stopped, the words sticking. I swallowed, then started over. “I don’t understand it. Actually.”

I was sure, hearing this, he’d shoot me the same look he’d given Amy Richmond. But Jason surprised me, putting down his pen. “Which part?”

“Any of it,” I said, and when he didn’t roll his eyes as I’d been expecting, I added, “I mean, I know there’s a murder plot and I know there’s an invasion but the rest . . . I don’t know. It’s totally confusing.”

“Look,” he said, picking up his pen again. “It’s not as complicated as you think. The key to really understanding is to start with the prophecy about what’s going to happen . . . see, here. . . .” He started flipping pages in his book, still talking, and pointed out a passage to me. Then he read it aloud, and as his finger moved across the words it was like he changed them, magic, and suddenly they made sense.

And I felt comfort. Finally. All I’d wanted for so long was for someone to explain everything that had happened to me in this same way. To label it neatly on a page: this leads to this leads to this. I knew, deep down, it was more complicated than that, but watching Jason, I was hopeful. He took the mess that was Macbeth and fixed it, and I had to wonder if he might, in some small way, be able to do the same for me. So I moved myself closer to him, and I’d been there ever since.

Now, he zipped up his laptop case and put it on the bed with the rest of his stuff. “Okay,” he said, taking one last glance around the room. “Let’s go.”

His mom and dad were already in their Volvo when we came outside. Mr. Talbot got out, opened the trunk, and he and Jason took a few minutes getting everything situated. As I got in the backseat and put on my seatbelt, Mrs. Talbot turned around and smiled at me. She was a botanist, her husband a chemist, both of them professors. They were so scholarly that every time I saw either of them without a book in their hands they looked weird to me, as if they were missing their noses, or their elbows.

I tried not to think about this as she said, “So, Macy. What are you going to do until August without Jason?”

“I don’t know,” I said. I was working at the library, taking over Jason’s job at the information desk, but other than that, the next eight weeks were just looming ahead, empty. While I had a few friends from student council, most had gone away for the summer themselves, to Europe or camp. To be honest, Jason’s and my relationship was pretty time consuming: between yoga classes and student government stuff, not to mention all the causes we dealt with, there just hadn’t been much time for anyone else. Besides, Jason got easily...