Endymion Spring - Softcover

Skelton, Matthew

 
9780141320359: Endymion Spring

Inhaltsangabe

Who or what is Endymion Spring? A power for good, or for evil . . . A legendary book that holds the secret to a world of knowledge . . . A young boy without a voice - whose five-hundred-year-old story is about to explode in the twenty-first century . . .

Blake is visiting Oxford with his academic mother and his kid sister. While their mum immerses herself in olde worlde volumes, Blake feels trapped in the dusty air of the college library. Until one day, Blake is running his finger along the shelf and feels something pierce his finger, drawing blood - like a bite. The book responsible is a battered old volume, with a strange clasp like a serpent's head - with real fangs. Printed on its front are words: Endymion Spring. Its paper is almost luminous - blank, wordless, but with a texture that seems to shine, and fine veins running through it. The paper quivers, as if it's alive. And as Blake looks, words begin to appear on the page - words meant only for him; words no one else can see. The book has been waiting five-hundred years for the right boy; now it must fulfill its destiny . . .

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Über die Autorin bzw. den Autor

Matthew Skelton was born in the UK but spent most of his childhood in Canada. Endymion Spring is his first novel. He started writing while working as a teaching assistant at the University of Mainz, continued when he came back to Oxford to work as a research assistant, then abandoned his jobs to live on £12 a week in a borrowed room in someone else's house while he wrote and wrote and wrote.

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Blake checked his watch—thirty-six minutes—and sighed.

He tried walking backwards now, tapping the books in reverse order, to see if this would help pass the time.
A series of stern-looking portraits glared down at him from the walls. Like magicians, they were dressed in dark capes and had sharp, pointy beards. Elaborate ruffs, like squashed chrysanthemums, burst from their collars. The older men had jaded eyes and tortoise-like skin, but there were also a few pale-faced boys like himself. He glanced at their nameplates: Thomas Sternhold (1587–1608); Jeremiah Wood (1534–1609); Isaac Wilkes (1616–37); Lucius St. Boniface de la Croix (1599–1666). Each man was holding a small book and pointing to a relevant passage with a forefinger, as though reminding future generations to remain studious and well-behaved.

Blake disregarded their frowns of disapproval and continued running his fingers along the books, rapping the spines with the back of his knuckles.

All of a sudden, he stopped.

One of the volumes had struck him back! Like a cat, it had taken a playful swipe at his fingers and ducked back into hiding. He whisked his hand away, as though stung.
He looked at his fingers, but couldn’t see anything unusual. They were smeared with dust, but there was no obvious mark or injury on his skin. Then he looked at the books to see which one had leaped out at him, but they all seemed pretty ordinary, too. Just row upon row of crumbly old volumes, like toy soldiers in leather uniforms standing to attention—except that one of them had tried to force its way into his hand.

He sucked on his finger thoughtfully. A thin trail of blood, like a paper cut, was forming where the book had nicked his knuckle.

All around him the library was sleeping in the hot, still afternoon. Shafts of sunlight hung in the air like dusty curtains and a clock ticked somewhere in the distance, a ponderous sound that seemed to slow down time. Small footsteps crept along the floorboards above. That was probably his sister, Duck, investigating upstairs. But no one else was around.
Only Mephistopheles, the college cat, a sinewy black shadow with claws as sharp as pins, was sunbathing on a strip of carpet near the window and he only cared about one thing: himself.
As far as Blake could tell, he was entirely alone. Apart, that is, from whatever was lurking on the shelf.

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