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Verkäuferbewertung
Verlag: Hatje Cantz Verlag, 2011
Anbieter: Versandantiquariat Felix Mücke, Grasellenbach - Hammelbach, Deutschland
Buch
Gebundene Ausgabe. Zustand: Akzeptabel. 240 Seiten; ohne Schutzumschlag, Artikel stammt aus Nichtraucherhaushalt! F7-190 Sprache: Englisch Gewicht in Gramm: 500.
Verlag: Hatje Cantz Verlag, 2011
Anbieter: KUNSTHAUS-STUTTGART, Stuttgart, Deutschland
Buch
Gebundene Ausgabe. 240 Seiten; (Lager 600) 0F455015BE67 Sprache: Englisch Gewicht in Gramm: 2200.
Verlag: Stuttgart und Luzern, Hatje Cantz und Kunstmuseum Luzern, 2011., 2011
Anbieter: Antiquariat Thomas Rezek, München, Deutschland
oblong-4°, circa 25,3 x 30,5 cm. 239 pp., with many illustrations Original hardcover Catalogue to the exhitibion, contemporary works from the Sigg Collection - Zeitgenössische Werke aus der Sammlung Sigg. - Texts in English and German, amply illustrated. - Fine, crisp - deutsch und englisch.
Verlag: Hatje Cantz, 2011
ISBN 10: 377572849XISBN 13: 9783775728492
Anbieter: Antiquariat UEBUE, Zürich, Schweiz
Buch Erstausgabe
Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. 240 pp., 151 ills. hardcover 30.50 x 25.00 cm - Shanshui, the Chinese word for landscape, is a compound of the two symbols for mountain and water, indispensable elements of historical shanshui painting. Its significance lies more in its transformational potential for connecting the individual to the world than in the accurate rendering of a particular landscape. Even in contemporary art in China, which is dominated by the human figure and supposedly liberated from the burden of tradition, there are more or less obvious elements of traditional mountain-water painting, which is deeply rooted in the nation s culture. This publication was conceived in collaboration with Ai Weiwei probably China s best-known contemporary artist and it strikes an arc from selected historical shanshui paintings to important protagonists of contemporary Chinese art. The volume groups the works according to specific characteristics, such as the manipulation of traditional source materials and philosophical concepts, experiments with new media, or photography as a mode of expression essentially related to the one brushstroke propagated by Shi Tao, the seventeenth-century Chinese master.