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Verlag: Penguin Books, 1982
ISBN 10: 0670381217ISBN 13: 9780670381210
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Hardcover. Zustand: Very Good.
Verlag: Seventy-four, Ten, 1987
ISBN 10: 0961914602ISBN 13: 9780961914608
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Good. Wear and creases to the book.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 20,88
Hardcover. Zustand: Fine. First Edition. A FINE FIRST EDITION. BLACK CLOTH BOARDS. NO DJ.
Verlag: Wiener Group, Wilkes-Barre, PA, 1990
ISBN 10: 0961914629ISBN 13: 9780961914622
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe Signiert
First edition. Oblong softcover. 265 pages. A collection of black and white photographs of a bullfight all taken on Sunday November 19, 1961. A near fine copy in wrappers. Signed by Wiener. An underrated book.
Verlag: Seventy Four Ten, Incorporated, 1990
ISBN 10: 0961914629ISBN 13: 9780961914622
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Buch
Zustand: very good. [Los Angeles] : 7410 Inc., 1989. Paperback. 265 pp. illustrations. 22 x 28 cm. -On a warm Sunday afternoon in November of 1961, these photographs were made of a bullfight in Tijuana, Mexico. Condition : very good copy. ISBN 9780961914622. Keywords : PHOTOGRAPHY, bull fights.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 16,95
Mehr entdecken Erstausgabe Signiert
Verlag: A Studio Book, New York., 1982
Anbieter: Buecherstube Eilert, Versandantiquariat, Kornwestheim, LB, Deutschland
8° 239 S. mit zahlr. teils farb. Abb., in englisch, Obrosch. guter Zustand, . Sprache: en.
First printing. (12) pp., 11 x 14 inches. 12 unbound leaves of Arches heavyweight paper, printed letterpress in Monotype Janson by Patrick Reagh, and five gelatin silver photographic prints mounted on archival rag boards, all housed in a buckram-covered folding box with printed cover and spine labels, in a clear acrylic slipcase. The text contains the title poem, a note on the poem by Everson, and a commentary on the photographs by Wiener. The five photographs have been printed by the photographer; each is signed and numbered on the mount, below the image. Published in an edition of one hundred numbered copies, signed on the colophon by the poet, photographer, and printer, ninety of which were for sale. Of the ten hors commerce copies reserved for the participants, this copy (number 4) is one of those belonging to Mel Smith, the dedicatee ("who brought together poet and photographer") and patron of the edition. Laid in is a copy of the prospectus, a single sheet folded to make four pages and also printed by Patrick Reagh, with a reproduction of a photograph of Everson (presumably also by Wiener, but an image not included in the final production), and photocopies of a 1994 Everson obituary and a 2003 review of an Everson reader, both from the L. A. Times.Aside from a few tiny spots of foxing in the frontmatter, the contents are in fine condition, in a very good box with very slight sunning to the cloth and light soiling to the spine label. The acrylic slipcases were provided by Mel Smith for his copies, and were not issued with the rest of the edition; this slipcase bears scattered scuffs and scratches, with a small piece missing from the top edge. In the words of the prospectus: This publishing project brings together the art of a poet, a photographer and a printer. . . . William Everson's poem is here issued separately for the first time . . . Everson compares the giant redwood trees on his Santa Cruz mountain property that meet in embrace high overhead to a Gothic cathedral . . . Leigh Wiener has made a specialty of photographing people . . . the five photographs chosen for this work show Everson at the Lime Kiln Press and in and around his home at Kingfisher Flat. The collaboration between the poet and photographer resulted in photographs that have pleased the poet. As Everson states it, "Most photographs must necessarily be content to mirror the poet in his extraneous acts. ëThe High Embrace' offers graphic images illustrative of the living poem in the vision of the man who wrote it."A very scarce hors commerce copy of an uncommon and ambitious production.
Verlag: Dawson's Book Shop, 1986
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good. Clamshell box shows minor wear and fading. Prints are near pristine.