A pious man explained to his followers: “It is evil to take lives and noble to save them. Each day I pledge to save a hundred lives. I drop my net in the lake and scoop out a hundred fishes. I place the fishes on the bank, where they flop and twirl. ‘Don’t be scared,’ I tell those fishes. ‘I am saving you from drowning.’ Soon enough, the fishes grow calm and lie still. Yet, sad to say, I am always too late. The fishes expire. And because it is evil to waste anything, I take those dead fishes to market and I sell them for a good price. With the money I receive, I buy more nets so I can save more fishes.” —Anonymous
Twelve American tourists join an art expedition that begins in the Himalayan foothills of China—dubbed the true Shangri-La—and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers as they come to discover that the Burma Road is paved with less-than-honourable intentions, questionable food, and tribal curses.
And then, on Christmas morning, eleven of the travellers boat across a misty lake for a sunrise cruise—and disappear. Drawing from the current political reality in Burma and woven with pure confabulation, Amy Tan’s picaresque novel poses the question: How can we discern what is real and what is fiction, in everything we see? How do we know what to believe? Saving Fish from Drowning finds sly truth in the absurd: a reality TV show called Darwin’s Fittest, a repressive regime known as SLORC, two cheroot-smoking twin children hailed as divinities, and a ragtag tribe hiding in the jungle—where the sprites of disaster known as Nats lurk, as do the specters of the fabled Younger White Brother and a British illusionist who was not who he was worshipped to be.
With her signature “idiosyncratic, sympathetic characters, haunting images, historical complexity, significant contemporary themes, and suspenseful mystery” (Los Angeles Times), Amy Tan spins a provocative and mesmerizing tale about the mind and the heart of the individual, the actions we choose, the moral questions we might ask ourselves, and above all, the deeply personal answers we seek when happy endings are seemingly impossible.
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Amy Tan, who has an unerring eye for relationships between mothers and daughters, especially Chinese-American, has departed from her well-known genre in Saving Fish From Drowning. She would be well advised to revisit that theme which she writes about so well.
The title of the book is derived from the practice of Myanmar fishermen who "scoop up the fish and bring them to shore. They say they are saving the fish from drowning. Unfortunately... the fish do not recover," This kind of magical thinking or hypocrisy or mystical attitude or sheer stupidity is a fair metaphor for the entire book. It may be read as a satire, a political statement, a picaresque tale with several "picaros" or simply a story about a tour gone wrong.
Bibi Chen, San Francisco socialite and art vendor to the stars, plans to lead a trip for 12 friends: "My friends, those lovers of art, most of them rich, intelligent, and spoiled, would spend a week in China and arrive in Burma on Christmas Day." Unfortunately, Bibi dies, in very strange circumstances, before the tour begins. After wrangling about it, the group decides to go after all. The leader they choose is indecisive and epileptic, a dangerous combo. Bibi goes along as the disembodied voice-over.
Once in Myanmar, finally, they are noticed by a group of Karen tribesmen who decide that Rupert, the 15-year-old son of a bamboo grower is, in fact, Younger White Brother, or The Lord of the Nats. He can do card tricks and is carrying a Stephen King paperback. These are adjudged to be signs of his deity and ability to save them from marauding soldiers. The group is "kidnapped," although they think they are setting out for a Christmas Day surprise, and taken deep into the jungle where they languish, develop malaria, learn to eat slimy things and wait to be rescued. Nats are "believed to be the spirits of nature--the lake, the trees, the mountains, the snakes and birds. They were numberless ... They were everywhere, as were bad luck and the need to find reasons for it." Philosophy or cynicism? This elusive point of view is found throughout the novel--a bald statement is made and then Tan pulls her punches as if she is unwilling to make a statement that might set a more serious tone.
There are some goofy parts about Harry, the member of the group who is left behind, and his encounter with two newswomen from Global News Network, some slapstick sex scenes and a great deal of dog-loving dialogue. These all contribute to a novel that is silly but not really funny, could have an occasionally serious theme which suddenly disappears, and is about a group of stereotypical characters that it's hard to care about. It was time for Amy Tan to write another book; too bad this was it. --Valerie RyanAbout the Author:
Amy Tan is the author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Opposite of Fate: Memories of a Writing Life, and two children’s books, The Moon Lady and Sagwa, which has now been adapted as a PBS production. Tan was also a co-producer and co-screenwriter of the film version of The Joy Luck Club, and her essays and stories have appeared in numerous magazines and anthologies. Her work has been translated into thirty-five languages. She lives with her husband in San Francisco and New York.
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Buchbeschreibung Harperperennial, 2006. Taschenbuch. Buchzustand: Gut. 474 Seiten kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen 203104 Sprache: Englisch Gewicht in Gramm: 260. Artikel-Nr. 117295