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Verlag: Cormorant Books Incorporated, 2008
ISBN 10: 1897151330ISBN 13: 9781897151334
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Houghton Mifflin (edition Reprint), 1997
ISBN 10: 0395880432ISBN 13: 9780395880432
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Hardcover. Zustand: Good. Pachter, Charles (illustrator). Reprint. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: Cormorant Books, 2009
ISBN 10: 1897151527ISBN 13: 9781897151525
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Gebraucht ab EUR 12,88
Verlag: Macfarlane Walter & Ross, 1997
ISBN 10: 155199013XISBN 13: 9781551990132
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: As New. First Edition. Used book that is in almost brand-new condition.
Verlag: Houghton Mifflin Company, Boston, MA, 1997
ISBN 10: 0395880432ISBN 13: 9780395880432
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Buch Erstausgabe
Pachter, Charles (illustrator). First edition thus. Hardcover. An attractive reissue. Features text by Atwood and illustrations by Charles Pachter. A clean near fine copy in a close to near fine cardstock slipcase with some minor wear. No dust jacket as issued.
Verlag: New Press, Toronto-Chicago, 1970
ISBN 10: 0887700624ISBN 13: 9780887700620
Anbieter: Attic Books (ABAC, ILAB), London, ON, Kanada
Buch
Softcover. Zustand: Fair. [28 p.]. 36 cm. B&w line drawings. Staplebound paper covers. Stained covers and tops of pages. Small tears and chips in spine and corners. Includes Alligator Pie.
Verlag: Bloomsbury Publishing PLC, 1997
ISBN 10: 0747537216ISBN 13: 9780747537212
Anbieter: Ammareal, Morangis, Frankreich
Buch
Hardcover. Zustand: Bon. Pachter, Charles (illustrator). Légères traces d'usure sur la couverture. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de ce livre à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slight signs of wear on the cover. Different cover. Ammareal gives back up to 15% of this book's net price to charity organizations.
Verlag: Toronto, Macfarlane Walter & Ross, 1997
Anbieter: Antiquariat Schröter -Uta-Janine Störmer, Unna, Deutschland
Verbandsmitglied: GIAQ
Buch Erstausgabe Signiert
XIII,74 Seiten, OHalb-Leinen mit geprägtem Vorderdeckel im OSchuber. Auf dem Vorsatz montiertes Signaturblatt, dass von beiden signiert wurde. Zusätzlich eine Signatur von Pachter auf dem Titelblatt. Durchgängig mit überwiegend farbigen Illustrationen von Pachter. Der Schuber mit wenigen Abschabungen, dass Buch in sehr gutem Zustand. Wikipedia: "Charles Pachter, OC OOnt (born December 30, 1942 in Toronto, Ontario) is a Canadian contemporary artist. He is a painter, printmaker, sculptor, designer, historian, and lecturer. He studied French literature at the Sorbonne, art history at the University of Toronto, and painting and graphics at the Cranbrook Academy of Art in Bloomfield Hills, Michigan." Sprache: Englisch Gewicht in Gramm: 1000.
Verlag: [Toronto: Manuel and Abel Bello-Sanchez, 1980]., 1980
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
Signiert
Hardcover. Zustand: Fine. folio. 37 deckle-edges sheets (30 folded).p 32 serigraphs. loosely laid into dark blue suede and cloth clamshell box. A flawless copy of the finest and most coveted of Canadian livres d artiste, Limited to 120 copies + 2 printers proofs, signed by the author, artist, printers and binder, this one of 100 printed on deckle-edged Arches, Rives BFK and Canadian handmade paper. The book was designed and illustrated by Charles Pachter, and hand printed by Manuel and Abel Bello-Sanchez. The type was hand set by the artist in Della Robbia, Kennerly Old Style Italic, and Goudy Old Style foundry typefaces in 1969. The images are serigraphs, some drawn directly on screens or photo-stencils, some re-worked spontaneously from lithographs, drawings, and collages. The blue suede and cloth clamshell box was done by Marion Mertens. I think it is fair to say that [the book] set a new standard for the handmade livre d artiste in Canada. As a poetic evocation of the travails experienced by a nineteenth century genteel English immigrant in her new Canadian homeland, it is also a landmark literary work .Marriage of the creative efforts of two fellow voyagers, The Journals of Susanna Moodie is nothing if not my homage to the writer, poet, and friend whose genius has been a sustained source of inspiration for my imagination. (Charles Pachter) Susanna Moodie was a nineteenth century British immigrant to the backwoods of Canada, and her autobiographical text provides a narrative context from which both Margaret Atwood and Charles Pachter respectively grapple with and negotiate the complex, polyglossic nature of Canadian culture, identity, and art. The interface between Atwood s poetic explication of cultural, linguistic, and literary identity and Pachter s illustrative visual representations reveals the powerful synergy that is born when text and image collide Moodie s chronicle, with its maternal whispers of advice, warning, hope and promise, is our point of departure, as it is from this nebulous ground of narrative instability that the complex amalgam of textured histories grows. Captivated by the specter of Moodie s early immigrant account, Margaret Atwood s cycle of poems fleshes out Moodie s bare-boned backwoods chronicles. And, born from Atwood s poetical turning of Moodie on her head , Pachter s evocative graphic art further deepens and extends the branches of this towering and tangled family tree. The immigrant experience, as articulated and rearticulated by Moodie, Atwood, and Pachter for particular historical contexts and audiences, becomes a powerful metaphor for the Canadian artist s tenuous endeavour of writing, creating, mapping, and navigating his/her way through the harsh narrative and imaginative landscape. Rather than providing us with any sort of assuring closure, Pachter s visual text opens the very earth in which Moodie was laid to rest, leaving us, once again, haunted. (Jennifer Aldred, Haunted: The Journals of Susanna Moodie) [Pachter s] pictures are much more commanding in their bold colours and turbulent designs, and even in their size. Many are spread over two pages as they enfold, rather than supplement, the poems After Moodie intrudes into the Canadian bush, it stealthily invades her: In time the animals / arrived to inhabit me. This mutual invasion is reflected in Pachter s style, which arranges off-balanced patterns, transposed colours, positives and negatives, mirror images. . (John Kerzer, a blizzard in my eyes, in Canadian Literature Issue 216 (Spring 2013)). Signed by Author(s).
Verlag: Published by House of Anansi, Toronto, 1968
Anbieter: Keoghs Books, Skipton, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe
, 39 pages with black and white illustrations First Edition , corners a little bumped spine rubbed, covers a little rubbed and darkened, otherwise in good+ condition , pictorial card cover Octavo Paperback ISBN: