Reseña del editor:
William Dean Howells's richly humorous characterization of a self-made millionaire in Boston society provides a paradigm of American culture in the Gilded Age. After establishing a fortune in the paint business, Silas Lapham moves his family from their Vermont farm to the city of Boston, where they awkwardly attempt to break into Brahmin society. Silas, greedy for wealth as well as prestige, brings his company to the brink of bankruptcy, and the family is forced to return to Vermont, financially ruined but morally renewed. As Kermit Vanderbilt points out in his Introduction, the novel focuses on important themes in the American literary tradition: the efficacy of self-help and determination, the ambiguous benefits of social and economic progress, and the continual contradiction between urban and pastoral values.
Contraportada:
Silas Lapham is a rough-hewn entrepreneur who has made his fortune in mineral paint. Socially ambitious for their daughters, Lapham and his wife encourage the suit of Tom Corey, son of an aristocratic Boston family, whose own parents are appalled by his consorting with vulgar upstarts. But which Lapham girl does Tom really love: the pretty blonde Irene or her bookish sister Penelope? As the romantic confusion is sorted out, Lapham suffers calamities that threaten both his financial and personal integrity. His rise is ultimately a moral one. The first major American novel to centre on a businessman, The Rise of Silas Lapham (1885) explores the capitalist ethos of the American Gilded Age. It is also a brilliant novel of manners that shows the comic confrontation of old wealth and new riches.
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