The Cutting Room: Book 2 in the Ruth Lake and Greg Carver Series – A British Serial Killer Police Thriller - Softcover

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Ashley Dyer is a writing duo based in the United Kingdom.

Margaret Murphy is a Writing Fellow and Reading Round Lector for the Royal Literary Fund, a past chair of the Crime Writers Association (CWA), and founder of Murder Squad. A CWA Short Story Dagger winner, she has been shortlisted for the First Blood critics’ award for crime fiction as well as the CWA Dagger in the Library. Under her own name she has published nine psychological suspense and police procedural novels.

Helen Pepper is a senior lecturer in policing at Teesside University. She has been an analyst, forensic scientist, scene of crime officer, CSI, and crime scene manager. She has coauthored, as well as contributed to, professional policing texts. Her expertise is in great demand with crime writers: she is a judge for the CWA’s Gold Dagger for Non-Fiction Award, and is a forensic consultant on both the Vera and Shetland TV series.

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Detectives Ruth Lake and Greg Carver, introduced in the electrifying Splinter in the Blood, must stop a serial killer whose victims are the centerpiece of his macabre works of art

While Britain is obsessed with the newest hit true-crime television show, Fact, or Fable?, detectives Ruth Lake and Greg Carver are tormented by a fiendish flesh-and-blood killer on the loose.

Lured to a “crime scene” by a mysterious digital invitation, Ruth Lake is horrified by what she finds: a bizarre and gruesome tableau surrounded by a crowd of gawkers. The deadly work is the latest “art installation” designed by a diabolical criminal dubbed the Ferryman. Not only is this criminal cold-blooded; he’s a narcissistic exhibitionist desperate for an audience. He’s also clever at promoting his deadly handiwork. Exploiting England’s current true-crime craze, he uses social media to titillate and terrorize the public.

Ruth is joined in the investigation by her partner, Greg Carver, who is slowly regaining his strength after a run-in with another sadistic criminal. But Greg can’t seem to shake the bewildering effects of the head wound that nearly ended him. Are the strange auras blurring his vision an annoying side effect of his injury, or could they be something more . . . a tool to help him see a person’s true nature?