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Verlag: Cambridge University Press, 1993
ISBN 10: 0521377056ISBN 13: 9780521377058
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Cambridge University Press, 1993
ISBN 10: 0521377056ISBN 13: 9780521377058
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Very Good. 1993. Paperback. Paper. Slight shelf wear. Very Good.
Verlag: Cambridge University Press, 1993
ISBN 10: 0521377056ISBN 13: 9780521377058
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. 1993. Paperback. Publisher's mark to text block. Otherwise, Fine.
Verlag: Cambridge, University Press, 2012, 1993
ISBN 10: 0521377056ISBN 13: 9780521377058
Anbieter: Antiquariat Hans Hammerstein OHG, München, Deutschland
Buch
Origi.Broschur, 8°, 231 Seiten. The New Cambridge Shakespeare. Guter Zustand.
Verlag: Cambridge University Press, 1993
ISBN 10: 0521377056ISBN 13: 9780521377058
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries, textual notes on the plays and poems and an extensive Introduction. Shakespeare's plays about the reign of King Henry VI were written at the beginning of his career. A recent series of outstanding productions has demonstrated their theatrical vitality, and their sceptical questioning of Elizabethan orthodoxies has been understood through revisionist readings of the history of Shakespeare's own times. In The Third Part of King Henry VI, Shakespeare extends his essay on monarchical politics by contrasting two kings, the good but ineffective Henry VI with his rival, the sensual and victorious Edward IV. He also shows the perils of aristocratic factionalism in a series of scenes that display the grievous wounds caused by the Wars of the Roses.