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Verlag: Monteux/France: Musica Rara,, 1979
Anbieter: Buch-Galerie Silvia Umla, DE, Deutschland
Noten
15 + 15 + 2 + 2 Seiten. Keine nennenswerten Gbrsp. WZ-QF Sprache: Englisch Gewicht in Gramm: 200 30 cm x 22 cm, o.broschiert und geheftet.
Verlag: Winterthur/Schweiz: Amadeus Verlag,, 1989
Anbieter: Buch-Galerie Silvia Umla, DE, Deutschland
Noten
40, 11 Seiten. Leichte Gbrsp. WZ:AF:A-Z Sprache: Deutsch Gewicht in Gramm: 400 30 cm x 23 cm, o.broschiert und geheftet.
Verlag: Winterthur, Amadeus Verlag Bernhard Päuler, 1990
Anbieter: ANTIQUARIAT H. EPPLER, Karlsruhe, Deutschland
Buch
4°. (= Aurea Amadeus Nr. 62 / BP 738). 11, 3, 3, 3 S. Orig.hefte im Umschlag, leichte Gebr.spuren, gut. Notenheft. ------- Giovanni Battista Fontana (* 1589 in Brescia; gest. 7. Oktober 1630 in Padua) war ein italienischer Komponist und Violinist des Frühbarocks. Die einzig erhaltenen Hinweise auf sein Leben und Wirken stammen aus dem Vorwort seiner einzig bekannten und elf Jahre nach seinem Tode gedruckten 18 Sonaten, den 1641 in Venedig erschienenen Sonate a 1. 2. 3. per il violino, o cornetto, fagotto, chitarone, violoncino o simile altro istromento.
Verlag: Moeck Celle
Anbieter: Smartbuy, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware Deutsch.
Verlag: Moeck Celle Instrumente Und Verlag
Anbieter: Smartbuy, Einbeck, Deutschland
Noten. Zustand: Neu. Neuware Deutsch.
Verlag: Doblinger Musikverlag
Anbieter: Smartbuy, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware Deutsch.
Verlag: Amadeus Vertrieb
Anbieter: Smartbuy, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware Deutsch.
Verlag: Doblinger Musikverlag
Anbieter: Smartbuy, Einbeck, Deutschland
Noten. Zustand: Neu. Neuware Deutsch.
Verlag: Moeck Celle
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware.
Verlag: Doblinger Musikverlag
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware.
Verlag: Doblinger Musikverlag
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware.
Verlag: Doblinger Musikverlag
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware.
Verlag: Doblinger Musikverlag
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Noten. Zustand: Neu. Neuware.
Erscheinungsdatum: 1584
Anbieter: Pictura Prints, Art & Books, Overasselt, Niederlande
Kunst / Grafik / Poster
No binding. Domenico (illustrator). 'MONTE CALVARIO'Large engraving printed from two plates depicting Jesus bearing the Cross up Mount Calvary and falling. The different stages of Christ's procession to Calvary. He falls in the center under the weight of the cross. At left Saint Veronica who approaches Christ to wipe his face, leads a group of women including the Virgin. Above preparations are underway to raise the crosses. Very rare!Made by Giovanni Battista Fontana after Domenico.Engraving on hand laid (verge) paper. Watermark: French Lily in circle (Italian paper).Sheet size: 66.5 x 41.6 cm (26.18 x 16.38 inch). Image size: 65.5 x 39.8 cm. (25.79 x 15.67 inch).CALVARY MOUNTAIN-JESUS BEARING CROSS-MONTE CALVARIOPCO-EXPO-LARGEThe print is dedicated to the Prior of the church of the Trinita in Venice, Pierto Lippomani. Originally published ca. 1560-1573 by Domenico Zenoi (Italian, active Venice and Padua, 1559-74), and in 1584 in Rome, by Giovanni Battista di Lazzaro Panzera da Parma (Italian, born 1541, active Rome 1577-98).Reference: Bartsch XVI.220.13.II. Condition: good, given age. Paper loss in left bottom remargined and retouched with pencil. Tear at top middle restored. Currently attached to modern paper for strength and handling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
Anbieter: Antiquariat Lorang, Bamberg, BY, Deutschland
Verlag Doblinger, Wien - München, 1962. Graublaue geheftete Original-Karton-Einbände, 16, 4, 5; 4, 4, 16; 6, 6 16 Seiten (insgesamt 77 Seiten), 4° (30 cm). Einbände mit minimalen Gebrauchsspuren, leicht aufgehellt und geringfügig lichtrandig, jeweils Exlibris im hinteren Innendeckel, Papier andeutungsweise gebräunt, Name jeweils auf den Stimmen, Buchblock sauber (also ohne Unterstreichungen & Randglossen). Sehr schöne Exemplare. [INTERNER HINWEIS - STANDORT großes weißes Regal, vor dem Malereibestand].
Verlag: Accent (Note 1 Musikvertrieb), 2012
Anbieter: Antiquariat Armebooks, Frankfurt am Main, Deutschland
Buch
audioCD. Zustand: Gut. Seiten; CD + Booklet - 14608B XK-HA7M-ELP1 Sprache: Deutsch Gewicht in Gramm: 500.
Verlag: Innsbruck [Oenipontum]: Baur (Agricola), 1601
Anbieter: Antiquariat Dasa Pahor GbR, München, Deutschland
Karte
Copper engraving, printed from both sides (Very Good, old manuscript number in the upper right corner, old repaired tear in the lower par of the image with small white pieces of paper glued over the image) 48,5 x 33,5 cm (19 x 13.2 inches). RARE LATIN FIRST EDITION! A beautiful large Renaissance portrait showcases Ulrich von Schellenberg zu Kißlegg (1478-1549), a German nobleman and military leader. The portrait was engraved by Dominicus Custos (1560-1612) and was published in a book Armamentarium Heroicum by Jakob Schrenck von Notzing (1539 - 1612). The book included portraits based on the wall paintings of the so-called Spanish Hall in the castle Ambras near Innsbruck in Austria. The hall was painted in by Giovanni Battista Fontana (1541-1587) from Verona, with the portraits of the greatest contemporary and historical military leaders. Schrenck von Notzing's book was published in two editions. The first one, Armamentarium Heroicum, was printed in 1601 in Latin language, with biographies of represented military leaders on the back of the portraits. The second edition in German language (Der Aller Durchleuchtigisten und Grossmächtigen Kayser, Fürsten, Grafen, Herren, vom Adel wahrhafftige Bildtnussen und kurtze Beschreibungen ihrer Thaten ugen) printed in 1603 included identical portraits, but the texts on reverse don't match the portraits, as the text, printed on the right side, corresponded to the portrait on the left, and to the portrait printed on its back. The book, commissioned by Ferdinand II of Tyrol to commemorate his art collection, is known as the first printed illustrated art and museum catalogue in the wor.
Verlag: Innsbruck [Oenipontum]: Baur (Agricola), 1601
Anbieter: Antiquariat Dasa Pahor GbR, München, Deutschland
Karte
Copper engraving, printed from both sides (Very Good, old manuscript number in the upper right corner) 48,5 x 33,5 cm (19 x 13.2 inches). RARE LATIN FIRST EDITION! A beautiful large Renaissance portrait showcases Konrad von Boyneburg der Ältere (1494 - 1567), a German leader of the Landsknechts under emperor Charles V. The portrait was engraved by Dominicus Custos (1560-1612) and was published in a book Armamentarium Heroicum by Jakob Schrenck von Notzing (1539 - 1612). The book included portraits based on the wall paintings of the so-called Spanish Hall in the castle Ambras near Innsbruck in Austria. The hall was painted in by Giovanni Battista Fontana (1541-1587) from Verona, with the portraits of the greatest contemporary and historical military leaders. Schrenck von Notzing's book was published in two editions. The first one, Armamentarium Heroicum, was printed in 1601 in Latin language, with biographies of represented military leaders on the back of the portraits. The second edition in German language (Der Aller Durchleuchtigisten und Grossmächtigen Kayser, Fürsten, Grafen, Herren, vom Adel wahrhafftige Bildtnussen und kurtze Beschreier Thaten und Handlungen) printed in 1603 included identical portraits, but the texts on reverse don't match the portraits, as the text, printed on the right side, corresponded to the portrait on the left, and to the portrait printed on its back. The book, commissioned by Ferdinand II of Tyrol to commemorate his art collection, is known as the first printed illustrated art and museum catalogue in the wor.
Verlag: Innsbruck [Oenipontum]: Baur (Agricola), 1601
Anbieter: Antiquariat Dasa Pahor GbR, München, Deutschland
Karte
Copper engraving, printed from both sides (Very Good, old manuscript number in the upper right corner) 48,5 x 33,5 cm (19 x 13.2 inches). RARE LATIN FIRST EDITION! A beautiful large Renaissance portrait showcases Andreas Teufel zu Guntersdorf (1515-1592), an Austrian nobleman and politician. The portrait was engraved by Dominicus Custos (1560-1612) and was published in a book Armamentarium Heroicum by Jakob Schrenck von Notzing (1539 - 1612). The book included portraits based on the wall paintings of the so-called Spanish Hall in the castle Ambras near Innsbruck in Austria. The hall was painted in by Giovanni Battista Fontana (1541-1587) from Verona, with the portraits of the greatest contemporary and historical military leaders. Schrenck von Notzing's book was published in two editions. The first one, Armamentarium Heroicum, was printed in 1601 in Latin language, with biographies of represented military leaders on the back of the portraits. The second edition in German language (Der Aller Durchleuchtigisten und Grossmächtigen Kayser, Fürsten, Grafen, Herren, vom Adel wahrhafftige Bildtnussen und kurtze Beschreibungen ihrer Thaten und Handlrinted in 1603 included identical portraits, but the texts on reverse don't match the portraits, as the text, printed on the right side, corresponded to the portrait on the left, and to the portrait printed on its back. The book, commissioned by Ferdinand II of Tyrol to commemorate his art collection, is known as the first printed illustrated art and museum catalogue in the wor.
Anbieter: Antiquariaat Arine van der Steur / ILAB, Den Haag, Niederlande
Full-length portrait of Charles IX of France (1550-1574) as a young man in a niche with highly decorated architecture. From a set of various rulers within decorative frames. The inscription on the pedestal has been removed and replaced with a little legible handwritten annotation. Engraving on paper, trimmed within plate mark and laid down on another sheet of paper; total: 424 x 285 mm; some dirt and foxing, damp stains on the most external margins (of the mat), very sharp.impression. Karel IX was koning van Frankrijk van 1560 tot aan zijn dood.
Verlag: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; c.1762, Romae, 1762
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Signiert
Contemporary half calf; double gilt fillets bordering marbled boards; spine with five (5) matching gilt fillets on raised bands, embossed gilt lettered title on two and four; pasted and free endpapers marbled; all edges marbled., Text in Latin and Italian.This work was dedicated by Piranesi to one of his highly esteemed co-workers (during the 1750?s), Robert Adam. Concerning this Rome, 1762 edition, Luigi Ficacci states: ?Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome, the Work of G. B. Piranesi, Fellow of the Royal Society of Antiquaries, London. The Latin title page bears the title, the date of the edition, and the dedication to Robert Adam. The address is: ?Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincio?.The volume is composed of 2 title pages (Latin and Italian, whose sequence varies according to the copy), 2 ornamented letters, 4 vignettes, 42 plates by Piranesi (5 of these plates are composed of several copperplates), and 1 engraved by Vesterhout*, 68 pages of text in Italian and Latin, preceded by 6 pages of dedication to Robert Adam and followed by 29 pages of indices. ?The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane (1756). The large Plan of Campo Marzio and 6 copperplates (?Ichnographia? or plan of the Campus Martius, ill. 493), executed in collaboration with Robert Adam and dedicated to him, is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout (plate XXXI, ?) reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.?*Plate XXXI, depicting the excavation of the Antonine column in 1705, was signed by both, its engraver, Arnold Van Westerhout or Vesterhout, and by its designer and artist, Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'., Size : Folio (542 x 406mm)., Copper engravings with illustrated title in Latin, illustrated title in Italian, two half-page head-piece vignettes opening dedication at a1v-2r; two engraved decorative copper initials opening the text at A1v and A2r; two large end-piece vignettes at R2v, and R3r; moreover, Tab. I-XLVIII with fifty-two (52) copper engraved plates; these include: a double-page plate numbered XXXII, two triple or oversized folding plates numbered II and XXXI; a larger oversized engraving (1500x1500mm) encompassing plates V-X forming the plan of the Campus Martius; a single page numbered XLVIII, depicting three copper plates, entitled ?Elevazione de? Teatri?? , ?Elevazione del Pantheon?? and ?Elevazione dell? Anfiteatro?; single pages two [half-page] copper plates each - numbered XII (entitled ?Hypsographia?? and ?Sectio??) and XLVI (entitled ?A Reliquiae?? and ?Orthographia??) respectively; the remaining copper plates full or single page sized. , Upper marginal corner of upper pasted endpaper with sticker reading ?C.E.Rappaport // Libri Rari // Roma?- , References : Luigi Ficacci, pp. 394-431; Focillon (1964): 428-479; Hind (1978): 85; Millard iv (2000): 91; RIBA, Early Pr. iii (1999): 2551; Wilton-Ely (1994): 559-612. , Ll: Bl. (2), Illustrated title in Latin, illustrated title in Italian, a1-b2 (with dedication), A1-Q2, R1-3 (with approbation and explanatory texts); a1-c2 (with Index) ; *1-***2, ****1-3 (with catalogues); [illustrations: Tab.I-XLVIII]; bl. (2). Fine thick laid 18th century Italian paper with wide margined paper watermarked engravings; spine and corners worn ? A handsome and attractive example, plates are clean and crisp.
Verlag: Veneunt apud Auctorem in ædibus Comitis Thomati via Felice prope templum SS. Trinitatis in Monte Pincio; [ watermarks indicate:] c.1770?s-1790?s, Romae/Rome, 1770
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Signiert
Contemporary half calf with marbled boards; spine with five (5) blind raised bands, flanked by gilt tooling; gilt lettered title on Morocco label on two; contemporary pasted and free endpapers; all edges speckled red., Text in Italian; captions in Latin.This work was dedicated by Piranesi to one of his highly esteemed co-workers (during the 1750?s), Robert Adam. Concerning the Rome 1762 edition, Luigi Ficacci states: ?Edition Rome 1762. Engraved title on the title page: The Campus Martius of Ancient Rome, the Work of G. B. Piranesi, Fellow of the Royal Society of Antiquaries, London. The Latin title page bears the title, the date of the edition, and the dedication to Robert Adam. The address is: ?Veneunt apud Auctorem in aedibus Comitis Thomati via Felice prope Templum SS. Trinitatis in Monte Pincio?.The genesis of the work goes back to the second half of the 1750s: its publication is announced as imminent in the first volume of Antichita Romane (1756). The large Plan of Campo Marzio and 6 copperplates (?Ichnographia? or plan of the Campus Martius, ill. 493), executed in collaboration with Robert Adam and dedicated to him, is dated 1757 on the plate. The approbatio is dated 1761. The plate by Vesterhout (plate XXXI, ?) reproduces the technical solution adopted by Carlo and Francesco Fontana for restoration of the Column of Antonius Pius in 1705.?, Size : Folio (542x406mm). , Etched copper engravings with illustrated title in Latin, illustrated title in Italian, ornamental head-piece and engraved decorative copper initial at A1r; the initial opens the text. Tab. I-XLVIII, plus three full page engravings entitled ?Sepulchrum Mariae Honorij Imp. Uxoris ??, ?Labrum aegyptiacum porphyreticum??, and Nonnulla monumenta sepulcralia, quae recensentur??; these 51etchings include double-page plates numbered V-X forming the plan of the Campus Martius and one double page plate # XXXII; two triple or oversized folding plates numbered II and XXXI; a single page numbered XLVIII depicting three copper plates, entitled ?Elevazione de? Teatri?? , ?Elevazione del Pantheon?? and ?Elevazione dell? Anfiteatro?; single pages two [half-page] copper plates each - numbered XII (entitled ?Hypsographia?? and ?Sectio??) and XLVI (entitled ?A Reliquiae?? and ?Orthographia??) respectively; the remaining copper plates are full page in size. Plate XXXI was engraved by Vesterhout* after Fontana.Thick, wide margined paper; many watermarks, pointing this Roman edition to the time frame of 1770?s -1790?s. Examples of watermarks: an unlisted on both free endpapers with an inner fleur de lis design within a circle; #19 (1790?s) at plate 43; #68 (probably 1790?s) at plate 35; #59 (mid 1770?s -1790?s) at plates 31 and 32; #64 (1790?s) also on plate 31; # 12 (late 1780?s -1790?s) at plate 30; #14 (mid 1761) or #16 (1790?s) at plate 29; #59 (mid 1770?s -1790?s) and 64 (1790?s) at insert plate 21 entitled Scenographia Machinae qua Clemente XI. Pont. Max. An. D. MDCCV; #74 (1790?s) on unnumbered plate entitled ?Sepulchrum Mariae Honorij Imp. Uxoris? generally featured as headpiece vignette of the Latin text.; #12 (late 1780?s -1790?s) on unnumbered plate, entitled ?Labrum aegyptiacum porphyreticum??, here as full plate, otherwise a headpiece of the Latin text. *Plate XXXI, depicting the excavation of the Antonine column in 1705, was signed by both, its engraver, Arnold Van Westerhout or Vesterhout, and by its designer and artist, Franciscus Fontana. The second illustrated title or title in Italian reads: 'Il Campo Marzio Dell'Antica Roma'., References : Luigi Ficacci, pp. 394-431; Focillon (1964): 428-479; Hind (1978): 85; Millard iv (2000): 91; RIBA, Early Pr. iii (1999): 2551; Wilton-Ely (1994): plates 559-612. , Ll: Bl., Illustrated title in Latin, A1-H2, a1-c2 (with catalogue and indices); illustrated title in Italian; Tab.I-XLVIII plus three full-leaf unnumbered plates, bl. Plates and text crisp and clean, near fine. Thick, wide margined paper.