Leonardo is the greatest, most multi-faceted and most mysterious of all Renaissance artists, but extraordinarily, considering his enormous reputation, this is the first full-length biography in English for several decades. Prize-winning author Charles Nicholl has immersed himself in manuscripts, paintings and artefacts to produce an intimate portrait of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made many discoveries about him, his work and his circle of associates. The book identifies what Nicholl argues is an unknown portrait of the artist hanging in a church near Lodi in northern Italy. It also contains new material on his eccentric assistant Tomasso Masini, his homosexual affairs in Florence, and his curious relationship with a female model and/or prostitute from Cremona. This is a masterpiece of modern biography.
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Charles Nicholl is the author of nine books of history, biography, and travel, including the highly regarded The Reckoning. He has presented two documentaries for British television and has lectured in Britain, Italy, and the United States.From Publishers Weekly:
Nicholl aims for the man behind the myth in this penetrating, highly detailed biography, which recognizes da Vinci's "mysterious greatness as an artist, scientist and philosopher" but avoids hagiography (and nearly steers clear of the word "genius"). The illegitimate child of a Tuscan peasant girl and a local notary, da Vinci (1452–1519) was apprenticed as a teen to Florence sculptor Andrea del Verrocchio. Nicholl (Somebody Else: Arthur Rimbaud in Africa) conjectures convincingly about Leonardo's early career, though he tends to dwell overlong on technical aspects of Renaissance art production. Leonardo established a Florentine studio in 1477, but it was not until he moved to Milan five years later that he began to produce his iconic works: the painting Virgin of the Rocks, the famous Vitruvian Man drawing. Nicholl chronicles the production of The Last Supper and makes a firm statement about the Mona Lisa's identity. Numerous questions about Leonardo's life remain, unavoidably, unanswered, but Nicholl fills in the gaps with insight into the artist's cultural milieu, offering tidbits about Leonardo's sexuality, the sordid goings-on at the Borgia court and the multifarious fruits of the artist's astonishingly fertile curiosity and imagination. Nicholl's attention to da Vinci's polymathic pursuits, as well as his own translations from the artist's numerous notebooks, are some of this dense but readable volume's most compelling aspects. Illus.
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Buchbeschreibung Penguin Books, London, 2007. Paperback. Buchzustand: Fine copy. 2005 edition reissued. Typeset by Rowland phototypesetting. Prize-winning author Charles Nicholl has immersed himself for five years in all the manuscripts, paintings and artefacts to produce an 'intimate portrait' of Leonardo. He uses these contemporary materials - his notebooks and sketchbooks, eye witnesses and early biographies, etc - as a way into the mental tone and physical texture of his life and has made myriad small discoveries about him and his work and his circle of associates. Contents: I). Childhood: 1452-1466. II). Apprenticeship: 1466-1477. III). Independence: 1477-1482. IV). New horizons: 1482-1490. V). At court: 1490-1499. VI). On the move: 1500-1506. VII). Return to Milan: 1506-1513. VIII). Last years: 1513-1519. With author's note, introduction ('The cooling of the soup'), notes, sources and index. 30 colour plates and 142 black-and-white illustrations. XIV + 622 + (1) pag Size: 19,5cmx13cm. Artikel-Nr. 025867