"The life she describes is heroic...yet astonishingly full, with political work, writing, friendships, lovers and travel."— San Francisco Chronicle
The second volume of Doris Lessing's extraordinary autobiography covers the years 1949-62, from her arrival in war-weary London with her son, Peter, and the manuscript for her first novel, The Grass is Singing, under her arm to the publication of her most famous work of fiction, The Golden Notebook. She describes how communism dominated the intellectual life of the 1950s and how she, like nearly all communists, became disillusioned with extreme and rhetorical politics and left communism behind. Evoking the bohemian days of a young writer and single mother, Lessing speaks openly about her writing process, her friends and lovers, her involvement in the theater, and her political activities. Walking in the Shade is an invaluable social history as well as Doris Lessing's Sentimental Education.
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Winner of the 2007 Nobel Prize in Literature, Doris Lessing was one of the most celebrated and distinguished writers of our time, the recipient of a host of international awards. She wrote more than thirty books—among them the novels Martha Quest, The Golden Notebook, and The Fifth Child. She died in 2013.
Doris Lessing joined the Communist Party in London, and here she explores the allure Communism held for artists, intellectuals, and social reformist idealists in the '50s. A fascinating meditation on the psychological, sociological and historical roots of a generation's behavior, Lessing offers insight into the ideological and political madness of the post-war era.
Lessing also evokes the bohemian life she led in post-war London: her work in the theater, her romantic liaisons, her books, her single parenting and the tenor and texture of life in the '50s. Among those who appear in these pages are Clancy Sigal, Nelson Algren, Henry Kissinger, Kenneth Tynan and Bertrand Russell, to name a few. She muses at length about the relationships between men and women, offering provocative insights into the attitudes of American men toward sex, women and love.
The last section of the memoir describes the writing of her most famous novel, The Golden Notebook. It offers a fascinating account of the creative process by which a literary masterpiece is conceived and executed.
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