Temporarily putting aside his role as playwright, director, and screen-writer, David Mamet digs deep and delivers thirty outrageously diverse vignettes. On subjects ranging from the vanishing American pool hall, family vacations, and the art of being a bitch, to the role of today's actor, his celebrated contemporaries and predecessors, and his undying commitment to the theater, David Mamet's concise style, lean dialogue, and gut-wrenching honesty give us a unique view of the world as he sees it.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
David Mamet 's Glengarry Glen Ross won the Pulitzer Prize for drama in 1984. He is also the author of Writing in Restaurants and On Directing Film, both available from Penguin.From Library Journal:
The title of Mamet's first collection of essays and speeches certainly doesn't suggest the themes of commitment and excellence. Nevertheless, if a collection of 28 essays on a variety of topics can be said to have an overarching theme or themes, then surely commitment and excellence sound clearly. These essays, apparently written over a considerable span of years, treat topics ranging from radio drama through middle-class fashion trends to the Academy Awards and the use of amplification in theaters. In nearly all of them, however, Mamet finds his way back to his twin themes. Some of the most rewarding efforts are "Radio Drama," "Acting," and "Notes on The Cherry Orchard ." Mamet's sense of humor is also evident. Libraries that have his dramatic works will also want this. Theodore O. Wohlsen, Jr., Connecticut State Lib., Hartford
Copyright 1986 Reed Business Information, Inc.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.