Written by two of the leading film scholars, Film History: An Introduction, is the long-awaited, comprehensive survey that not only acknowledges the contributions of Hollywood and films from other U.S. sources, but broadens its scope to examine filmmaking internationally. As with the authors' bestselling Film Art, Fifth Edition, concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use publicity stills. Any serious film scholar -- professor, undergraduate, or graduate student -- will want to see and keep Film History.
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Kristin Thompson is an Honorary Fellow at the University of Wisconsin - Madison. She holds a master's degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin - Madison. She has published Eisenstein's Ivan the Terrible (Princeton University Press, 1981), Exporting Entertainment: America's Place in World Film Markets, 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), and Wooster Proposes, Jeeves Disposes; or Le Mot Juste (James H. Heinman, 1992). In her spare time she studies Egyptology. The authors have collaborated on Film History (McGraw-Hill, 1994) with Janet Staiger, on The Classical Hollywood Cinema (Columbia University Press, 1985) and Storytelling in the New Hollywood (Harvard University Press, 1999)
David Bordwell is Jacques Ledoux Professor of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate from the University of Iowa. He is the author of The Films of Carl Theodor Dreyer (University California Press, 1981), Narration in the Fiction Film (University Wisconsin Press, 1985), Ozu and the Poetics of Cinema (British Film Institute/Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997) and Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000). He has won a University Distinguished Teaching Award.
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Paperback. Zustand: Good. Written by two leading film scholars, this text acknowledges the contributions of Hollywood and films from other US sources, as well as examining film-making internationally. Concepts and events are illustrated with over 1400 frame enlargements. The text takes a holistic approach by providing an in-depth look at the historical influences of film-makers from around the globe. The subject of each chapter is placed in its social context. The four types of cinema - commercial, experimental, documentary and animated film - are covered consistently throughout the book. The importance of the individual film-maker is highlighted. For example, Chapter 29, "Art Cinema and the Idea of Authorship", examines the contributions of eight international directors - Ingmar Bergman, Akira Kurosawa and Federico Fellini, amongst others - whose works demonstrate the idea of authorship and have been the catalysts for change in cinematic history. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Artikel-Nr. GOR001582030
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