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Verlag: Weidenfeld & Nicolson, 1973
ISBN 10: 0297765930ISBN 13: 9780297765936
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
Buch
Zustand: Good. Most items will be dispatched the same or the next working day.
Mehr Angebote von anderen Verkäufern bei ZVAB
Gebraucht ab EUR 12,64
Verlag: Crown Publishing Group, The, 1973
ISBN 10: 0517503921ISBN 13: 9780517503928
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Zustand: Good. Good condition. Very Good dust jacket. (jewish clothing and art, clothing and dress, jews) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: London.
Anbieter: Antiquariaat Ovidius, Bredevoort, Niederlande
Zustand: Gebraucht / Used. 1959. Or.wrappers. Slightly soiled. 46pp.illustr. Index. 8°.
Verlag: (London, Jewish Historical Society, 1953)., 1953
Anbieter: Rödner Versandantiquariat, Den Haag, Niederlande
Erstausgabe
Gr.8°, S.89-111, 11 Taf.m. zahlr. Abb., geheftet, typogr. OBrosch., eine Tafel gelöst; schönes Expl. Reprint from 'The Transactions of the Jewish Historical Society of England', Vol.XVIII. Beiliegt ein maschinenschriftlicher Zettel "With Mr.Alfred Rubens' compliments" mit dessen gedruckter Adresse. Sprache: Englisch.
Anbieter: Antiquariaat Rashi, Gorinchem, Niederlande
London, 1973, Or. cloth. with dustjacket and protective mylar cover. XVI, 221 pp. Richly illustrated, many plates full colour. Folio. In good condition.
Verlag: New York, Crown., 1973
Anbieter: Michael Steinbach Rare Books, Wien, Österreich
XVI, 221 pages, 264 partly coloured illustrations. Original cloth with coloured illustrated dust-jacket.
Verlag: London, Weidenfeld and Nicolson, 1973
Anbieter: Treptower Buecherkabinett Inh. Schultz Volha, Berlin, Deutschland
Buch
4°. XVI, 221 Seiten. Orig.-Leinwand im OU. Erweiterte Ausgabe, erstmals mit farbigen Illustrationen. - Name auf Vorsatz, gutes Exemplar. Gä-II-1-35 Sprache: Englisch Gewicht in Gramm: 2000.
Verlag: London/Jerusalem Weidenfeld and Nicolson (c ), 1973
Anbieter: Antiquariat Held, Stuttgart, Deutschland
Mit illustr. Vorsatz, 274 (123 farb.) Abb. u. 3, tls. mehrtlg. Illustr. XVI, 221 S. u. 1 w. Bl. 4°. Gold- u. blindgepr. OLn., dieses tls. durchgehend etwas bestoßen. Der Schnitt etwas angestaubt.Tls. Spuren von handschriftlichen Anmerkungen u. Anstreichungen, Markierungen in der Bibliographie, sonst gutes, nahezu fleckenfreies Exemplar. ISBN 0-297-76593-0 ZAHLUNG BITTE PER BANKÜBERWEISUNG ODER PAYPAL. DANK! PLEASE PAY BY BANK TRANSFER OR PAYPAL. THANK YOU!.
Verlag: The Jewish Museum, London, 1935
Anbieter: Besleys Books PBFA, Diss, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
Hard Cover. Zustand: Very Good. First Edition. Hardback, half-vellum and buckram. 25.5 x 20cm. xxiii, 191pp. 48 plates. Although not stated, this deluxe edition may have been issued in 1954. Slight wear only. A nice clean copy. Loosely inserted a prospectus for 'A Jewish Iconography' .
Verlag: Funk & Wagnalls: New York, 1967
Anbieter: Dan Wyman Books, LLC, Brooklyn, NY, USA
Hardcover. 4to, 220 pages, in English . SUBJECT (S) : Jewish clothing and dress. Very good condition with Very Good Dust Jacket. (Comhist2-15).
Verlag: Funk & Wagnalls: New York, 1967
Anbieter: Dan Wyman Books, LLC, Brooklyn, NY, USA
Hardcover. 4to, 220 pages, in English . SUBJECT (S) : Very good condition. (Comhist2-15).
Verlag: London: Nonpareil, 1982
Anbieter: Dan Wyman Books, LLC, Brooklyn, NY, USA
Erstausgabe
paper wrappers. 1st edition. Original illustrated paper wrappers, folio, 128 pages. Multiple illustrations on ever page, many in color. 31 cm. Supplement to Ruben's massiver Jewish Iconography (Revised 1981), which includes a long list of important artists, traditions and works. Reviewing an earlier edition of Jewish Iconography (subsumed into the 1981 production), Alfred Werner noted, "These historically as well as artistically invaluable prints might never been collected and catalogued but for Alfred Rubens.he began to ferret them out of bookstores, printshops, and the dusty corners of Europe and the United States, his hobby then turning into a life-work," the publications "he compiled are painstakingly accurate catalogues raisonnés of his own collection, plus a number of items to be found in the Jewish Theological Seminary of New York and elsewhere.A Jewish Iconography ranges over all of Europe from Amsterdam to Constantinople, and even includes material from Alexandria, Cairo, Damascus, and Jerusalem. And also the number of illustrations is much greater, offering a more valuable and imposing panorama. .A Jewish Iconography is more than catalogue. In part, for one thing, its alphabetical listing of the portraits of Jewish personalities constitutes a kind of Jewish biographical dictionary. Most of the likenesses are of people from Continental Europe; these include Lassalle, the Mendelssohns, Jacob Meyerbeer, Joseph Suess Oppenheimer, the Rothschilds, Sabbatai Zevi, and Spinoza. Among the Americans we find Mordecai Manuel Noah. Secondly, the book.has an intrinsic artistic appeal thanks to its many woodcuts, engravings, etchings, and lithographs. Many of the artists represented in it are unimportant, but there are at least a few samples of work by such outstanding men as Chodowiecki (Germany); Dalle Piani (Italy); the Cruikshanks, Hogarth, and Rowlandson in England; Picart, Ruysdael, and the great Rembrandt in Holland. Of the Jewish artists, the most significant are Moritz Daniel Oppenheim, Edouard Moise, and Simeon Solomon. Quite a few of the tradecards, watch papers, and ornamental bill-heads are the work of generally anonymous Jewish engraversâ "engraving, like embroidering, being an art in which the pre-Emancipation Jews excelled and having an ultimately Oriental origin. Thirdly, the volume is a form of Kulturgeschichte in its depiction, both in the reproductions and in the texts describing prints not reproduced, of bygone customs and costumes. Mr. Rubens devotes a good deal of space to artistically inferior but historically fascinating little prints, many of them caricatures, that enjoyed an enormous vogue, especially in the 18th century. The general populace did not then read newspapers, many people were barely literate, and it remained for cartoonists, political and otherwise, to give an account of the most sensational, most picturesque, though not necessarily most edifying characters and episodes of the day. Thus there are more pictures of mountebanks and scoundrels, adventurers and crackpots, than of saintly men and women. These cheap and generally crude prints, which were sold in the streets for a few pennies, offer an exciting social history covering the period, in England, from Henry VIII to Queen Victoria. We are taken to Constantinople, where in 1528 a Jew, after being converted to Christianity, is martyred by the Turks; to North Africa, where Jews were forced to wear a distinctive dress long after their co-religionists shed it in other parts of the world; to the Crimea, with the distinctive synagogues and burial grounds of the Karaite sect; to Bordeaux, where Jews cried their wares through the streets, "Vieux habits, vieux galons!" or "Quelque chose à vendre!" In Frankfort-on-Main, the plundering of the ghetto follows the riots instigated by Fettmilch, the Haman of 1614; in Hamburg, the publication of Dr. Jenner's revolutionary work on vaccination prompts a hostile cartoonist to lampoon the English physician and his German translator as despicable Jews because Hamburg's Jewry welcomed vaccination.But the general reader will pay most attention to the illustrations. and rightly so. Most mirror the spirit of the Baroque Age, others reflect Rococo and Neo-Classical styles. In quality, they range from crude folk art to great graphic work, such as the engraving made after Guérin's charming portrait of Fanny von Arnstein, or the etching of an Algerian Jewess made by Guérin's most famous pupil, Eugène Delacroix. Nor are the quite unpretentious tradecardsâ "one of a Jewish optician and mathematical instrument maker to His Royal Highness, the Duke of Gloucester, and to His Grace, the Duke of Wellington; another of a "slopman" (purveyor of cheap readymade clothing) to his Royal Highness, Prince William Henryâ "devoid of charm. And the story of Jewish emancipation cannot be expressed more dramatically than by the juxtaposition of the offensive wood engraving of â Jobst Mellern,' a 16th-century dweller of the Prague ghetto, barefoot, in a cloak bearing the "Jew badge," and the delicate stipple engraving of that elegant 19th-century American gentleman, Major Mordecai Manuel Noah" (In Commentary, August 1955). SUBJECT(S): Jews -- Portraits -- Catalogs. Judaism -- Customs and practices -- Pictorial works -- Catalogs. Jews in art -- Engraving -- Private collections -- England -- Juifs -- Judai sme -- Coutumes et pratiques -- Ouvrages illustre s -- Catalogues. Juifs dans l'art - Art -- Private collections. OCLC: 8595174. Ex-library with marks on endpapers and title page. Spine label, wear to wrappers, clean inside. Good Condition. (ART-20-26).
Verlag: Jewish Museum,, London,, 1954
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
Hardcover. Zustand: Very Good. First Edition. Hardback. 4to. pp xvi, 160, [63] plates. Attractively bound in half vellum over red buckram boards, lettered gilt at the spine. Edition limited to 500 copies. Copiously illustrated in black and white throughout. Very slight spotting along the rear spine hinge, otherwise very good+.
Verlag: London: Nonpareil, 1981
Anbieter: Dan Wyman Books, LLC, Brooklyn, NY, USA
hardback. Revised edition [First edition was 1954]. Original red publisher's cloth with gilt in slipcase, folio (Large) xxxi, 277 pages. Multiple illustrations on ever page. 31 cm. Limited ed. of 650 numbered copies; this is no. 21, inscribed by the author. Massive work with over 2400 entries on Jewish art, its themes and motifs. The book includes a long list of important artists, traditions and works, with numerous small black and white photos and facsimiles. ISBN: 0902068091; 9780902068094. Combines the author's: A Jewish iconography (1954) and Anglo-Jewish portraits (1935). Includes bibliographical references and indexes. Reviewing an earlier edition of Jewish Iconography (subsumed into this 1981 production), Alfred Werner noted, "These historically as well as artistically invaluable prints might never been collected and catalogued but for Alfred Rubens.he began to ferret them out of bookstores, printshops, and the dusty corners of Europe and the United States, his hobby then turning into a life-work," the publications "he compiled are painstakingly accurate catalogues raisonnés of his own collection, plus a number of items to be found in the Jewish Theological Seminary of New York and elsewhere.A Jewish Iconography ranges over all of Europe from Amsterdam to Constantinople, and even includes material from Alexandria, Cairo, Damascus, and Jerusalem. And also the number of illustrations is much greater, offering a more valuable and imposing panorama. .A Jewish Iconography is more than catalogue. In part, for one thing, its alphabetical listing of the portraits of Jewish personalities constitutes a kind of Jewish biographical dictionary. Most of the likenesses are of people from Continental Europe; these include Lassalle, the Mendelssohns, Jacob Meyerbeer, Joseph Suess Oppenheimer, the Rothschilds, Sabbatai Zevi, and Spinoza. Among the Americans we find Mordecai Manuel Noah. Secondly, the book.has an intrinsic artistic appeal thanks to its many woodcuts, engravings, etchings, and lithographs. Many of the artists represented in it are unimportant, but there are at least a few samples of work by such outstanding men as Chodowiecki (Germany); Dalle Piani (Italy); the Cruikshanks, Hogarth, and Rowlandson in England; Picart, Ruysdael, and the great Rembrandt in Holland. Of the Jewish artists, the most significant are Moritz Daniel Oppenheim, Edouard Moise, and Simeon Solomon. Quite a few of the tradecards, watch papers, and ornamental bill-heads are the work of generally anonymous Jewish engraversâ "engraving, like embroidering, being an art in which the pre-Emancipation Jews excelled and having an ultimately Oriental origin. Thirdly, the volume is a form of Kulturgeschichte in its depiction, both in the reproductions and in the texts describing prints not reproduced, of bygone customs and costumes. Mr. Rubens devotes a good deal of space to artistically inferior but historically fascinating little prints, many of them caricatures, that enjoyed an enormous vogue, especially in the 18th century. The general populace did not then read newspapers, many people were barely literate, and it remained for cartoonists, political and otherwise, to give an account of the most sensational, most picturesque, though not necessarily most edifying characters and episodes of the day. Thus there are more pictures of mountebanks and scoundrels, adventurers and crackpots, than of saintly men and women. These cheap and generally crude prints, which were sold in the streets for a few pennies, offer an exciting social history covering the period, in England, from Henry VIII to Queen Victoria. We are taken to Constantinople, where in 1528 a Jew, after being converted to Christianity, is martyred by the Turks; to North Africa, where Jews were forced to wear a distinctive dress long after their co-religionists shed it in other parts of the world; to the Crimea, with the distinctive synagogues and burial grounds of the Karaite sect; to Bordeaux, where Jews cried their wares through the streets, "Vieux habits, vieux galons!" or "Quelque chose à vendre!" In Frankfort-on-Main, the plundering of the ghetto follows the riots instigated by Fettmilch, the Haman of 1614; in Hamburg, the publication of Dr. Jenner's revolutionary work on vaccination prompts a hostile cartoonist to lampoon the English physician and his German translator as despicable Jews because Hamburg's Jewry welcomed vaccination.But the general reader will pay most attention to the illustrations. and rightly so. Most mirror the spirit of the Baroque Age, others reflect Rococo and Neo-Classical styles. In quality, they range from crude folk art to great graphic work, such as the engraving made after Guérin's charming portrait of Fanny von Arnstein, or the etching of an Algerian Jewess made by Guérin's most famous pupil, Eugène Delacroix. Nor are the quite unpretentious tradecardsâ "one of a Jewish optician and mathematical instrument maker to His Royal Highness, the Duke of Gloucester, and to His Grace, the Duke of Wellington; another of a "slopman" (purveyor of cheap readymade clothing) to his Royal Highness, Prince William Henryâ "devoid of charm. And the story of Jewish emancipation cannot be expressed more dramatically than by the juxtaposition of the offensive wood engraving of â Jobst Mellern,' a 16th-century dweller of the Prague ghetto, barefoot, in a cloak bearing the "Jew badge," and the delicate stipple engraving of that elegant 19th-century American gentleman, Major Mordecai Manuel Noah" (In Commentary, August 1955). SUBJECT(S): Jews -- Portraits -- Catalogs. Judaism -- Customs and practices -- Pictorial works -- Catalogs. Jews in art -- Engraving -- Private collections -- England -- Juifs -- Judai sme -- Coutumes et pratiques -- Ouvrages illustre s -- Catalogues. Juifs dans l'art - Art -- Private collections. OCLC: 7468470. Ex-library with marks on endpapers and title page. Spine label removed from slipcase, slight discoloration to base of spine and rear.
Verlag: London The Jewish Museum, 1954
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch Erstausgabe Signiert
First edition, signed & inscribed by the author on half-title. 4to, (30 x 22 cm), contemporary half vellum binding gilt. Many b/w illustration plates, pages in fine, crisp condition. xviii, 160 pp. Alfred Rubens (1903-1998) was Chairman of the Jewish Museum (1958-1983) and an avid collector. In the 1920s, he started to collect prints and drawings of Jewish interest and eventually built up a collection of world importance. When, in 1932, the Jewish Museum was founded in London by Rubens's friend Wilfred S. Samuel, he invited Rubens to join the museum's committee as its expert on prints and drawings. Rubens outlived all other members of that original committee. The museum started with a major purchase of antique ceremonial objects at Christie's and built up a fine collection, illustrating both the ceremonies of Judaism and the social history of the Jewish community in Britain. Exhibits included silver, textiles and furniture from London's former 18th-century synagogues. During his lifetime Rubens published several works which were based on his extensive collection. He first published the Anglo-Jewish Portraits (1935), followed by a similar work of wider scope, A Jewish Iconography (1954, offered here; a revised edition was published in 1981). This work contains engravings of scenes of Jewish life and continental engraved portraits. Following this Rubens published his History of Jewish Costume (1967).
Verlag: London The Jewish Museum, 1935
Anbieter: Shapero Rare Books, London, Vereinigtes Königreich
Buch
4to, publisher's half-vellum boards, with gilt title to spine; [4], vii-xxiii, [2], 2-191 pp., not including numerous illustration plates, printed on textured art paper. Text in English with occasional Hebrew. A fine copy. Alfred Rubens (1903-1998) was Chairman of the Jewish Museum (1958-1983) and an avid collector. In the 1920s, he started to collect prints and drawings of Jewish interest and eventually built up a collection of world importance. When, in 1932, the Jewish Museum was founded in London by Rubens's friend Wilfred S. Samuel, he invited Rubens to join the museum's committee as its expert on prints and drawings. Rubens outlived all other members of that original committee. The museum started with a major purchase of antique ceremonial objects at Christie's and built up a fine collection, illustrating both the ceremonies of Judaism and the social history of the Jewish community in Britain. Exhibits included silver, textiles and furniture from London's former 18th-century synagogues. During his lifetime Rubens published several works which were based on his extensive collection. He first published the Anglo-Jewish Portraits (1935), followed by a similar work of wider scope, A Jewish Iconography (1954; rev. ed. 1981) which contained engravings of scenes of Jewish life and continental engraved portraits. Later came his History of Jewish Costume (1967).
Verlag: Nonpareil, 1981
ISBN 10: 0902068091ISBN 13: 9780902068094
Anbieter: Antiquariaat Spinoza, Amsterdam, Niederlande
Buch
London, Nonpareil, 1981. XXXI, 277 pp. Fine copy. Bound in red cloth with gilt lettering and decorations. Marbled endpapers. In near fine slipcase. Bibliophile, limited edition. Originally 650 copies planned but in fact only 200 numbered copies offered for sale. This copy 16.
Verlag: Nonpareil, 1981
ISBN 10: 0902068091ISBN 13: 9780902068094
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Buch Signiert
Hardcover. Zustand: Near Fine. No Jacket. Limited. Two books (complete) slipcased. The ISBN and publication details refer to the main title: 277 pages (complete). The second book: "A Jewish Iconography Supplementary Volume" (ISBN: 09079740005), pub: Nonpareil, 1982, softcover (128 pages). Slipcase is sturdy, sound. It has wear and scuffing and light marking. Wood reinforcements within the casing. It is fit. The main volume: SIGNED by Alfred Rubens on the half-title page. Numbered 91 of a limited edition of 650 copies. Crushed-strawberry cloth covered boards with stamped gilt publisher's colophon and borders. The boards have shelving wear about the edges. They are otherwise elegant and healthy. Marbled end papers. The contents are smart, clean, clear, conscientious, proud. The second volume has scuffing, wear, creasing and light handling marks. They are still pleasingly attractive. The inside front cover has handling marks. The page trims have very light foxing streaks. There is evidence of usage. Nonetheless, the pages are bright, clean, clear, generous, vivacious. A satisfying set. fk. Our orders are shipped using tracked courier delivery services. Signed.
Verlag: Nonpareil, London, 1981
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Signiert
Hardcover. Zustand: Good to near fine condition. Limited Revised Edition. Folio. xxxi (i), 277, 128pp. Original gilt-stamped green goatskin with gilt publisher's device and frame on cover, gilt lettering, publisher's device and ruling on spine, housed in green goatskin clamshell box with gilt lettering and ruling and velvet lining inside. Decorative endpapers. #203 of 53 copies of Nos. 151-203 in green goatskin binding with half-title signed by Alfred Rubens. Contains printed paper label with exact numeration of the three bindings pasted to limitation page. Pictorial title page printed in red and black lettering with publisher's device. The supplementary volume is bound in at rear. An additional 128 page supplementary volume in pictorial red wrappers with gilt and white lettering on front cover and spine laid in. Extensive lexicon of important Jewish artists, traditions and works, illustrated throughout with 2467 miniature b/w photographic reproductions, referencing the numbers of the two previous publications in margins. The two previous publications from 1935 and 1954 contain 503 numbered entries in The Anglo-Jewish Portraits and the title A Jewish Iconography 1244 entries. The book was compiled by Alfred Rubens, the renowned curator and collector of Jewish art. The supplementary volumes, bound in and the additional copy, also profusely illustrated with b/w and color photographic reproductions. Clamshell box with some wear along edges and joints at spine, as well as some abbrasions. Inteior of box with some light wear. Additional paperback copy with minor rubbing and creasing to wrappers. Bound volume with a few minor scratches to covers. Clamshell box in overall good, softcover volume and bound volume in very good+ condition overall.
Verlag: Nonpareil, London, 1981
Anbieter: M.POLLAK ANTIQUARIAT Est.1899, ABA, ILAB, Tel-Aviv, Israel
Buch Signiert
Fine Full Leather. Zustand: Near Fine. Limited/Numbered. Revised edition.London, Nonpareil, 1981.277+128pp. 4to.Original full leather.ONE OF ONLY 53 COPIES bound in full green goatskin with the 1982 supplement bound in, together with an additional supplement booklet also present all fit in an original green leather box. (The entire regular edition of this book was of only 260 copies) .Richly illustrated. Numbered and signed by the author. Very fine. A rare and much sought after standard work in the ultimate bibliophile edition. A superb work in superb condition. (Surface Shipping worldwide included). Signed by Author(s).
Bemerkungen zu einigen Grunzügen seiner Kunst. Aus der Vortragsreihe: "Europäischer Geist - Europäische Kultur". Bonn: Kriegsvorträge der Rheinischen Friedrich-Wilhelms-Universität Bonn a. Rh., Heft 1953, 1944. Olivgrüner OPbd. 32 Textseiten sowie 10 Abb. auf Kunstbildtafeln. - 20,5 x 14,5. * Gut erhalten !.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 1356876765ISBN 13: 9781356876761
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Erstausgabe
Paris, 1854, in-8°, broché, couverture souple d'origine. 576 pp. Edition originale.(Freitag No. 8512).
Verlag: Paris: Adolphe Delahays, 1854, 1854
Anbieter: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, USA
21.8 x 13.2 cm. iv, 576 pages. Later half-morocco and marbled boards; light foxing to a few leaves; pencil underlining on a few pages; else exceptionally bright. **Freitag 8512. **Free domestic shipping with direct order.
Verlag: The Jewish Museum, London, 1954
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Hardcover. First editions. 1. Anglo-Jewish Portraits. Three-quarter vellum over green cloth with gilt double-ruling on covers, gilt lettering and ruling on spine. Top edge gilt. Frontispiece engraving. Alfred Rubens was an avid collector. In the 1920s, he started to collect prints and drawings of Jewish interest and eventually built a collection of world importance. When the Jewish Museum was founded in 1932 in London by Ruben's friend Wilfred S. Samuel, he invited Alfred Rubens to join the museum's committee as its expert on prints and drawings. "Anglo-Jewish Portraits" is Rubens' very first book published in 1935 at his own expense. Illustrated with forty-eight full-page plates, this work is a biographical catalogue of engraved Anglo-Jewish and Colonial portraits from the earliest times to the accession of Queen Victoria. Protective mylar with wear. Small dealer sticker on inside front cover. Some offsetting from protective mylar to endpapers. Contains bibliography, appendices and list of painters and engravers. [WITH] 2. A Jewish Iconography. Three-quarter vellum over red cloth with gilt double-ruling on covers, gilt lettering and ruling on spine. Top edge gilt. Frontispiece collotype. Title page with headpiece and lettering printed in red and black. This book is complementary to Anglo-Jewish Portraits. Based on the author's collection with help from the card index at the Jewish Theological Seminary, New York, and selected books. Essentially a catalogue of engravings, a few original paintings, drawings and silhouettes are included. Though a few modern items are included, the "terminating date" is roughly 1830. Profusely illustrated with seventy-five b/w illustrations reproduced in collotype. Appendices and list of painters, engravers and publishers. Limited edition of 500 copies. Very light wear of binding and lightly rubbed. Small dealer sticker on inside front cover. Unopened at foredge. Very good- to very good+ condition.
Verlag: LIGHTNING SOURCE INC, 2016
ISBN 10: 135787054XISBN 13: 9781357870546
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.