William Caldicott has travelled to France to uncover the mystery of his brother James's disappearance. Having learnt the truth, William also discovers that he has inherited the lease to Jericho, James's Provencal house. This book is a sequel to the novel "Jericho".
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William Caldicott has travelled to France to uncover the mystery of his brother James's disappearance. Having learnt the truth, William also discovers that he has inherited the lease to Jericho, James's Provencal house. This book is a sequel to the novel "Jericho".
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Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . Artikel-Nr. 7719-9780140237450
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Zustand: Wie neu. 4. Auflage. 279 Seiten mit vielen Abbildungen. Solid, clean and tight paperback. Sehr guter Zustand. Aus der Bibliothek der Gräfin Ledebur. Very Good. William Caldicott has travelled to France to uncover the mystery of his brother James's disappearance. Having learnt the truth, William also discovers that he has inherited the lease to Jericho, James's Provencal house. This book is a sequel to the novel "Jericho". - wikipedia--wiki-Dirk_Bogarde: Sir Dirk Bogarde (28 March 1921 8 May 1999) was an English actor and novelist. Initially a matinee idol in such films as Doctor in the House (1954) and other Rank Organisation pictures, Bogarde later acted in art-house films like Death in Venice (1971). He also wrote several volumes of autobiography. Early years Bogarde was born Derek Jules Gaspard Ulric Niven van den Bogaerde in a nursing home at 12 Hemstal Road,[1] West Hampstead, London, of mixed Flemish, Dutch and Scottish ancestry, and baptised on 30 October at St. Mary's Church, Kilburn.[1] His father, Ulric van den Bogaerde (born in Perry Barr, Birmingham), was the art editor of The Times and his mother, Margaret Niven, was a former actress. He attended University College School,[2] the former Allan Glen's School in Glasgow (a time he described in his autobiography as unhappy, although others have disputed his account)[3] and later studied at the Chelsea College of Art and Design. War service: Bogarde served in World War II, being commissioned into the Queen's Royal Regiment in 1943. He reached the rank of major and served in both the European and Pacific theatres, principally as an intelligence officer. He claimed to have been one of the first Allied officers in April 1945 to reach the Bergen-Belsen concentration camp in Germany, an experience that had the most profound effect on him and about which he found it difficult to speak for many years afterward. As John Carey has summed up with regard to John Coldstream's authorised biography however, "it is virtually impossible that he (Bogarde) saw Belsen or any other camp. Things he overheard or read seem to have entered his imagination and been mistaken for lived experience."[4] Coldstream's analysis seems to conclude that this was indeed the case.[5] Nonetheless, the horror and revulsion at the cruelty and inhumanity that he claimed to have witnessed still left him with a deep-seated hostility towards Germany; in the late-1980s he wrote that he would disembark from a lift rather than ride with a German.[6] Nevertheless, three of his more memorable film roles were as Germans, one of them as a former SS officer in The Night Porter.[7] He was most vocal, towards the end of his life, on the issue of voluntary euthanasia, of which he became a staunch proponent after witnessing the protracted death of his lifelong partner and manager Anthony Forwood (the former husband of actress Glynis Johns) in 1988. He gave an interview to John Hofsess, London executive director of the Voluntary Euthanasia Society: "My views were formulated as a 24-year-old officer in Normandy . On one occasion the jeep ahead hit a mine . Next thing I knew, there was this chap in the long grass beside me. A bloody bundle, shrapnel-ripped, legless, one arm only. The one arm reached out to me, white eyeballs wide, unseeing, in the bloody mask that had been a face. A gurgling voice said, 'Help. Kill me.' With shaking hands I reached for my small pouch to load my revolver . I had to look for my bullets -- by which time somebody else had already taken care of him. I heard the shot. I still remember that gurgling sound. A voice pleading for death" . "During the war I saw more wounded men being 'taken care of' than I saw being rescued. Because sometimes you were too far from a dressing station, sometimes you couldn't get them out. And they were pumping blood or whatever; they were in such a wreck, the only thing to do was to shoot them. And they were, so don't think they weren't. That hardens you: You get used to the fact that it can happen. And that it is the only sensible thing to do". Film career: His London West End theatre-acting debut was in 1939, with stage name "Derek Bogaerde" in J. B. Priestley's play Cornelius. After the war his agent renamed him "Dirk Bogarde", and his good looks helped him begin a career as a film actor, contracted to The Rank Organisation.[8] During the 1950s, Bogarde came to prominence playing a hoodlum who shoots and kills a police constable in The Blue Lamp (1950) co-starring Jack Warner and Bernard Lee; by portraying a murderer who befriends a young boy played by Jon Whiteley in Hunted (aka The Stranger in Between) (1952); in Appointment in London (1953) as a young airman in Bomber Command who, against orders, joins a major offensive against the Germans; The Sea Shall Not Have Them (1954), playing a flight sergeant trapped in a dinghy with Michael Redgrave; Doctor in the House (1954), as a medical student, in a film that made Bogarde one of the most popular British stars of the 1950s, and co-starring Kenneth More, Donald Sinden and James Robertson Justice as their crabby mentor; The Sleeping Tiger (1954), playing a neurotic criminal with co-star Alexis Smith, and Bogarde's first film for American expatriate director Joseph Losey; Doctor at Sea (1955), co-starring Brigitte Bardot in one of her first film roles; Cast a Dark Shadow (1955), as a man who marries women for money and then murders them; The Spanish Gardener (1956), co-starring Cyril Cusack, Jon Whiteley and Bernard Lee; Doctor at Large (1957), another entry in the "Doctor series", co-starring later Bond girl Shirley Eaton; A Tale of Two Cities (1958), a faithful retelling of Charles Dickens' classic; The Doctor's Dilemma (1959), based on a play by George Bernard Shaw and co-starring Leslie Caron and Robert Morley, (not a part of the "Doctor series"); and Libel (1959), playing two separate roles and co-starring Olivia de Havilland. Bogarde quickly became a matinee idol and was Britain's number one box. Artikel-Nr. 44259
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Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine. Artikel-Nr. CHL1387725
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