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Verlag: National Gallery Company Ltd, United Kingdom, London, 2009
ISBN 10: 1857094433ISBN 13: 9781857094435
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Paperback. Zustand: Very Good. Visitors to the National Gallery in London can view the unfolding story of Western European art, from 1250 to the early 20th century, by strolling through the centuries in one inviting gallery after another. But there are also many other ways to approach the world-renowned National Gallery Collection. This compact and generously illustrated guide contains an illustrated history of the building and collections, as well as ten unique tours designed to delight viewers young and old. Each themed tour consists of four or five paintings, with brief information on the artwork and the artists. The ten themes include: Masterpieces, Family, Animals, Impressionism and Beyond, Color and Technique, Costume, Myths and Legends, The Life of Christ, Landscape, and Frames. With concise information on the architecture, history, and structure of the National Gallery, this guide is both a useful tool for planning a visit and a souvenir to treasure upon returning home. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2008
ISBN 10: 185709428XISBN 13: 9781857094282
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Paperback. Zustand: Very Good. In June 2007, full-size color reproductions of forty-four of the National Gallery's most famous paintings were hung----complete with frames and wall texts----on pub walls and in alleys throughout London. From Titian's Bacchus and Ariadne and Holbein's The Ambassadors to Seurat's Bathers at Asnieres and Monet's The Water-Lily Pond, these masterpieces presented the public with a Grand Tour of the collection, inviting them to consider the meaning, power, and subtlety of art. This delightful book documents this exhibition and viewers' effusive reactions to it. Organized into three sections----Soho, Covent Garden, and Chinatown to Piccadilly----the book features images of the paintings taken by passers-by, including Rousseau's Surprised! on Shaftesbury Avenue, along with insightful and witty comments from Londoners, tourists, and museum curators alike. Also included are reviews from the Observer, Independent, and Guardian Unlimited--which declared the Grand Tour the Gallery's best show ever----that together capture and convey the excitement of this unique project. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857091647ISBN 13: 9781857091649
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2004
ISBN 10: 1857093151ISBN 13: 9781857093155
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1998
ISBN 10: 185709218XISBN 13: 9781857092189
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2010
ISBN 10: 1857094840ISBN 13: 9781857094848
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Paperback. Zustand: Very Good. Erika Langmuir examines the presence and surprisingly complicated history of angels in Christian art. She points out that angels need not be winged; they can wear antique dress, contemporary church vestments, secular fashions, armor, or nothing at all; their gender and age are uncertain; they may not even have bodies but appear only as winged heads; and they are not always good (Satan, of course, is a fallen angel). Langmuir explores these intriguing characteristics of angels by looking at some of the best-known and most engaging religious paintings in the Western tradition. Published by the National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1995
ISBN 10: 1857090675ISBN 13: 9781857090673
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857091760ISBN 13: 9781857091762
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2009
ISBN 10: 1857094255ISBN 13: 9781857094251
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Paperback. Zustand: Very Good. If the Paintings Could Talk reveals the hidden histories of paintings in the National Gallery, London. With a treasury of fascinating facts, discoveries, and tales, this book describes the flight a work took down a mountainside and the portrait that appeared in a James Bond film, among many other entertaining events and stories. An engaging, accessible, and highly original gallery guide that cross-references entries throughout, the book provides a unique tour of this remarkable collection. Published by National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2003
ISBN 10: 1857091671ISBN 13: 9781857091670
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Paperback. Zustand: Good. Ron Mueck first came to major critical attention during the Sensation exhibition at the Royal Academy in 1997. Usually cast in silicone and acrylic, his work is celebrated for its life-like detail -although his manipulation of scale means his sculptures often evoke reality rather than directly imitate it. Since 2000, Mueck has been Associate Artist at the National Gallery, London, drawing inspiration from the collection to create new sculpture for an exhibition that will open there on 19th March 2003. This volume, the catalogue of the exhibition, gives an overview of the artist's work to date and previews the sculptor's responses to the gallery's paintings, reproducing the pieces. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1991
ISBN 10: 0947645756ISBN 13: 9780947645755
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Paperback. Zustand: Good. The National Gallery's Winter Landscape has brought into question the attribution of another version in the Museum in Dortmund. This book investigates the problem of the relationship and attribution of the two paintings and provides background information on Friedrich's life and work. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1989
ISBN 10: 0947645640ISBN 13: 9780947645649
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Paperback. Zustand: Good. This volume contains a selection of postcards, each depicting a painting in the collection of the National Gallery, for the use of both postcard collectors and senders. Each postcard is perforated and ready to be stamped and sent. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2000
ISBN 10: 1857092953ISBN 13: 9781857092950
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Paperback. Zustand: Very Good. The National Gallery Technical Bulletin is a unique record of research carried out at the National Gallery, London. Published annually, and beautifully produced and illustrated, it covers all aspects of the conservation, technical study and care of the paintings in the collection. Drawing on the combined expertise of curators, conservators and scientists, it brings together a wealth of information about artists' materials, working practices and techniques. The Technical Bulletin is an invaluable resource for art historians, collectors, museum curators, and all those with an interest in old master paintings, as well as essential reading for conservators. Contents: A Virgin and Child in the Style of Albrecht Durer. The authors readdress the question of attribution of this picture in the light of new information on the underdrawing, painting technique, and materials, obtained during recent conservation treatment. The technique and materials of the Virgin and Child Enthroned with Saints by Michael Pacher, a fifteenth-century painter and sculptor from the Tyrol. A note on occurrences of the purple pigment fluorite. The discovery and identification of an original varnish on a panel by Carlo Crivelli. Lorenzo Monaco's Coronation of the Virgin: its restoration and presentation. The restoration of two panels by Cima from the Wallace Collection, London. Pollutant monitoring at the National Gallery: a review of past and present monitoring of the main pollutants that affect paintings, and the implications for works displayed at the National Gallery. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1986
ISBN 10: 0947645071ISBN 13: 9780947645076
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 1857090152ISBN 13: 9781857090154
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Paperback. Zustand: Very Good. A team of international scholars analyze and illuminate a crucial period of Munch's development, as he became the catalyst of modern Expressionism. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Verlag: National Gallery Company Ltd, United Kingdom, London, 1997
ISBN 10: 1857092007ISBN 13: 9781857092004
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1990
ISBN 10: 0300050364ISBN 13: 9780300050363
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857092929ISBN 13: 9781857092929
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Paperback. Zustand: Very Good. The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. This book aims to help the viewer understand these pictures by focusingattention on the purpose for which they were made, and explores what they might have meant to their original viewers. The authors trace how a recognizable image of Christevolved, starting with the earliest symbols and metaphorical images such as the Sheperd, the Lamb and the Vine. They trace the emergence of a "true likeness," emphasizing the importance of the Veronica, the"miraculous portrait" said to have been imprinted on the cloth held out to Jesus on the way to Calvary. They describe how artists conveyed the paradox ofChrist's dual naturehuman and divine, weak and powerful, victim and victorin portrayals of his infancy. They also show howimages of Christ's suffering during the Passion were intended to convey acosmic,not just a personal significance. Artists have attempted to put extremes of suffering and despair into an overal context of hopea vein of hope that runs from the catacombs to Hiroshima and beyond. These are imagesthat speak, even to those who do not hold Christian beliefs. Artists had to make it clear that in representing the life and death of Jesus they were offering a continuing truth; we the spectators have to become eyewitnesses to anevent that matters to us now. As a result, the different moments and aspects of Christ's life become, in the hands of great artists, a reflection of all human experience. TheVirgin nursing her sonexpresses thefeelings of love every mother has for her child. Christ mocked in innocence beset by violence. Christ risen and appearing to Mary Magdalene is a universal reaffirmation that love cannot be destroyed by death. Beyond their obvious religious significance, these are paintings that have a universalmeaning. Published by National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2015
ISBN 10: 1857094174ISBN 13: 9781857094176
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Paperback. Zustand: Very Good. Profusely Illustrated (illustrator). View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793, followed by Napoleon's invasion and the fall of the Venetian Republic in 1797. In between, a constellation of remarkable painters captured the city in dazzling pictures which are among the greatest achievements in eighteenth-century art. Canaletto may be the artist popularly associated with Venice, but he had many rivals who competed for commissions, often from foreigners whose patronage was to determine the later course of Venetian view-painting. All the major figures are represented here - Bellotto, Carlevarijs, Guardi, Joli, Marieschi and Vanvitelli - together with fascinating contemporaries such as Cimaroli and Tironi. Charles Beddington sets the scene with an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them. Succinct, lively biographies for each artist are followed by short introductions to the works, grouped chronologically by artist. Each painter saw the same topography with his own unique vision; this beautiful book demonstrates the varied responses to the cityscape, with its ever-changing light, as well as to its spectacles and ceremonies. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2006
ISBN 10: 1857093461ISBN 13: 9781857093469
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2007
ISBN 10: 1857093992ISBN 13: 9781857093995
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Paperback. Zustand: Very Good. This beautifully illustrated and updated National Gallery Companion Guide introduces art lovers to one of the richest and most representative collections of Western European paintings in the world. Erika Langmuir offers enlightening commentary on more than 200 of the finest works----by painters including Piero della Francesca, Titian, Rembrandt, Rubens, Velazquez, Ingres, and Degas----from the National Gallery's collection, along with masterpieces by less familiar artists. With this book, readers can trace the history of European painting from the thirteenth to the twentieth centuries; develop an eye for style, technique, imagery, and genre; and learn to appreciate the talents of artists in a variety of artistic and cultural contexts. The book takes into account the latest scholarship from the National Gallery and includes discussions of the museum's newest high-profile acquisitions. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2011
ISBN 10: 1857094514ISBN 13: 9781857094510
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Paperback. Zustand: Very Good. This thought-provoking book presents a lively introduction to the 20th century's most important artist, Pablo Picasso. Picasso was a passionate student of the European painting tradition, and his memory for images was voracious. Naturally drawn to Spanish masters Velázquez and Goya, he also engaged with such figures as Rembrandt, Delacroix, Ingres, Manet, and Cà zanne. Picasso repeatedly pitted himself against these masters, taking up their signature themes, techniques, and artistic concerns in audacious paintings of his own. Sometimes his "quotations" were direct, other times highly allusive. Always, Picasso made the implicit case that it was he in the 20th century who most forcefully reinvigorated the European tradition. This book showcases his extraordinary work, where we witness the daring transformation of the art of the past into, in Picasso's own words, "something else entirely." Published by the National Gallery Company/Distributed by Yale University Press. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1996
ISBN 10: 1857091299ISBN 13: 9781857091298
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2000
ISBN 10: 1857092740ISBN 13: 9781857092745
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0300061358ISBN 13: 9780300061352
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1999
ISBN 10: 1857092708ISBN 13: 9781857092707
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1994
ISBN 10: 0947645675ISBN 13: 9780947645670
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 1998
ISBN 10: 1857092376ISBN 13: 9781857092370
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Verlag: National Gallery Company Ltd, United Kingdom, London, 2018
ISBN 10: 1857096177ISBN 13: 9781857096170
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Paperback. Zustand: Very Good. The first book to focus on Monets work through his representation of architecture In an innovative approach, Richard Thomson considers Claude Monets paintings of buildings in their environment, offering a reappraisal of an artist more often associated with landscapes, seascapes, and gardens. Buildings fulfilled various roles in Monets canvases; some are chiefly compositional devices while others throw into sharp contrast the forms of man-made construction against the irregularity of nature, or suggest the absent presence of humans. The theme was both central and consistent over five decades of his 60-year career. Written by a renowned expert on Impressionism, this book covers Monets representations of historical buildings, inner cities, beach resorts, railway bridges and stations, suburban housing, and busy harborssubjects spanning northern France, the Mediterranean, and the cities of Rouen, London, and Venice. In addition to 75 great paintings by Monet, this thematic, picture-led book includes a wealth of comparative material, such as postcards, posters, original travel photography, and rarely seen aerial photography that sets Monets work firmly in its historical, cultural, and social framework. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (04/09/1807/29/18). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: National Gallery Company Ltd, United Kingdom, London, 2012
ISBN 10: 1857095480ISBN 13: 9781857095487
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Paperback. Zustand: Very Good. For decades the most continually provocative of British artists, Richard Hamilton (19222011, right) was long concerned with the great themes of Western painting. At the time of his death, he was completing plans for an exhibition at the National Gallery, London, to include the first public showing of what turned out to be his final work. Based on Balzac's short story, The Unknown Masterpiece, it depicts three masters of paintingPoussin, Courbet, and Titiancontemplating a reclining female nude and reflecting on the meaning of art. As with much of Hamilton's late work, the image was generated by computer but over-painted by hand. Knowing he would not complete it, Hamilton decided to show three preparatory versions simultaneously. In addition, he selected thirty paintings tracing the development of his art, featuring single-point perspective and the depiction of interior spaces, the sacred imagery of the Italian Renaissance, and allusions to the art of Marcel Duchamp. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London(10/10/1201/13/13). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.