Mersenne Harmonie Universelle
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Mersenne, Marin: Harmonie Universelle. Contenant la Theorie et la Pratique de la Musique (Paris, 1636). Edition Facsimile de l'Exemplaire Conserve a la Bibliotechque des Arts et Metiers et Annote par l'Auteur. 1975. Paper. Three volumes in slipcase. Text in French.
Paris: Editions du Centre National de la Recherche Scientifique. 1975. (First edition thus). Small thick quartos. Letterd green wraps. Three volumes. Spines are slightly sun tanned else all three volumes are fine in fine slipcase with a trace of soiling. A gorgeous copy of this well printed facsimile of this excellent and highly regarded exhaustive work on the musical harmony in the 16th century. Introduction by Francois Lesure. Accompanying this set is a six page typed translation of "Book Four. On Stringed Instruments. Proposition 12. To Explain the Construction, the Parts and the Form of the Marine Trumpet, and the Manner of Playing It". From Wikipedia "Marin Mersennus or le Pere Mersenne (1588-1648) was a French theologian, philosopher, mathematician and music theorist, often referred to as the 'father of acoustics'. His best known work is Traite de l'harmonie universelle (also referred to as Harmonie universelle) of 1636, dealing with the theory of music and musical instruments. It is regarded as a source of information on 17th century music, especially French music and musicians, to rival even the works of Pietro Cerone". An incredible set. This copy is from the library of renowned Broadway director, Tom O'Horgan, who among many others productions, directed the original productions of "Hair" and "Jesus Christ Superstar" on Broadway. A great set and important reference. Uncommon in any edition, especially in this beautiful condition, especially with such a wonderful provenance. Text in French.
[SW: Music, Theory]
Wolfgang Köhler: Die Blasinstrumente aus der "Harmonie universelle" des Marin Mersenne. Übersetzung und Kommentar des "Livre cinquiesme des instruments a? vent" aus d. "Traite? des instruments" Celle. Moeck. 1987. Edition Nr. 4038
Erste Auflage. VI, 400 Seiten mit Illustrationen und Noten Illustrierter Originalkarton, noch sehr gut.
LASOCKI, DAVID (ED.). A Time of Questioning. Proceedings of the International Early Double-Reed Symposium Utrecht 1994.
Utrecht, STIMU Foundation for Historical Performance Practice., 1997. With musical examples and other illustrations.. Paperback. 8vo. VIII, 291 pp. Index. (Proceedings of the International Early Double-Reed Symposium Utrecht 1994). (A fine copy). Contents: Historical oboes; Point Counter Point: musical interactions with Renaissance professional ensembles; The Dulcians (Bajon and Bajoncillo) in Spain: an updated review; Dutch double-reed instruments and their makers in the seventeenth and eighteenth centuries; Changing images of the hautboy in the seventeenth, eighteenth, and early nineteenth centuries; The evolving persona of the French oboe in the nineteenth century, as seen through literature; The Lerman Codex: an early wind band manuscript from Renaissance Spain; The Woodwind sonatas of Jan Dismas Zelenka: structural divices and semantic implications; Hautbois in Mersenne's Harmonie universelle: tuning, classification, evolution; The Bass Hautboy in the seventeenth century; Copy - Reconstruction - Musical Instruments; Early bassoon design; Historical oboe reeds: avenues for further research, or: "Now what do we do with all these measurements?"; A Bibliography of Writings about the oboe and bassoon, 17th - 19th centuries, compiled by David Lasocki, Geoffrey Burgess, and Laura Goetz. Index. (booknr: 40741)
[SW: muziek\music double reed\oboe\hobo\hoboes\dubbel riet\dubbelriet\fagot\fagota\bassoon\Doppelrohrblattinstrumente\hautboy\hautbois]
LASOCKI, DAVID (ED.). A Time of Questioning. Proceedings of the International Early Double-Reed Symposium Utrecht 1994.
Utrecht, STIMU Foundation for Historical Performance Practice., 1997. With musical examples and other illustrations.. Paperback. 8vo. VIII, 291 pp. Index. (Proceedings of the International Early Double-Reed Symposium Utrecht 1994). (A very good copy). Contents: Historical oboes; Point Counter Point: musical interactions with Renaissance professional ensembles; The Dulcians (Bajon and Bajoncillo) in Spain: an updated review; Dutch double-reed instruments and their makers in the seventeenth and eighteenth centuries; Changing images of the hautboy in the seventeenth, eighteenth, and early nineteenth centuries; The evolving persona of the French oboe in the nineteenth century, as seen through literature; The Lerman Codex: an early wind band manuscript from Renaissance Spain; The Woodwind sonatas of Jan Dismas Zelenka: structural divices and semantic implications; Hautbois in Mersenne's Harmonie universelle: tuning, classification, evolution; The Bass Hautboy in the seventeenth century; Copy - Reconstruction - Musical Instruments; Early bassoon design; Historical oboe reeds: avenues for further research, or: "Now what do we do with all these measurements?"; A Bibliography of Writings about the oboe and bassoon, 17th - 19th centuries, compiled by David Lasocki, Geoffrey Burgess, and Laura Goetz. Index. (booknr: 40742)
[SW: muziek\music double reed\oboe\hobo\hoboes\dubbel riet\dubbelriet\fagot\fagota\bassoon\Doppelrohrblattinstrumente\hautboy\hautbois]