Postcards - Softcover

Über die Autorin bzw. den Autor

Annie Proulx is the author of nine books, including the novel The Shipping News, Barkskins and the story collection Close Range. Her many honors include a Pulitzer Prize, a National Book Award, the Irish Times International Fiction Prize, and a PEN/Faulkner award. Her story ‘Brokeback Mountain,’ which originally appeared in The New Yorker, was made into an Academy Award-winning film. She lives in New Hampshire.

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'Postcards' is the story of Loyal Blood, a man who spends a lifetime on the run from a crime so terrible that it renders him forever incapable of touching a woman. The odyssey begins on a freezing Vermont hillside in 1944 and propels Blood across the American West for forty years. Denied love and unable to settle, he lives a hundred different lives: mining gold, growing beans, hunting fossils, trapping, prospecting for uranium and ranching. His only contact with his past is through a series of postcards he sends home – not realising that in his absence disaster has befallen his family, and their deep-rooted connection with the land has been severed with devastating consequences…

"The richness of America is portrayed with memorable effect in this remarkable first novel – Faulkner springs to mind. 'Postcards' is written from the heart and – for its raspy dialogue, laconic humour and beautiful description of the natural world – deserves to be widely read."
INDEPENDENT ON SUNDAY

"'Postcards' is a remarkable novel; poetic and yet driven by a strong narrative, tragic and yet scored with deep veins of humour. Loyal Blood is one of those rare, haunted characters who continue to live in the mind after you finish the book. 'Postcards' is told in a resonant prose that both soars and gets down in the dirt – a debut which should be read by anyone who values fine, honest writing."
LITERARY REVIEW

"'Postcards' is a sweeping and dramatic tale. Proulx's deadpan style encompasses both heartbreak and hilarity, and the fantastic narrative flourishes are balanced with gritty realism. Not since Steinbeck has the migrant worker's life been so evocatively rendered."
DAILY TELEGRAPH