Produktart
Zustand
Einband
Weitere Eigenschaften
Gratisversand
Land des Verkäufers
Verkäuferbewertung
Verlag: No Starch Press, Incorporated, 2002
ISBN 10: 1886411697ISBN 13: 9781886411692
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Good. 1st Edition. Used book that is in clean, average condition without any missing pages.
Verlag: Wallace-Homestead Book Co, 1979
ISBN 10: 0870692666ISBN 13: 9780870692666
Buch
Zustand: Good. Good condition. Paperback edition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
DVD. Zustand: Wie neu. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Original in Folie. Sprache: Englisch Gewicht in Gramm: 80.
dvd. Zustand: Gut. Auflage: Standard Version. Mit leichten altersbedingten Lager- und Gebrauchsspuren. E-K225 Sprache: Deutsch Gewicht in Gramm: 117.
Verlag: STUDIOCANAL, 2002
Anbieter: Bookstore-Online, Mattsies, Deutschland
Buch
DVD. Zustand: Wie neu. Auflage aus dem Buch nicht ersichtlich. 10 DVDs DVD s sind noch original verschweißt. RikNL Sprache: Deutsch Gewicht in Gramm: 1490.
Verlag: Paramount Pictures, Los Angeles
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Two vintage press photographs of Roman Polanski from the iconic 1974 neo-noir film. One photo shown. Please inquire to see the other. 8 x 10 inches. Near Fine. Grant US. Silver Neo-Noir. Spicer US.
Verlag: Warner Brothers / Seven Arts, Burbank, CA, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage oversize, double weight, borderless photograph from the set of the 1967 film, showing actor Faye Dunaway brandishing a pistol while director Arthur Penn describes the scene and co-star Warren Beatty looks on. With the stamp of photographer Lee Johnson on the verso. The beginning of the New Hollywood Cinema. Screenwriters Robert Benton and David Newman shopped their script about the notorious 1920s gangsters to every major American studio, then to Francois Truffaut, and then to Jean-Luc Godard, all to absolutely no avail. A young and reckless Warren Beatty, already an established Hollywood bad boy, took an interest and brought on director Arthur Penn and, for a rewrite, screenwriter Robert Towne. According to legend, Beatty begged Jack Warner on bended knee to green light the production, after which the film barely got an initial release. Eventually, due more to studio politics than interest in the film, it received a general release, due mostly to huge political upheavals at Warner Brothers, whereupon it became a box office smash. 9.5 x 14 inches. Near Fine with some faint, shallow creasing at a couple of corners. In a custom museum-quality frame, archivally mounted, with UV glass.
Verlag: Paramount Pictures, Los Angeles, 1974
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless studio still photograph, with bottom margin, of Roman Polanski from the 1974 film. Mimeo snipe on verso. A definitive entry in the New Hollywood canon and a worthy rival to director Roman Polanski's 1968 masterpiece "Rosemary's Baby." Nominated for eleven Academy Awards, winning one for Best Original Screenplay for Robert Towne. Set in 1930s Los Angeles, shot on location throughout California. 8 x 10 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Schrader's Canon Fodder 43. Silver and Ward Neo-Noir US. Spicer Neo-Noir US.
Verlag: Paris Match, Paris, 1968
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless press photograph, with bottom margin, of Warren Beatty and Faye Dunaway in a Paris cafe, having arrived in Paris for the January 24, 1968 Moulin Rouge Premiere of the 1967 film. Six "Paris Match" stamps and an "International Magazine Service" stamp, dated "28 Jan 1968" on verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others including Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress, and Best Supporting Actor. Selected for the National Film Registry in 1992. Shot on location in Texas and California. 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.
Verlag: Warner Brothers, Burbank, CA, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage oversize borderless double weight reference photograph of Faye Dunaway, Warren Beatty, and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex, and humor, and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences, leading critic Pauline Kael to come to its rescue: "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Nominated for eight Academy Awards, winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. Shot on location in Texas and California. 11.75 x 9.25 inches. Very Good plus, with lightly bumped corners and faint soil to the verso. Rosenbaum 1000. Ebert I. Scorsese, A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US.
Verlag: Warner Brothers, Burbank, CA, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph of director Arthur Penn and actors Faye Dunaway and Warren Beatty resting between takes while filming on location for the 1967 film, with cinematographer Burnett Guffey looking on to the right. With manuscript pencil and ink annotations regarding cropping on the verso, along with a provenance stamp. From the archive of film historian and author Joel Finler. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex, and humor, and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences, leading critic Pauline Kael to come to its rescue: "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Nominated for eight Academy Awards, winning two, including Best Cinematography for Guffey. Shot on location in Texas and California. 7.5 x 9.75 inches. Very Good plus overall. National Film Registry. Ebert I. Grant US. Penzler 101. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.
Verlag: N.p., N.p., 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage borderless reference photograph from the 1967 film, showing actor Oscar Homolka talking with director Elliot Silverstein on the set. Four hippies from Miami kidnap a retired Mafia gangster and hold him for ransom. The plot soon spirals out of control, however, when the hippies fail to find anyone willing to pay the ransom, deeply offending the ex-gangster. An early appearance by actress Faye Dunaway. 10 x 8.25 inches. Near Fine, lightly worn at the corners.
Verlag: Paramount Pictures, Los Angeles, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Collection of 20 vintage borderless studio still photographs from the 1967 film. Based on the 1965 novel, a story of racial prejudice and land ownership in the deep south in 1946. Perhaps director Otto Preminger's worst well-cast flop of the latter part of his career, a legendary bomb which came under fire from almost every angle. Notably the film debut of actor Faye Dunaway, who was so dissatisfied with the experience that she later claimed Preminger didn't "know anything at all about the process of acting" and sued the director to break a five-film contract she had signed with him. Set and shot on location in Georgia. 8 x 10 inches. Near Fine overall, one with several small splashes to the bottom half. Olive Films 869.