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Verlag: Smithsonian Books, 1987
ISBN 10: 0874748216ISBN 13: 9780874748215
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Los Angeles County Museum of Art, 1968
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Good.
Verlag: Smithsonian, 1995
ISBN 10: 1560986026ISBN 13: 9781560986027
Buch
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Museum of Modern Art, 1974
ISBN 10: 0870702270ISBN 13: 9780870702273
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Good. Cover has some wear and fadding to it from aging.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 4,07
Mehr entdecken Hardcover Softcover Erstausgabe
Verlag: [s.n. ], 1970
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good. Minor wear and creasing.
Verlag: Indiana University Press, 1986
ISBN 10: 0253204127ISBN 13: 9780253204127
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Dayton Art Inst, 2000
ISBN 10: 0937809225ISBN 13: 9780937809228
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Fine.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 7,24
Mehr entdecken Softcover Erstausgabe
Zustand: Good. Good condition. (art, africa, sculpture) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Verlag: LA:Los Angeles County Museum of Art 1970, 1970
Anbieter: WellRead Books A.B.A.A., Northport, NY, USA
Thin 4to decorative wraps, softcover; 150 pages; black & white illustrations; a fine, clean, tight, unmarked copy.
Verlag: Washington, D.C./London (Smithsonian Institution Press), 1987
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
155pp. 84 plates, reference illus. Lrg. sq. 4to. Wraps. Published in conjunction with an exhibition at the National Museum of African Art, Washington, D.C., Sept. 1987-March 1988.
Verlag: Washington, D.C./London (Smithsonian Institution Press), 1987
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
155pp. 84 plates, reference illus. Lrg. sq. 4to. Wraps. Published in conjunction with an exhibition at the National Museum of African Art, Washington, D.C., Sept. 1987-March 1988.
Verlag: New York, The Museum of Modern Art, (1972)., 1972
Anbieter: Alexanderplatz Books, New York, NY, USA
Soft cover. Zustand: Very Good. Wrappers. Thick 8vo, 240 pp., 244 illustrations, 40 in color. Very good copy, lower tip of rear wrapper creased, slight wear. ISBN 0-87070-227-0 (paperbound). Note: We recently acquired a number of scarce books and brochures on African, Pacific, and Precolumbian art. Search our listings using any of those words as keywords for other titles.
Verlag: The Museum of Primitive Art, New York, 1961
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Erstausgabe
Softcover. Zustand: Good. No Jacket. First Edition. 32 pages (complete). A short guide to the sculpture of the Igala, Idoma, Goemai, Montol and Jaba peoples of Northern Nigeria. The covers are worn and scuffed. They are placid and secure. Within, the pages are patient, clean, clear, assured. fk. Our orders are shipped using tracked courier delivery services.
Verlag: Museum of Modern Art, New York, 1972
ISBN 10: 0870702289ISBN 13: 9780870702280
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Buch
paperback. Zustand: near fine. Zustand des Schutzumschlags: very good(-). Well-illustrated (illustrator). Numerous illustrations in both color and b/w. 240 pages. 4to, patterned cloth, d.w. New York: Museum of Modern Art, (1972). A near fine copy in a very good(-) wrapper, lightly scuffed with chipped foot.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 23,57
Verlag: Smithsonian, Washington D.C., 1987
ISBN 10: 0874748224ISBN 13: 9780874748222
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Buch Erstausgabe
paperback. Zustand: near fine. Zustand des Schutzumschlags: very good(-). First. Photographic frontispiece, and illustrated throughout in color and black and white. 155 pages. Slim square 4to, blue cloth, torn dust wrapper. Washington D.C.: National Museum of African Art by the Smithsonian Institution Press, (1987). First edition. Small paper damage on front endpapers, still near fine in very good(-) dust wrapper.
Verlag: [Gainesville]: Harn Museum of Art, [1997]., 1997
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
4to. pp. [6], 34. numerous illus. Exhibition Catalogue.
Zustand: Good. Good condition. Slightly dampstained. Stamped on front endpage. (african art, anthropology, sculptures).
Verlag: Museum of Modern Art New York, New York, 1972
Anbieter: Michael Treloar Booksellers ANZAAB/ILAB, Adelaide, SA, Australien
Erstausgabe
Hardcover. Zustand: Very Good. Dust Jacket Included. First Edition. New York, Museum of Modern Art New York, 1972. Quarto, 240 pages with 244 plates (40 in colour). Decorated cloth; ex-library copy with tidy stamp, details and pocket at rear; a very good copy with the slightly chipped, rubbed and torn dustwrapper.
Verlag: Smithsonian Institution Press, Washington, 1995
Anbieter: Antiquariat "Der Büchergärtner", St. Ingbert, Deutschland
Erste Ausgabe. 24,5 x 29,5 cm. Erste Auflage, 180 S. Farbig illustrierte Originalbroschur, Sprache: Englisch, Zahlreiche Abbildungen, tadellos. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.
Verlag: Dayton: the Dayton Art Institute, [2000]., 2000
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
4to. pp. 140. colour illus. biblio. wrs.
Verlag: New York, The Museum of Modern Art,, New York, 1972
Anbieter: Studio Bibliografico Marini, ROMA, RM, Italien
hardcover. Zustand: Molto buono (Very Good). Prima edizione (First Edition). 244 illustrations, 40 in colours . 4to. pp. 240. . Molto buono (Very Good). Sovracoperta riparata con nastro adesivo (Small tear to dust jacket, tape repaired on verso). Prima edizione (First Edition). . This book is the most comprehensive pictorial survey available of the African arts of textile design and personal adornment. Book.
Verlag: Indiana University Press, Bloomington and Indianapolis, 1986
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
hardcover. Zustand: vg. First edition. Quarto. 157pp. Original illustrated dustjacket over with blind stamped publisher's logo and gilt lettering on cover and spine. Light brown endpapers. General framework for each geographic region with renowned authorities contributing to describe the examples into their respective cultural context. Profusely illustrated with five color and numerous b/w photographs, drawings and maps. Slight yellowing in margins of book block not affecting text or images. DJ, binding and interior in overall very good condition.
Verlag: New York: the Museum of Primitive Art, 1961., 1961
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
4to. [pp. 30]. b/w illus. wrs. Exhibition Catalogue.
Verlag: New York: Museum of Modern Art, New York, (1972) dj, 1972
Anbieter: Bookfever, IOBA (Volk & Iiams), Ione, CA, USA
Erstausgabe
Hardcover first edition - First printing. A comprehensive book on African textiles and personal adornments, with examples selected from over 2400 items in 77 private and public collections. Pprepared for 1973 exhibitions at the Museum of Modern Art, Los Angeles County Museum of Art, M.H. de Young Memorial Museum, and the Cleveland Museum of Art. Includes textiles, clothing and headresses, as well as decorative arts including jewelry, body tattoos and scarification patterns. Illustrated with 244 photographs, 40 in full color. Map. Notes, bibliography. 240 pp. Near fine in very good dust jacket (neat comment on title page, price-clipped, some light edgewear to dj).
Verlag: Washington/London National Museum of African Art, 2000
Anbieter: Antiquariat Held, Stuttgart, Deutschland
Mit 1 farb. Karte, 127 (54 farb.) Abb. u. 5 Illustr. 156 S. 4°. Farb. illustr. OBrosch. Der hintere Deckel u. einige Blatt im Eck geknickt. ISBN 0-87474-821-6 ZAHLUNG BITTE PER BANKÜBERWEISUNG ODER PAYPAL. DANK! PLEASE PAY BY BANK TRANSFER OR PAYPAL. THANK YOU!Ausstellungskatalog.
Verlag: Verlag Nicht Ermittelbar,, Des Moines,, 1975
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
Paperback. Zustand: Very Good. First Paperback Edition. 4to. pp 40. Large format paperback. Copiously illustrated in black and white throughout. Signed presentation from Julian Brody on the title page, "For Philip Goldman, who asked for it. reagards, Julian." Very good. Signedes.
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Zustand: Gut. Ca. 140 Seiten; sehr zahlr. Illustrationen (auch farbig); 30,5 cm; kart. Gutes Ex.; der farb. illustr. Einband stw. berieben u. m. minimalen Läsuren; geringfügige Lager- und Gebrauchsspuren. - Englisch. - Aus der Afrika-Bibliothek von Dr. H. J. Koloß, vormals Völkerkundemuseum Berlin. - Vorwort v. Annemarie H. Pope. - INHALT : Acknowledgments ----- Collector's Note ----- Introduction ----- A Note on the Catalog ----- Western Sudan Style Region ----- Guinea Coast Style Region ----- Equatorial Forest Style Region ----- Southern Savannah Style Region ----- Bibliography ----- Addendum ----- Bibliography and Corrections. // . The sculptural traditions of that sub-continent have become accepted as an important part of the responsibility of the scholar and of the museum desiring to underscore the breadth and history of the artistic traditions of the world. Far from primitive, African sculpture represents a series of complex and often highly developed traditions whose meanings and histories are beginning to emerge. Just as in earlier centuries when Europe was only superficially aware of the arts of the ancient world or of the Orient, so in this century are we groping after a better understanding of the arts of black Africa. Following the format established in the 1930s by the pioneer scholar, Kjersmeier, exhibition catalogs and survey texts have listed African sculptural styles solely in terms of their geographical distribution. Little or no attention has been paid to the interactions of styles, their historical relationships or origins, except for a few notable exceptions such as Nok, Ife and Benin. In the case of these exceptions there has developed a remarkably easy and uncritical assumption of continuity of historical flow and interactions, whereas, in fact, there are few connections that are firmly established. The bronzes of Benin are well known; William Fagg has suggested a convincing sequence of stylistic changes. His evidence is, of necessity, circumstantial, for the British Punitive Expedition of 1897 which brought out several thousand bronzes as the prize of war recorded no data. Thus we know -from later research and from earlier travelers - that the heads were dedicated to deceased Obas (kings), but we have no clue to the specific identity of particular heads. The magnificent heads from Ife are presumed to have been commemorative, and almost certainly were portraits of leaders (Oni). According to Benin oral history a brasscaster from Ife founded the tradition at Benin. Although the oral traditions seem convincing, the objects themselves are less so, for there is a significant style gap between the Ife heads and the earliest Benin examples. A better link must be established before the historical connection can be considered fully persuasive. Finally no clear linkage has yet been established between Nok and either Ife or Benin. We may have to look to other areas of West Africa for further evidence, or at least complications of this sequence. For example, it seems quite clear that the tradition of figurative terra-cotta sculpture was well established in what is now Ghana by 1700 or earlier. Some examples are of a quality to challenge those of Nigeria. Further, the Akan examples were most probably portraits of dead leaders. Thus the complex of commemorative portraiture associated with kingship may be far broader and more complex in its historical implications than we have hitherto thought. . (Roy Sieber) Sprache: Englisch Gewicht in Gramm: 750.
Verlag: LIGHTNING SOURCE INC, 2021
ISBN 10: 1014696313ISBN 13: 9781014696311
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Washington & London: Smithsonian Institution Press for the National Museum of African Art, [2000]., 2000
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
4to. pp. 155. numerous illus. (many colour). wrs (front wrapper slightly curled). Fifth Impression.
Verlag: New York Museum of Modern Art, 1972
Anbieter: Antiquariat Artus - Inh. Artus Grenacher, Balterswil, TG, Schweiz
4°, 239 p. Soft cover. With numerous colored and b/w illustrations. - In good cond. /Ein wunderschönes Werk! HINWEIS: Versand nach Deutschland und die EU (14-täglich) ab Konstanz EU-verzollt: Keine Verzollungsgebühren für den Empfänger! Sprache: Englischg 1300 gr.