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Verlag: Touchstone, 1991
ISBN 10: 0671747274ISBN 13: 9780671747275
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Good. Remainder mark. Cover/edges have minor shelf wear.
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Gebraucht ab EUR 1,90
Verlag: Simon & Schuster, 1990
ISBN 10: 0671679295ISBN 13: 9780671679293
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 6,53
Mehr entdecken Hardcover Softcover Erstausgabe
Verlag: Faber & Faber, 1991
ISBN 10: 0571164250ISBN 13: 9780571164257
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: Good. Most items will be dispatched the same or the next working day.
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Gebraucht ab EUR 5,36
Soft cover. Zustand: Fine. First Edition. A FINE FIRST IN PAPERBACK.
Verlag: Simon & Schuster, New York, 1990
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Fine in fine dustwrapper. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Verlag: Simon & Schuster, New York, 1990
ISBN 10: 0671679295ISBN 13: 9780671679293
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Adapted and edited by Sandy Sturges. Fine in a fine dustwrapper.
Verlag: University of California Press, 1995
ISBN 10: 0520203658ISBN 13: 9780520203655
Anbieter: ThriftBooksVintage, Tukwila, WA, USA
Buch Erstausgabe
Paperback. Zustand: Good. No Jacket. First printing. Shelf and handling wear to cover and binding, with general signs of previous use. COVERS WITH LIGHT XREASING. FREE OF WRITING IN SECURE BINDING. Secure packaging for safe delivery. 2.85.
Verlag: University of California Press, 1985
ISBN 10: 0520054423ISBN 13: 9780520054424
Anbieter: Books From California, Simi Valley, CA, USA
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. First Edition. first edition book, includes the dust jacket.
Verlag: UNIV OF CALIFORNIA PR, 1998
ISBN 10: 0520210042ISBN 13: 9780520210042
Anbieter: moluna, Greven, Deutschland
Buch
Kartoniert / Broschiert. Zustand: New. A collection that includes The Power and the Glory , which greatly influenced Orson Welles in the conception of Citizen Kane , and the romantic comedies Remember the Night and Easy Living .
Verlag: University of California Press 1992-07-01, Berkeley |London, 1992
ISBN 10: 0520055640ISBN 13: 9780520055643
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
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Neu ab EUR 48,44
Verlag: Horace Liveright, New York, 1929
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. Second printing, published a month after the first. Neat owner name on the front fly, else fine in an attractive, very good dustwrapper with slight loss at the crown and some light age-toning and general wear. Sturges' second play and first big hit. After its success on Broadway Sturges went to Hollywood, starting as a dialogue writer, but moving on to full screenplays and eventually directing some of the best American films of the 1940s. *Strictly Dishonorable*, about a rakish opera singer and a naive girl, was filmed twice, first in 1931 with Paul Lukas, Sidney Fox and Lewis Stone, and then in 1951 with Ezio Pinza and Janet Leigh. Scarce in any sort of jacket.
Verlag: Horace Liveright, New York, 1929
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe
First Edition. First Edition. Copy belonging to director and screenwriter Delmer Daves, with his ownership signature and the year (1930) on the front pastedown. Basis for the 1951 film starring Janet Leigh and Ezio Pinza. Near Fine, lacking the dust jacket, with light toning and wear on the spine.
Verlag: Twentieth Century-Fox, Los Angeles, 1948
Anbieter: Thomas A. Goldwasser Rare Books (ABAA), CHESTER, CT, USA
Mimeographed sheets, 159 pages. Brad-fastened in covers stamped with the working title and the date, January 15, 1948; blue revised pages dated 1/19/1948. Copy number "16": stamped on cover and first page, distribution receipt removed. Covers show some use. The original screenplay for Sturges's first film for Fox. This classic dark comedy starred Rex Harrison in a character partly modeled on Sir Thomas Beecham. The copy of cinematographer Victor Milner, with his signature and notes on the front cover, and his ink or pencil notes about shots, lighting, etc. at various places in the margins. Besides his other work for Sturges (The Lady Eve, Christmas in July, The Palm Beach Story) Milner also filmed such classics as Trouble in Paradise (1932) and It's a Wonderful Life (1946).
Verlag: Simon & Schuster, New York, 1990
ISBN 10: 0671679295ISBN 13: 9780671679293
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. Very good or better in a Very good plus dustwrapper. There's a 3 inch sratch on the back of dustwrapper w/very minor shelf-rubbing. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Verlag: Locarno, Editions du Festival international du Film de Locarno., 1989
Anbieter: Antiquariat Weinek, Salzburg, Österreich
Buch
267 S. OBrosch. In franz. Sprache. - Ebd. berieben, Gbrsp. - Diese Ausgabe ist anläßlich der Retrospektive "Preston Sturges" des 42. Festival international du Film in Locarno, herausgekommen. Mit Beiträgen von Thomas Quinn Curtiss, Andre Bazin, Siegfried Kracauer, Manny Farber, Penelope Houston, Lorenzo Codelli, Francois Thomas, Christian Viviani, Brian Henderson und einer Filmographie sowie zahlreichen Abbildungen. Sprache: französisch.
Verlag: London, Faber and Faber, 1991, 1991
Anbieter: Grant's Bookshop, Cheltenham, VIC, Australien
Erstausgabe
Octavo, 352 pages, original boards in dustwrapper, a very good copy. First edition UK.
Verlag: Locarno, Éditions du Festival international du film de Locarno, 1989
Anbieter: Antiquariat Uhlmann, Zürich, Schweiz
Erstausgabe
Brosch. 8°, 267 S., zahlr. Abb. (oft auf Tafeln bzw. ganzseitig). Rückenkanten min. berieben, Einband min. gebrauchsspurig, letzte 7 Bl. lose. EA. 12 Beiträge; im Anhang Filmo- und Bibliografie. Texte frz.
Verlag: Twentieth Century-Fox, Los Angeles, 1948
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph of Kurt Kreuger, Linda Darnell, and Rex Harrison from the 1948 film. Sturges set a goal of combining what is today known as a film noir dynamic with his trademark literate screwball comedy dialogue and structure, making a movie that is today still as unique as it is classic. 8 x 10 inches. Near Fine. Criterion Collection 292. Selby US.
Verlag: Twentieth Century-Fox, Los Angeles, 1949
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage black and white still photograph from the 1949 film, a candid shot of Grable and Sturges on the set. Rubber stamped with the date DEC 1948 (the film opened in May 1949), and with a snipe on the verso reading: "Betty Grable, dirty face and all, stands with producer-director Preston Sturges between shooting scenes for technicolor comedy, 'The Beautiful Blonde From Bashful Bend'." 8 x 10 inches. Near Fine.
Verlag: Alert Agency 4/28/55, Burbank
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Near Fine. Teleplay. Small quarto. Bradbound mimeographed sheets of white with stiff blue sheets interspersed. Three holes are punched on the left side but only one brad is used to secure them, some wear to front wrap and some tears and chips to the rear, else near fine. The script has many pencil corrections, additions and stage directions throughout. Lux Video Theater, which ran from 1950 - 1957, adapted movies for the small screen. The teleplay is an adaptation of the 1940 Preston Sturges' film of the same name about a mob-connected mayoral candidate who has a changes heart. It's adapted by the author who later won the 1965 Oscar for Best Screenplay for *Father Goose*.
Verlag: Nero AG, Berlin, 1948
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage black-and-white photograph of director Preston Sturges and actors Linda Darnell and Rex Harrison on the set of the 1948 film. 8 x 10 inches (20.5 x 25.5 inches). Near Fine. Criterion Collection 292.
Verlag: N.p., N.p., 1953
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Original program for the notorious Broadway flop, "Carnival in Flanders." An interesting and rare piece documenting a directorial and writing effort from the strange final years of Sturges' career. The program was printed well prior to Sturges' arrival to the production-as a result, though the musical was never staged prior to his involvement, it still credits the original writers (George Oppenheimer, Herbert Fields) and director (Bretaigne Windust). A quite forgotten musical with a troubled production and a rapid demise. When the musical, an adaptation of the classic French film, "La Kermesse Heroique" (1934), was first conceived, Harold Arlen was approached to write the score, but the task ultimately fell to Van Heusen and Burke. Bing Crosby provided much of the financing for the production and had great faith in the songwriting team, who had written several of his hits (despite the fact that their previous theatrical collaboration, "Nellie Bly" (1946), had been a critical and commercial flop). George Oppenheimer, one of the book's original co-writers, withdrew from the project during pre-Broadway tryouts in Philadelphia, and Dorothy Fields joined her brother Herbert to help with rewrites. Eventually all their work was discarded by Preston Sturges, who replaced Bretaigne Windust as director and completely reworked the book before the show reached California for a series of stagings by light opera companies prior to the New York City opening. Choreographer Jack Cole was replaced by Helen Tamiris, and several cast changes were made before the troubled production finally opened on Broadway. "Carnival in Flanders" opened on September 8, 1953 at the New Century Theatre, where it ran for only six performances. The cast included John Raitt, Dolores Gray, and Roy Roberts. Critics were enchanted by Oliver Smith's sets and Lucinda Ballard's costumes, inspired by Brueghel paintings, and Gray's lively performance, but universally panned every other aspect of the production. In his review for The New York Times, Brooks Atkinson wrote "As an actress she [Dolores Gray] is authoritative enough to bring down the house with some of the maudlin songs.In the version prepared for the stage by Preston Sturges it is laborious and banal. As usual, the theatre has lavished a lot of wealth and talent on this hokum. Lucinda Ballard has dressed everybody to the nines. Although Oliver Smith's scenery is cluttered and rather desperate, there is certainly a lot of it." Ironically, this nearly forgotten musical is the source for the well loved Van Heusen-Burke standard "Here's That Rainy Day." Saddle stapled, illustrated card wrappers. 16 pages, 9 x 12 inches. Faint vertical crease on the front wrapper, light rubbing to wrappers, overall easily Very Good plus.
Verlag: Paramount Pictures, Los Angeles, 1942
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage photograph of Preston Sturges adjusting Claudette Colbert's outfit (made of men's pajamas and a pullman blanket) on the set of the 1942 film. Studio label affixed to bottom margin of recto with ambiguous initials and "May 30" written in manuscript ink. Mimeo snipe on verso. In the minds of some critics, Sturges closed out the screwball comedy era with a bang in this breakneck venture, which had dialogue flying back and forth at a speed that was radical even by Sturges' standards. 8 x 10 inches. Very Good with some creasing and edgewear. Criterion Collection 742. Rosenbaum 1000. Byrge & Miller, The Screwball Comedy Films: A History and Filmography (1934-1942).
Verlag: National Film Archive, London, 1944
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the 1944 film, showing director Preston Sturges filming a railroad scene on a camera crane. National Film Archive stamp on the verso, along with annotations in manuscript ink and pencil, identifying subjects. From the archive of film historian and author Joel Finler. Sturges' eighth and last film for Paramount Pictures, a satire about a small-town boy who pretends to be away fighting in the war after he has been discharged from the Marines due to his hay fever. Nominated for an Academy Award for Best Screenplay. 10 x 8 inches. Near Fine, lightly worn at the corners. National Film Registry.
Verlag: Paramount Pictures, Hollywood, 1941
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Single weight borderless photograph of director Preston Sturges and Barbara Stanwyck working on the set of "The Lady Eve" in 1941. Rubber stamp crediting Paramount photographer G.E. Richardson on the verso, with a corresponding date stamp of April 7, 1941, and a mimeo snipe printed on same describing the scene. 9.5 x 7.5 inches. Fine. National Film Registry. Criterion Collection 103.
Verlag: Paramount Pictures, Hollywood, 1941
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage double weight studio still photograph of hapless Henry Fonda and beguiling Barbara Stanwyck from the 1941 film. Rubber stamp on the verso, dated December 4, 1940, indicating that Hollywood Advisory Council (i.e., Hayes Office) has approved the photo as not being scandalous. 8 x 10 inches. Fine. National Film Registry. Criterion Collection 103.
Verlag: N.p., N.p., 1937
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage double weight reference photograph of director Mitchell Leisen demonstrating how to kiss Jean Arthur while Ray Milland looks on, from the 1937 film. Based on the 1937 short story by Vera Caspary. During the Great Depression, obscenely wealthy baker J.B. Ball (Edward Arnold), angered at his wife's (Mary Nash) spending, throws her very expensive sable coat off the roof, where it lands on the head of stenographer Mary Smith (Arthur), leading to a life-altering chain of events. Set in New York City. 10 x 8 inches. Some edgewear, else Near Fine. Byrge and Miller, The Screwball Comedy Films, A History and Filmography: 1934-1942.
Verlag: Paramount Pictures, Los Angeles, 1940
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless photograph of Preston Sturges and Muriel Angelus on the set of the 1940 film. Mimeo snipe and "Paramount Photo by G.E. Richardson" stamp on verso. Sturges had become a very successful Hollywood screenwriter by the late 1930s, and with his screenplay for "The Biography of a Bum," wanted so much to direct the film that he offered to do the job for free. With very few exceptions (notably Charlie Chaplin), the notion of an established studio writer directing a film was nearly unheard of in Hollywood, where writers were typically not even allowed on the set. Only the irresistible cheapness of Sturges' offer made it possible for the film to get made. Over the six year period during which the script remained unproduced, the title changed to "The Vagrant," then "Down with McGinty," then finally, just prior to production, to "The Great McGinty." It was not only a success, but won Sturges an Oscar for Best Screenplay. More importantly, he was allowed to continue as a writer-director, with a magnificent career that included one classic after another, including "Sullivan's Travels," "The Lady Eve," "Unfaithfully Yours," "The Palm Beach Story," and "Hail the Conquering Hero." 8 x 10 inches. Light edgewear and faint creasing, else Near Fine.
Verlag: N.p., N.p., 1934
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless matte-finish double-weight reference photograph from the 1934 film, showing a tender moment between actors Anna Sten and Fredric March. With the stamp of still photographer Kenneth Alexander on the verso. Based on Leo Tolstoy's 1899 novel "Resurrection." A Russian prince seduces an innocent young servant, leading to her pregnancy and subsequent termination from her job, forcing her into a life of poverty and degradation. The second of three films produced by Samuel Goldwyn to star the then-unknown Sten, who Goldwyn believed would become the "new Garbo," a prediction which ultimately proved incorrect. Set in Moscow. 7.5 x 9.5 inches. Very Good plus overall.
[8113].