Rumpole and the Primrose Path - Softcover

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John Mortimer is a playwright, novelist, and former practicing barrister who has written many film scripts as well as stage, radio, and television plays, the Rumpole plays, for which he received the British Academy Writer of the Year Award, and the adaptation of Evelyn Waugh’s Brideshead Revisited. He is the author of twelve collections of Rumpole stories and three acclaimed volumes of autobiography.

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Table of Contents

Title Page

Copyright Page

Dedication

Epigraph

Rumpole and the Primrose Path

Rumpole and the New Year’s Resolutions

Rumpole and the Scales of Justice

Rumpole and the Right to Privacy

Rumpole and the Vanishing Juror

Rumpole Redeemed

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RUMPOLE AND THE PRIMROSE PATH

John Mortimer is the author of eleven other Rumpole books, many of which formed the basis for the PBS-TV series Rumpole of the Bailey. His work also includes many novels and plays and three volumes of autobiography. A former barrister at the Old Bailey, London’s central criminal court, Mortimer, who was knighted in 1998, lives in Oxfordshire, England.

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First published in the Great Britain by Penguin Books Ltd 2002
First published in the United States of America by Viking Penguin,
a member of Penguin Group (USA) Inc. 2003
Published in Penguin Books 2004

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PUBLISHER’S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

THE LIBRARY OF CONGRESS HAS CATALOGED THE

Mortimer, John Clifford

Rumpole and the primrose path / John Mortimer. p. cm.

eISBN : 978-1-101-00692-4

1. Rumpole, Horace (Fictitious character)—Fiction. 2. Detective and mystery stories, English. 3. London (England)—Fiction. 4. Legal stories, English. I. Title. PR6025.O7552R’.914—dc21 2003053527

Set in Plantin

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For Kathy Lette

‘Do not, as some ungracious pastors do,
Show me the steep and thorny way to heaven,
Whiles, like a puff’d and reckless libertine,
Himself the primrose path of dalliance treads’

Act I, Scene 3

Act 2, Scene 3

Rumpole and the Primrose Path

The regular meeting of the barristers who inhabit my old Chambers in Equity Court took place, one afternoon, in an atmosphere of particular solemnity. Among those present was a character entirely new to them, a certain Luci Gribble, whom our leader, in a momentary ambition to reach the status of an ‘entrepreneur’, had taken on as Director of Marketing and Administration.

Mizz Liz Probert, observing the scene, later described Luci (why she had taken to this preposterous spelling of the name of Wordsworth’s great love was clear to nobody) as in her thirties, with a ‘short bob’, referring to hair which was not necessarily as blonde as it seemed, a thin nose, slightly hooded eyes and a determined chin. She wore a black trouser suit and bracelets clinked at her wrists. The meeting was apparently interrupted from time to time, as she gave swift instructions to the mobile phone she kept in her jacket pocket. She also wore high-heeled black boots which Liz Probert priced at not far short of three hundred pounds.

‘I’m vitally concerned with the profile of Equity Court.’ Luci had a slight northern accent and a way, Liz noticed, of raising her voice at the end of her sentence, so every statement sounded like a question. ‘I take it that it’s in the parameters of my job description to include the field of public relations and the all-important question of the company’s - that is to say’ (here Liz swears that Luci corrected herself reluctantly) ‘the Chambers’ image. Correct, Chair?’

This was an undoubted question, but it seemed to be addressed to an article offurniture, one of that old dining-room set, now much mended and occasionally wobbly, which had been bequeathed to Equity Court in the will of C. H. Wystan, my wife Hilda’s father and once Head of our Chambers. However, Soapy Sam Ballard, as ourpresent Head and so chairman of the meeting, appeared to follow the new arrival’s drift.

‘Of course that’s your job, Luci.’ Soapy Sam was on Christian-name terms with the woman who called him Chair. ‘To improve our image. That’s why we hired you. After all, we don’t want to be described as a group of old fuddy-duddies, do we?’ Chair, who might be thought by some to fit the description perfectly, smiled round at the meeting.

‘It’s not so much the fuddy-duddy label that concerns me at the moment, although I shall be including that in a future presentation. It’s the heartless thing that worries me.’

‘Heartless?’ Ballard was puzzled.

‘The public image of barristers,’ Luci told the meeting, ‘equals money-grabbing fat cats, insincere defenders of clients who are obviously guilty, chauvinists and outdated wig-wearing shysters.’

‘Did you say “shysters”?’ Claude Erskine-Brown, usually mild mannered, ever timid in Court, easily doused by a robust opponent or an impatient Judge, rose in his seat (once again this is the evidence of Liz Probert) and uttered a furious protest. ‘Linsist you withdraw that word “shyster”.’

‘No need for that, Erskine-Brown.’ Ballard was being gently judicial. ‘Luci is merely talking us through the public perception.’

‘You put it, Chair, succinctly and to the point.’ Once again, Luci was grateful to the furniture.

‘Oh, well. If it’s only the public perception.’ Erskine-Brown sank back in his seat, apparently mollified.

‘What we have to demonstrate is that barristers have outsize hearts. There is no section of the community, and we can prove this by statistics, which cares more deeply, gives more liberally to charity, signs more letters to The Times, and shows its concern for the public good by...