Über die Autorin bzw. den Autor

Christopher Andersen is the critically acclaimed author of twenty-eight books, which have been translated into more than twenty-five languages worldwide. A former contributing editor of Time magazine and senior editor of People magazine, Andersen has also written hundreds of articles for a wide range of publications, including Life magazine, the New York Times, and Vanity Fair.

Von der hinteren Coverseite

From the author of The Day Diana Died and The Day John Died comes this fascinating New York Times bestseller about one of the greatest legends who ever lived—Barbra Streisand—revealing an up-close, intimate portrait of the woman behind the star.

She is a global icon, the ultimate diva, the Brooklyn girl made good, the ugly duckling who blossomed into a modern-day Nefertiti, the Oscar-winning actress and bona fide movie mogul, and arguably the greatest female singer who has ever lived. Yet even to the multitudes who idolize her, Streisand has remained aloof, unknowable, tantalizingly beyond reach . . . until now.

Drawing from in-depth interviews with eyewitnesses to her remarkable life and career, #1 New York Times bestselling author Christopher Andersen paints a fascinating, startling portrait of Barbra Joan Streisand—the artist, the woman, a true American original.

Auszug. © Genehmigter Nachdruck. Alle Rechte vorbehalten.

Barbra

HarperCollins Publishers, Inc.

Chapter One

"What?" Barbra Streisand blurted into the phone, her voice hovering somewhere between anguish and resignation. "So he'll be in China?" She had given concerts that raised millions for him and his party, despite paralyzing stage fright and her own abiding fear that someday she would be assassinated onstage. She had defended him against charges that now threatened to topple his presidency. She had not put up a fight when Hillary Clinton, furious that Streisand had been an overnight guest of her husband's at the White House while the First Lady was at her dying father's bedside in Arkansas, reportedly banned Barbra from staying at the Executive Mansion. And while speculation ran rampant about the true nature of her relationship with the President, Streisand gallantly held her tongue. She had even befriended his mother, and consoled him following her death from breast cancer in 1994.

After all Barbra had done for him -- and had been through with him -- Bill Clinton had no intention of altering the dates of his nine-day visit to China so that he could attend her wedding to James Brolin. Nor was there any point in postponing the ceremony in hopes of catching Clinton on his way back from China; the President was simply "unavailable."

It came as less of a surprise that Hillary, who had always been suspicious of Barbra's motives in cozying up to Bill, also turned down the invitation. As it happened, both the First Lady and First Daughter Chelsea Clinton would also be heading for China at the end of June 1998. There was one Clinton who would be attending Barbra's wedding: Bill's little brother Roger, a failed rocker who once did prison time for selling cocaine.

"She was disappointed, of course," said an Arkansas friend of the Clintons, "but I think she understood that there was no way Bill could postpone that trip to China, even for her." Barbra was not about to complain directly to the President. She had other ways of coping with disappointment; she took her frustrations out on the hired help -- and, whenever possible, on thepress.

July 1, 1998
Malibu

A squadron of press helicopters churned high above Malibu's Point Dume, the din from their rotors competing with the relentless banshee shriek of White Zombie's "Thunder Kiss 65." It was not enough that reporters were held back by barricades fifty yards down the road from the sprawling Mediterranean-style estate. On Barbra's orders, a large black van equipped with gigantic speakers was parked within a few feet of the barricades, blasting heavy metal so that it was virtually impossible for television reporters to file their stories. Neighbors seethed, but no matter: The black van was parked far enough away so as not to disturb the mistress of the house, or her guests.

"Can they do this?" she had pleaded to anyone who would listen. "Can they fly over my house like that and take pictures of my goddamned wedding?" Legally, reporters were well within their rights to do so -- as long as the helicopters did not descend below what was considered a safe altitude of five hundred feet.

Still, Streisand publicist Dick Guttman had warned them to keep their distance so "sacred vows can be heard." Since the press was not about to comply, Barbra decided the earsplitting White Zombie counterattack was her only recourse. While hapless reporters shouted into their microphones, straining to be heard over the mayhem outside, beefy, grim-faced security guards in dark suits and sunglasses manned the front entrance of Streisand's estate, matching names to lists, checking badges, and muttering into walkie-talkies. They were just part of the sixty-member security force hired to police the property as if it were a U.S. embassy under siege.

Behind the walls of the embattled compound, another, even larger army of floral arrangers, musicians, bartenders, cooks, busboys, waitresses, handymen, and parking valets scurried about as they prepared to man their posts. At the center of it all, the tiny figure in bathrobe and slippers strode purposefully down one of the brick walkways that snaked across the grounds, trailing a hand-wringing cadre of caterers and gardeners in her wake. It had been two years to the day since she first met veteran television star James Brolin, and Barbra Streisand wanted nothing less for their wedding than she wanted for every other project she undertook: perfection.

While she had played the part -- most memorably as Fannie Brice camping it up onstage during the pregnant-bride sequence in Funny Girl ("I am the beautiful reflection of my love's affection . . .") -- Barbra had never had a real wedding of her own. Her 1963 marriage to actor Elliott Gould had been performed by a justice of the peace in Carson City, Nevada. This time, Brolin, fully aware that his fiancée had felt cheated, was urging Barbra to pull out the stops. The groom's disarming naïveté notwithstanding, Barbra was more sensitive to the perception of any fifty-six-year-old woman -- much less one of the world's most famous, wealthy, and powerful ones -- trying to play the blushing bride. It was a daunting assignment, but one that Barbra believed she could pull off. There was only one requirement: that everyone do exactly what she told them to do.

Control. It was the one thing Barbra Streisand had sought to assert, with varying degrees of success, in every facet of her life. Control over her art and, by extension, over her career -- over the music she recorded, the movies she made, the concerts she gave. Control over her fortune -- now estimated at more than $120 million -- and total command of all that that entailed: the details of every clause in every contract, of every share of stock purchased, of every acre acquired, of every dollar doled out to charity. Control of her environment, right down to the subtle gradations of color in the roses grown at her sprawling Malibu estate. Control over her own psyche, though after more than thirty years of therapy, that seemed as elusive as ever. Control over her spirituality, rooted in Judaism and a yearning to connect with a father she never knew.

Excerpted from Barbraby Christopher Andersen Copyright © 2007 by Christopher Andersen. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.