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Verlag: Aldus Books Ltd, 1968
Anbieter: World of Rare Books, Goring-by-Sea, SXW, Vereinigtes Königreich
Zustand: Good. 1968. First Published in GB. 187 pages. No dust jacket. This is an ex-Library book. Red cloth. Colour illustrations with colour and black and white photographs throughout. Book has been rebound by library, with expected inserts, stamps and inscriptions. Binding remains firm. Pages and illustrations are lightly tanned throughout. Visible brown marks to front free endpaper and half title page. Boards have light shelf-wear with corner bumping. Light sunning to spine and edges with crushing to spine ends. Gilt lettering is bright and clear.
Verlag: Stuttgart 1970;, Deutsche Verlags-Anstalt,, 1970
Anbieter: buc online, Erika Trautmann-Aschmann, Göttingen, Deutschland
192 S.; karton.; 14x21,5cm. Ebd.mit kl. Altersspuren; sonst noch guter Zustand.
Verlag: König Verlag, 1973, 1982
ISBN 10: 3808200324ISBN 13: 9783808200322
Anbieter: Eichhorn GmbH, Möhnesee, Deutschland
Buch
Taschenbuch. 192 Seiten Taschenbuch Sprache: Deutsch Gewicht in Gramm: 300.
Verlag: HarperCollins Publishers, 1983
ISBN 10: 0884106446ISBN 13: 9780884106449
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: Stuttgart : Deutsche Verlags-Anstalt 1970 (o.J.), 1970
Anbieter: Der-Philo-soph, Viersen, NRW, Deutschland
Buch
8° Broschiert. Absolut neuwertig, da Originalverpackt. Stichworte: Kunststoff; Plastik; Polymere; Deutsch 550g.
Verlag: König Verlag Buch und Taschenbuch GmbH München, 1973
Anbieter: Gerald Wollermann, Bad Vilbel, Deutschland
Buch
Broschiert. Zustand: Gut. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 400.
Verlag: Warner Brothers, Burbank, CA, 1940
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Collection of seven vintage studio still photographs from the 1940 film, including six studio still photographs and one reference photograph. Two with annotations in manuscript ink on the verso, and reference photograph with the stamps of photographer M. Marigold and Dell Publishing Company on the verso. Based on George S. Kaufman's 1925 play "The Butter and Egg Man." A Texan woman living in New York sends letters back home claiming she's made it big as an actress, when in reality she's broke and unemployed. Set in New York and Texas. Six photographs 10 x 8 inches, one photograph 9.5 x 8 inches. Two photographs Very Good plus, with light toning, creasing, and edgewear, five photographs Very Good, with some edgewear, pinholes, and light soil to the verso, and one with a two inch tear to the right edge.
Verlag: Labor and Employment Research Association 1993-09-30, Champaign, 1993
ISBN 10: 0913447560ISBN 13: 9780913447567
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
paperback. Zustand: New. Language: ENG.
Verlag: Deutsche Verlags Anstalt, 1970
Anbieter: Book Broker, Berlin, Deutschland
Buch
Taschenbuch. Zustand: Gut. 0 Alle Bücher & Medienartikel von Book Broker Berlin sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Dieser Artikel weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Deutsch Gewicht in Gramm: 200.
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
A unique collection of twenty letters, telegrams and postcards from Alexander Woollcott, Morris Frank, Leonard Lyons, Moss Hart, George Kaufman, and Dorothy Parker. All are personal in nature and show the wit and warmth of the correspondents. Correspondence protected in plastic sleeves; housed in a full green morocco case with gilt tooling and lettering, lined with green cloth and marbled paper; All VG, with light age toning and creasing as usual; Paper used for telegrams is beginning to become brittle; 1) A postcard in Dorothy Parker's handwriting directed to Mr. and Mrs. Leonard Lyons, postmarked October 12, 1940 from Sun Valley, Idaho. It reads: "We're here with Ernest Hemingway and how are you four? Love from us all, Dorothy and Alan". Small patches of yellowed adhesive at top corners, not impacting readability. 2) A typed letter signed by George Kaufman directed to Leonard Lyons, dated April 7, 1943. Kaufman writes to ask that Lyons make a one-minute war bonds speech at a theatre on the week of April 19th-25th. Kaufman has added a handwritten note at the bottom of the page: "Here's your chance for a spotlight, Leonard. G." 3) A telegram from Moss Hart to Leonard Lyons, dated February 19, 1940, informing him that Hart will be leaving Hollywood the following day. "To you I send a fierce kiss and to Sylvia all the passion I can spare." Minor chipping to lower left corner. 4) A telegram to Mr. and Mrs. Leonard Lyons from Moss Hart and George and Beatrice Kaufman, dated February 10, 1941, inviting the Lyons to a party. Minor chipping to upper right corner and right edge. 5) An autograph letter signed by Moss Hart to Leonard Lyons, undated, written while Hart was working overseas with the USO. Hart writes that most of his stories would not be allowed by the censor, but that the experience has been "fabulous and deeply stirring.and richly rewarding. I'm eleven pounds lighter in weight than when I left New York--but immeasurably heavier in my knowledge of my fellow-man. It's worth it." An envelope is included, but is badly torn and undated. 6) A typed letter signed by Moss Hart to Leonard Lyons, dated simply "Sunday." It reads in part: "Well, thats the damndest check I ever received--it's like winning in a crooked gambling joint. Imagine a writer getting a check made out to himself for something another writer has written about him! What was the story? And why should I be getting paid instead of you?.Please give me a clue--we return to town September 5th--and you must at least let me buy you a drink or supper with these ill-gotten gains." 7) A typed letter signed by Moss Hart to Leonard Lyons, dated simply "Wednesday," referring to an enclosure (no longer present) regarding an exchange of letters with a correspondent Hart describes as "touchy." An envelope is included in the protective sleeve with this letter and the letter above; as both are written on the same type of stationery, it is unclear which the envelope belongs with. The envelope is postmarked August 28, 1961. 8) A typed letter signed by Alexander Woollcott to Leonard Lyons, dated October 24, 1939, to let Lyons know that Woollcott will be returning to New York shortly. A patch of yellowed adhesive marks the hotel's heading at the top of the stationery, and there is a smaller patch of darkened adhesive at the right edge, but neither impact the text. 9) A typed letter signed by Alexander Woollcott to Leonard Lyons, dated June 15, 1940, thanking Lyons for an earlier letter. 10) A typed letter signed by Alexander Woollcott to Leonard Lyons, dated April 26, 1941, gently making fun of Albert Barnes's enthusiasm for showing his art collection to anyone willing to see it; both Lyons and Woollcott received numerous letters from Barnes on the subject. A patch of yellowed adhesive on verso; visible on recto, but not impacting the readability of the letter. Minor damage to verso of letter due to adhesive removal; text not impacted. 11) A typed letter (unsigned) from Morris Frank to Alexander Woollcott, dated May 29, 1936, providing an anecdote for something Woollcott is writing. Small (â in) closed tear to right margin. 12) A typed letter signed by Alexander Woollcott to Morris Frank, dated June 1, 1936, to thank Frank for his letter of May 29th and to say that he looks forward to hearing more from Frank. 13) A typed letter signed by Alexander Woollcott to Morris Frank, dated February 6, 1939, letting him know that Woollcott is sending him three Braille copies of an article Woollcott wrote which was soon to appear in the Atlantic. Staple holes in upper left corner, minor staining from paperclip. 14) A typed letter (unsigned) from Morris Frank to Alexander Woollcott, dated February 14, 1939, thanking Woollcott for the Braille copies of his article. "I cannot tell you how very pleased I was to receive your article in Braille, even before it came out in regular print. Uncle Willi and Jack have been trying to take me off my high horse ever since I came in for I was told about it immediately. Even Buddy [Frank's guide dog] swaggered around the place." 15) A typed letter (unsigned) from Morris Frank to Alexander Woollcott, dated July 24, 1939, thanking him for his public support of The Seeing Eye, the training school for guide dogs that Frank founded. Several small (0.25 in or less) tears to top margin. 16) A typed letter (unsigned) from Morris Frank to Alexander Woollcott, dated October 4, 1939, in which Frank invites Woollcott to stay with him in Nashville when Woollcott passes through during an upcoming lecture tour. Minor creasing at edges and corners. 17) An autograph letter signed by Alexander Woollcott to Morris Frank, dated October 8, 1939, informing Frank that Woollcott will be unable to stay with Frank during a planned lecture tour that will take him to Frank's hometown of Nashville. Light staining from paperclip stain in upper left corner. 18) A typed letter (unsigned) from Morris Franks to Alexander Woollcott, dated March 11, 1940, t.