Before I Go To Sleep: A Novel - Hardcover

Watson, S. J.

 
9780062060556: Before I Go To Sleep: A Novel

Inhaltsangabe

“Thebest debut novel I’ve ever read.”—Tess Gerritsen,bestselling author of the Rizzoli & Isles series

“Anexceptional thriller. It left my nerves jangling for hours after I finished thelast page.” —Dennis Lehane, New York Times bestselling author of Moonlight Mile

S. J. Watson makes his powerful debutwith this  compelling, fast-paced  psychological thriller,reminiscent of Shutter Island and Memento, in which an amnesiac who,following a mysterious accident, cannot remember her past or form newmemories, desperately tries to uncover the truth about who she is—and whoshe can trust.

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Über die Autorin bzw. den Autor

S. J. WATSON was born in the Midlands. His first novel was the award-winning Before I Go to Sleep, which has sold more than four million copies in over forty languages, followed by the critically acclaimed novel Second Life. S. J. Watson lives in London.

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"As I sleep, my mind will erase everything I did today. I will wake up tomorrow as I did this morning. Thinking I’m still a child. Thinking I have a whole lifetime of choice ahead of me. . . ."

Memories define us.

So what if you lost yours every time you went to sleep?

Your name, your identity, your past, even the people you love—all forgotten overnight.

And the one person you trust may be telling you only half the story.

Welcome to Christine's life.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Before I Go To Sleep

A NovelBy S.J. Watson

HarperCollins

Copyright © 2011 S.J. Watson
All right reserved.

ISBN: 9780062060556

Chapter One

Tod a y
The bedroom is strange. Unfamiliar. I don?t know where
I am, how I came to be here. I don?t know how I?m going to
get home.
I have spent the night here. I was woken by a woman?s voice?
at first I thought she was in bed with me, but then realized she was
reading the news and I was hearing a radio alarm?and when I
opened my eyes found myself here. In this room I do not

recognize.
My eyes adjust and I look around in the near-dark. A dressing
gown hangs off the back of the closet door?suitable for a woman,
but for one much older than I am?and some dark-colored

trousers are folded neatly over the back of a chair at the dressing table,
but I can make out little else. The alarm clock looks complicated,
but I find a button and manage to silence it.
It is then that I hear a juddering intake of breath behind me
and realize I am not alone. I turn around. I see an expanse of skin
and dark hair, flecked with white. A man. He has his left arm

outside the covers and there is a gold band on the third finger of the
hand. I suppress a groan. So this one is not only old and gray, I think,
but also married. Not only have I screwed a married man, but I have done so
in what I am guessing is his home, in the bed he must usually share with his
wife. I lie back to gather myself. I ought to be ashamed.
I wonder where the wife is. Do I need to worry about her arriving
back at any moment? I imagine her standing at the other side
of the room, screaming, calling me a slut. A Medusa. A mass of
snakes. I wonder how I will defend myself, if she does appear. The
guy in the bed does not seem concerned, though. He has turned
over and snores on.
I lie as still as possible. Usually I can remember how I get into
situations like this, but not today. There must have been a party,
or a trip to a bar or a club. I must have been pretty wasted. Wasted
enough that I don?t remember anything at all. Wasted enough to
have gone home with a man with a wedding ring and hairs on his
back.
I fold back the covers as gently as I can and sit on the edge of
the bed. First, I need to use the bathroom. I ignore the slippers at
my feet?after all, fucking the husband is one thing, but I could
never wear another woman?s shoes?and creep barefoot onto
the landing. I am aware of my nakedness, fearful of choosing the
wrong door, of stumbling in on a lodger, a teenage son. Relieved, I
see the bathroom door is ajar and go in, locking it behind me.
I sit, use the toilet, then flush it and turn to wash my hands. I
reach for the soap, but something is wrong. At first I can?t work out
what it is, but then I see it. The hand gripping the soap does not
look like mine. Its skin is wrinkled, the nails are unpolished and
bitten to the quick and, like that of the man in the bed I have just
left, the third finger wears a plain gold wedding ring.
I stare for a moment, then wriggle my fingers. The fingers of
the hand holding the soap move also. I gasp, and the soap thuds
into the sink. I look up at the mirror.
The face I see looking back at me is not my own. The hair has
no volume and is cut much shorter than I wear it; the skin on the
cheeks and under the chin sags; the lips are thin; the mouth turned
down. I cry out, a wordless gasp that would turn into a shriek of
shock were I to let it, and then notice the eyes. The skin around
them is lined, yes, but despite everything else, I can see that they
are mine. The person in the mirror is me, but I am twenty years
too old. Twenty-five. More.
This isn?t possible. I begin to shake and grip the edge of the
sink. Another scream begins to rise in my chest and this one
erupts as a strangled gasp. I step back, away from the mirror, and
it is then that I see them. Photographs. Taped to the wall, to the
mirror itself. Pictures, interspersed with yellow pieces of gummed
paper, felt-tipped notes, damp and curling.
I choose one at random. Christine, it says, and an arrow points
to a photograph of me?this new me, this old me?in which I am
sitting on a bench on the side of a quay, next to a man. The name
seems familiar, but only distantly so, as if I am having to make
an effort to believe that it is mine. In the photograph we are both
smiling at the camera, holding hands. He is handsome, attractive,
and when I look closely, I can see that it is the same man I slept
with, the one I left in the bed. The word Ben is written beneath it,
and next to it, Your husband.
I gasp, and rip it off the wall. No, I think. No! It cannot be . . . I
scan the rest of the pictures. They are all of me, and him. In one
I am wearing an ugly dress and unwrapping a present, in another
both of us wear matching weatherproof jackets and stand in front
of a waterfall as a small dog sniffs at our feet. Next to it is a picture
of me sitting beside him, sipping a glass of orange juice, wearing
the dressing gown I have seen in the bedroom next door.
I step back farther, until I feel cold tiles against my back. It is
then I get the glimmer that I associate with memory. As my mind
tries to settle on it, it flutters away, like ashes caught in a breeze,
and I realize that in my life there is a then, a before, though before
what I cannot say, and there is a now, and there is nothing between
the two but a long, silent emptiness that has led me here, to
me and him, in this house.

I go back into the bedroom. I still have the picture in my
hand?the one of me and the man I had woken up with?and I
hold it in front of me.
?What?s going on?? I say. I am screaming; tears run down my
face. The man is sitting up in bed, his eyes half-closed. ?Who are
you??
?I?m your husband,? he says. His face is sleepy, without a trace
of annoyance. He does not look at my naked body. ?We?ve been
married for years.?
?What do you mean?? I say. I want to run, but there is

nowhere to go. ? ?Married for years?? What do you mean??
He stands up. ?Here,? he says, and passes me the dressing gown,
waiting while I put it on. He is wearing pajama trousers that are too
big for him, a white T-shirt. He reminds me of my father.
?We got married in 1985,? he says. ?Twenty-two years ago.
You??
?What??? I feel the blood drain from my face, the room begin
to spin. A clock ticks somewhere in the house, and it sounds as loud
as a hammer. ?But??? He takes a step toward me. ?How???
?Christine, you?re forty-seven now,? he says. I look at him, this
stranger who is smiling at me. I don?t want to believe him, don?t
want to even hear what he is saying, but he carries on. ?You had
an accident,? he says. ?A bad accident. You suffered head injuries.
You have problems remembering things.?
?What things?? I say, meaning, surely not the last twenty-five years?
?What things??
He steps toward me again, approaching me as if I am a

frightened animal. ?Everything,? he says. ?Sometimes starting from
your early twenties. Sometimes even earlier than that.?
My mind spins, whirring with dates and ages. I don?t want to
ask, but know that I must. ?When . . . when was my...

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