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Verlag: Paul Mellon Centre, 2021
ISBN 10: 1913107205ISBN 13: 9781913107208
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Paul Mellon Centre For Studies In British Art Mai 2021, 2021
ISBN 10: 1913107205ISBN 13: 9781913107208
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Neuware - An in-depth examination of William Blake's glorious and acclaimed series of twelve monoprints.
Verlag: Paul Mellon Centre for Studies in British Art, 2021
ISBN 10: 1913107205ISBN 13: 9781913107208
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New. An in-depth examination of William Blake s glorious and acclaimed series of twelve monoprintsÜber den AutorJoseph Viscomi is James G. Kenan Distinguished Professor of English Literature at the University of North Carol.
Verlag: PUP1993, 1993
Anbieter: Antiquariat Thomas & Reinhard, Recklinghausen, NRW, Deutschland
Leinen, 453 Seiten, dies ist ein regulär ausgesondertes Bibliotheksexemplar aus einer wissenschaftlichen Bibliothek, keine Markierungen/Anmerkungen, das Buch ist sehr gut erhalten--- Linen, 453 pages, Lib. Ex., no marks, the book is in a very good condition. Shipping to abroad insured with tracking number.
Verlag: Princeton University Press, Princeton, 1993
Anbieter: Swan's Fine Books, ABAA, ILAB, IOBA, Walnut Creek, CA, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: near fine. First Edition. First printing, oblong quarto size, 481 pp. In this volume, "Joseph Viscomi drastically revises our understanding of William Blake as he explores the technology behind the Illuminated Books. By using facsimiles created in his own studio, Viscomi, an experienced printmaker, offers the most complete explanation of how the illuminated plates were made, how Blake's techniques compared to other eighteenth-century print technologies, and how the plates were printed and the impressions colored" (n.b., from dust jacket flap). By Joseph Viscomi, Associate Professor of English at the University of North Carolina at Chapel HIll, and the author of several other works on William Blake. ___DESCRIPTION: Bound in full blue cloth, gilt lettering stamped on the spine on a stamped navy blue "label", grey endpapers, replete with illustrations, most black-and-white with a small section in full colour, mostly showing examples of Blake's work and a few illustrating his techniques; oblong quarto size (10 1/8" wide by 8.75" tall), pagination: [i-viii] ix-xvii, [blank, xviii], [1-3] 4-453. Matte finish dust jacket of black with light blue and white lettering, two small illustrations of Blake's work on the front panel, summary of the work on the front flap, author bio on the back flap, publisher's ad on the back panel. ___CONDITION: Volume fine; the cloth clean and without blemish, the corners straight and unrubbed, the binding tight with solid hinges, the interior clean and bright, and free of prior owner markings; the dust jacket near fine, unclipped (although without a printed price), clean with absolutely no sunning, with only minor edgewear and a few shallow, stray marks on the back panel. ___POSTAGE: Please note that this volume is unusually large and heavy, and there additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.
Verlag: Yale University Press 2021-05-04, London, 2021
ISBN 10: 1913107205ISBN 13: 9781913107208
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.
Anbieter: John Windle Antiquarian Bookseller, ABAA, San Francisco, CA, USA
Princeton: PUP: 1993. Oblong small folio, xxxvi, 453 pp., profusely illustrated and with 13 color plates. Original cloth, dust-jacket, as new. § First edition, of the standard technical study of Blake's illuminated books and their printing history, long out of print. Bentley, Blake Books, (new edition 2000) notes on p. 11 that this is one of two books designated "the most important and lastingly-influential" of the last twenty-five years. Shamefully, Princeton, notorious for remaindering Essick's Separate Plates catalogue recently, has now let this work go out of print. In this highly innovative "history of the book," Joseph Viscomi drastically revises our understanding of William Blake as he explores the technology behind the Illuminated Books. By using facsimiles created in his own studio, Viscomi, an experienced printmaker, offers the most complete explanation of how the illuminated plates were made, how Blake's techniques compared to other eighteenth-century print technologies, and how the plates were printed and the impressions colored. His analysis of these procedures reveals that the Illuminated Books were produced in small editions and not, as is assumed, one copy at a time and by commission. These new facts of production redefine such basic concepts in Blake scholarship as "style," "period," "intention," and "difference," which in turn alter the dates of nearly all copies of all the Illuminated Books and refute current approaches to reading and editing Blake. By placing Blake's modes of production in their historical, technical, and aesthetic context, Viscomi enables us to see how profoundly Blake's metaphors, images, symbols, themes, and analogies are grounded in graphic execution, while exposing a wealth of connections between material processes and larger meanings throughout the works.
Verlag: The William Blake Trust/The Tate Gallery, London, 1998
Anbieter: APPLEDORE BOOKS, ABAA, WACCABUC, NY, USA
Erstausgabe
Pictorial wrappers. Zustand: Near Fine. A crisp, very sharp copy of the 1998 1st paperback edition of Vol. 3 of the Collected Illuiminated Books, complete in 6 volumes. Clean and Near Fine in its pictorial wrappers, with just a touch of creasing along the spine base. Tall quarto, impressive color reproductions throughout.