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Erscheinungsdatum: 2004
Anbieter: Antikvariat Röde Orm, Göteborg, Schweden
The MIT Press, Cambridge, Ma.2004. Soft covers. 163 (1) pgs. Very richly illustrated with photo plates. Text in English. The book is in very good condition.
Verlag: MIT Press, Cambridge, Massachusetts, 2002
Anbieter: Verlag IL Kunst, Literatur & Antiquariat, Köln, Deutschland
Leinen. Zustand: Gut. Zustand des Schutzumschlags: Guter Umschlag. en (illustrator). Aus dem Inhalt: From Pictorialism to the Avant-Garde; Karel Srp: Optical Words - Picture Poems and Poetism; Antonin Dufek: Abstract and Nonfigurative Tendencies; Vladimir Birgus: Socio-Critical Photography of the 1930s; Iva Janáková: Avant-Garde Photography and the Book etc. Frantisek Kupka, Otto Gutfreund, Frantisek Dritkol, Jaroslav Rössler, Josef Sudek etc. 311 S., 23,5x28 cm mit zahlreichen s/w Abb. und Tafeln. Leinen mit orig. Schutzumschlag. SU und Kopfschnitt leicht angeschmutzt, sonst (sehr) gut und sauber. Sprache: en Size: 4°.
Verlag: Mit Pr, 2004
ISBN 10: 0262025574ISBN 13: 9780262025577
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
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Zustand: very good. Cambridge, MA : The MIT Press, 2004. Hardcover. No dustjacket. 164 pp.- Jaroslav Rossler (1902-1990) was one of the Czech avant-garde photographers of the first half of the twentieth century whose work has only recently become known outside Eastern Europe. Czech photography in the twenties and thirties produced radical modernist works that incorporated principles of abstract art and constructivism; Jaroslav Rossler was one of the most important and distinctive artists of the period. He became known for his fusing of different styles, bringing together elements of symbolism, pictorialism, expressionism, cubism, futurism, constructivism, new objectivity, and abstract art. His photographs often reduced images to elementary lines and shapes that seemed to form a new reality; he would photograph simple objects against a stark background of black and white, or use long exposures to picture hazy cones and spheres of light. From 1927 to 1935 he lived and worked in Paris, producing work influenced by constructivism and new objectivity. He used the photographic techniques and compositional approaches of the avant-garde, including photograms, large details, diagonal composition, photomontage, and double exposures, and experimented with color advertising photographs and still lifes produced with the carbro print process. After his return to Prague, he was relatively inactive until the late 1950s, when he reconnected with Czech artistic and photographic trends of that period, including informalism.English text. Condition : very good. Condition : very good copy. ISBN 9780262025577. Keywords : PHOTOGRAPHY,