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Verlag: Diaphanes Dez 2022, 2022
ISBN 10: 3035802483ISBN 13: 9783035802481
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware - The many major exhibitions of Antonin Artaud's drawings and drawn notebook pages in recent years-at New York's Museum of Modern Art, Vienna's Museum moderner Kunst (mumok), and Paris's Centre Georges Pompidou-have entirely transformed perceptions of the artits's work, reorienting it towards the artworks of his final years. This volume collects all three of Artaud's major writings on his artworks, undertaken during the same era as his essay on the work of Van Gogh, 'the man suicided by society.' All three texts form intensive anatomical explorations and reconfigurations. Artaud's drawings oscillate between facial portraits and fragmentary arenas of corporeal contestation. 'The Human Face' (1947) was written as the catalogue text for Artaud's one and only gallery exhibition of his drawings during his lifetime, and focuses on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. 'Ten years that language is gone' (1947) examines the drawings Artaud made in his not Elektronisches Buch-his main creative medium at the end of his life-and their capacity to spark his creativity when language failed him. '50 Drawings to assassinate magic' (1948), the residue of an abandoned book of Artaud's drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together these three extraordinary texts-pitched between writing and image-project Artaud's ferocious engagement with the act of drawing.
Verlag: Diaphanes Verlag Dez 2022, 2022
ISBN 10: 3035804214ISBN 13: 9783035804218
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Neuware - Schonungslos deckt das Autorenkollektiv Tiqqun die enge Verbindung zwischen dem Konzept der Kybernetik und den Techniken der Kontroll- und Kommunikationsgesellschaften auf. Mit seinem Imperativ der Zirkulation von Waren und Informationen und unter dem Alibi von Liberalismus und Demokratie ist der »kybernetische Kapitalismus« zu der gegenwärtig alles beherrschenden Ideologie geworden. Wie immer die Alternativen lauten, ein Jenseits von Tausch und Akkumulation wird mit einfachen Reformkonzepten nicht zu erreichen sein. Vielmehr bedarf es, so Tiqqun, radikaler Mittel von Widerstand und Revolte: Kurzschluss und Abklemmen von Knotenpunkten, Verlangsamung und Fehlleitung - Taktiken einer notwendig diffusen Guerilla.Nach Jahren des ungebremsten Wachstums von Social Media und Plattformkapitalismus erweist sich der hier wiederaufgelegte Text des Autorenkollektivs Tiqqun aktueller denn je.
Verlag: Diaphanes Dez 2022, 2022
ISBN 10: 3035805687ISBN 13: 9783035805680
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - Inventory and Hinge provides an overview of the research projects performed over the last two decades at the Institute for Contemporary Art Research (IFCAR) of Zurich University of the Arts (ZHdK). It is an inventory because it presents all the projects realized during this period with many figures and illustrations. It is a hinge because links and QR codes grant access to nearly all publications and websites that were created by the individual projects. Artistic work interconnects multiple competencies and areas of knowledge, ways of life and working, and the IFCAR research projects are thus organized in correspondence with this transgressive gesture, which becomes manifest here as interdisciplinary, networked knowledge production. The cultivation of these complexities has been a mission of the IFCAR since its inception. Throughout these pioneering years the IFCAR has always seen its task in the promotion of research competency in the fine arts, and in providing support for the conception and execution of concrete projects. Although art as research has a long tradition outside of institutions, this task meant nothing less than introducing a new research discipline into the context of knowledge and establishing a new genre in the context of art. Each of the projects presented in this book involves research through the process of creation-but they often also conduct a metadiscourse on artistic research itself.