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Ami McKay is the author of the number–one Canadian bestseller The Birth House, winner of three Canadian Booksellers Association Libris Awards, and a nominee for the International IMPAC Dublin Literary Award, and The Virgin Cure. Originally from Indiana, she now lives with her husband and two sons in Nova Scotia.

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An arresting portrait of the struggles that women faced for control of their own bodies, The Birth House is the story of Dora Rare—the first daughter in five generations of Rares.

As apprentice to the outspoken Acadian midwife Miss Babineau, Dora learns to assist the women of an isolated Nova Scotian village through infertility, difficult labors, breech births, unwanted pregnancies, and unfulfilling sex lives. During the turbulent World War I era, uncertainty and upheaval accompany the arrival of a brash new medical doctor and his promises of progress and fast, painless childbirth. In a clash between tradition and science, Dora finds herself fighting to protect the rights of women as well as the wisdom that has been put into her care.

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The Birth House

HarperCollins Publishers, Inc.

Chapter One

Ever since I can remember, people have had more than enough to say about me. As the only daughter in five generations of Rares, most figure I was changed by faeries or not my father's child. Mother works and prays too hard to have anyone but those with the cruellest of tongues doubt her devotion to my father. When there's no good explanation for something, people of the Bay find it easier to believe in mermaids and moss babies, to call it witchery and be done with it. Long after the New England Planters' seed wore the Mi'kmaq out of my family's blood, I was born with coal black hair, cinnamon skin and a caul over my face. A foretelling. A sign. A gift that supposedly allows me to talk to animals, see people's deaths and hear the whisperings of spirits. A charm for protection against drowning.

When one of Laird Jessup's Highland heifers gave birth to a three-legged albino calf, talk followed and people tried to guess what could have made such a creature. In the end, most people blamed me for it. I had witnessed the cow bawling her calf onto the ground. I had been the one who ran to the Jessups' to tell the young farmer about the strange thing that had happened. Dora talked to ghosts, Dora ate bat soup, Dora slit the Devil's throat and flew over the chicken coop. My classmates chanted that verse between the slats of the garden gate, along with all the other words their parents taught them not to say. Of course, there are plenty of schoolyard stories about Miss B. too, most of them ending with, if your cat or your baby goes missing, you'll know where to find the bones. It's talk like that that's made us such good friends. Miss B. says she's glad for gossip. "It keep folks from comin' to places they don't belong."

Most days I wake up and say a prayer. I want, I wish, I wait for something to happen to me. While I thank God for all good things, I don't say this verse to Him, or to Jesus or even to Mary. They are far too busy to be worrying about the affairs and wishes of my heart. No, I say my prayer more to the air than anything else, hoping it might catch on the wind and find its way to anything, to something that's mine. Mother says, a young lady should take care with what she wishes for. I'm beginning to think she's right.

Yesterday was fair for a Saturday in October—warm, with no wind and clear skies—what most people call fool's blue. It's the kind of sky that begs you to sit and look at it all day. Once it's got you, you'll soon forget whatever chores need to be done, and before you know it, the day's gone and you've forgotten the luck that's to be lost when you don't get your laundry and yourself in out of the cold. Mother must not have noticed it . . . before breakfast was over, she'd already washed and hung two baskets of laundry and gotten a bushel of turnips ready for Charlie and me to take to Aunt Fran's. On the way home, I spotted a buggy tearing up the road. Before the thing could run us over, the driver pulled the horses to a stop, kicking up rocks and dust all over the place. Tom Ketch was driving, and Miss Babineau sat in the seat next to him. She called out to me, "Goin' out to Deer Glen to catch a baby and I needs an extra pair of hands. Come on, Dora."

Even though I'd been visiting her since I was a little girl (stopping by to talk to her while she gardened, or bringing her packages up from the post), I was surprised she'd asked me to come along. When my younger brothers were born and Miss B. came to the house, I begged to stay, but my parents sent me to Aunt Fran's instead. Outside of watching farmyard animals and a few litters of pups, I didn't have much experience with birthing. I shook my head and refused. "You should ask someone else. I've never attended a birth . . ."

She scowled at me. "How old are you now, fifteen, sixteen?"

"Seventeen."

She laughed and reached out her wrinkled hand to me. "Mary-be. I was half your age when I first started helpin' to catch babies. You've been pesterin' me about everything under the sun since you were old enough to talk. You'll do just fine."

Marie Babineau's voice carries the sound of two places: the dancing, Cajun truth of her Louisiana past and the quiet-steady way of talk that comes from always working at something, from living in the Bay. Some say she's a witch, others say she's more of an angel. Either way, most of the girls in the Bay (including me) have the middle initial of M, for Marie. She's not a blood relative to anyone here, but we've always done our part to help take care of her. My brothers chop her firewood and put it up for the winter while Father makes sure her windows and the roof on her cabin are sound. Whenever we have extra preserves, or a loaf of bread, or a basket of apples, Mother sends me to deliver them to Miss B. "She helped bring all you children into this world, and she saved your life, Dora. Brought your fever down when there was nothing else I could do. Anything we have is hers. Anything she asks, we do."

Excerpted from The Birth Houseby Ami McKay Copyright ©2007 by Ami McKay. Excerpted by permission.
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