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Verlag: Royal Academy/J. Paul Getty Museum, 2003
ISBN 10: 1903973287ISBN 13: 9781903973288
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Royal Academy of Arts, London, 2003
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Includes dust jacket. Clean tight illustrated hardcover in jacket. A very good book in a very good dust jacket. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Verlag: Los Angeles: J. Paul Getty Museum, [2003]., 2003
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
Erstausgabe
4to.pp. xv, [1], 575. text in double columns. profusely illus. (most colour). biblio. index. wrs. Fine copy. First Edition. Issued in conjunction with an exhibition.
Verlag: Thames and Hudson Ltd, 2003
ISBN 10: 1903973252ISBN 13: 9781903973257
Anbieter: Thomas Heneage Art Books, London, Vereinigtes Königreich
Buch
c.480pp with 201 colour and 215 monochrome illustrations. Paperback 31x23.5cms. ISBN: 1903973252. Focuses on the zenith of Flemish illustrated manuscript production. Spanning the period between 1467 when Charles the Bold began his reign, to 1561, artists featured include Simon Marmion, Gerard David, Simon Bening and Gerard Horenbout. Discusses both secular and religious manuscripts, placing them in the wider context of contemporary visual arts. Text in English.
Los Angeles, J. Paul Getty Museum, (2004). Large 4to. Orig. full cloth with d/j. 575 pp. Richly illustrated, partly in colour. Clean and fine.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Los Angeles, Getty Foundation, 2003, in-4°, xv + 575 pp, index, bibliography, coloured ills. red publisher's cloth with dustjacket. Fine copy, published on the occasion of an exhibition at the Paul Getty foundation and in London at the Royal Academy.
Verlag: Butler and Tanner Ltd, 2003
Anbieter: Symonds Rare Books Ltd, London, Vereinigtes Königreich
Buch
Hardcover. Zustand: Fine. KREN, Thomas, and Scot MCKENDRICK. The Renaissance. The Triumph of Flemish Manuscript Painting in Europe England, Butler and Tanner Ltd, 2003. Folio. xv, 575 pp., with about 200 illustrations. Cloth, gilt lettering to spine, original dust jacket. A fine copy.
Verlag: Getty Trust Publications 2004, 2004
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardcover, 575 pages, English, 315 x 240 x 50 mm, In Good Condition !!, red cloth with goldcoloured imprint, illustrated dustjacket, with coloured / b/w illustrations. ISBN 9780892367030. This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period - beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening - the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of colour, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Focusing on the notable artists of the period - Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others - the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. 3250 g.