From the winner of the Nobel Prize for Literature, a collection of some of her finest short stories.
For more than four decades, Doris Lessing’s work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday.
From the magnificent ‘To Room Nineteen’, a study of a dry, controlled middle-class marriage ‘grounded in intelligence’, to the shocking ‘A Woman on the Roof’, where a workman becomes obsessed with a pretty sunbather, this superb collection of stories written over four decades, from the 1950s to the 1990s, bears stunning witness to Doris Lessing’s perspective on the human condition.
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Doris Lessing was one of the most important writers of the second half of the 20th-century and was awarded the Nobel Prize for Literature 2007. Her novels include The Grass is Singing, The Golden Notebook and The Good Terrorist. In 2001, Lessing was awarded the David Cohen Prize for a lifetime's achievement in British literature. In 2008, The Times ranked her fifth on a list of "The 50 greatest British writers since 1945". She died in 2013.
'For more than four decades, Doris Lessing's work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday.'
From the magnificent 'To Room Nineteen', a study of a dry, controlled middle class marriage 'grounded in intelligence', to the shocking 'A Woman on the Roof', where a workman becomes obsessed with a pretty sunbather, this superb collection of stories, written over four decades, from the 1950's to the 1990's bears stunning witness to Doris Lessing's perspective on the human condition.
'"The stories in 'To Room Nineteen'' are part of the intellectual apparatus of anybody alive in England in the Fifties. I can't begin to evaluate some of them objectively; 'The Habit of Loving' and the dazzlingly cynical 'One Off The Shortlist' shaped the way I, for one, perceived the world."'
ANGELA CARTER, 'Guardian'
'"For Doris Lessing, private lives, private sins and private blisses are aspects of history, so that even in short stories, she is a chronicler of her time and its conscience too".'
LORNA SAGE, 'Observer'
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