Outlines the history of printmaking in the United States and provides a critical analysis of the prints of contemporary American artists, such as Chuck Close, Robert Motherwell, and Jasper Johns
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 238206-6
Anzahl: 2 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 50923936-6
Anzahl: 1 verfügbar
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Artikel-Nr. 238206-6
Anzahl: 1 verfügbar
Anbieter: West Cove UK, Wellington, Vereinigtes Königreich
Hardcover. Zustand: Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in good condition. Hardcover. English. See images for condition. About the book >.>.> Published in association with the Whitney Museum of American Art, this provoca-tive interpretation of the American print tradition provides a new understanding of American printmakers - their art and their working methods - from the seventeenth century to the present. Judith Goldman focuses selectively on certain artists who, at different periods, represent a particular style, technique or significant example of American print-making. The first part of the book is a historical introduction, surveying American printmaking from John Foster's 1670 portrait of the Rev. Richard Mather to the influence of Stanley William Hayter's Atelier 17 in the 1950s. The second part covers the period beginning around 1960, with the establishment of print workshops, and includes the working, trial, and final proofs of fourteen contemporary American painters with an essay on each artist's work. The artists included are: Chuck Close, Jim Dine, Sam Francis, Helen Frankenthaler, Jasper Johns, Vincent Longo, Michael Mazur, Robert Motherwel. Artikel-Nr. Batch-FM650-G-13410
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