Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: University of Pittsburgh Press, Pittsburgh, 1971
Anbieter: Daniel Zachariah, Buenos Aires, Argentinien
Verbandsmitglied: ALADA
Buch
Soft cover. Zustand: Very Good. No Jacket. Some minor wear to the covers, inside pages clean and bright. We speak Spanish, English and French. Hablamos español, ingles y frances. Nous parlons espagnol, anglais et francais.
Verlag: The University of Pittsburgh, Pittsburgh, 1971
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe
First Edition. Red cloth in complete (not-price-clipped) dust jacket; 8vo. Uncommon cloth issue of the Syrian-born poet's first book published in the US. Translated by Samuel Hazo. Adonis has long been on the shortlist for the Nobel Prize which only one Arabic writer (novelist Naguib Mahfouz) has won. This copy fine, the dust jacket minutely rubbed at extremities; still fine (in removable archival jacket).
Verlag: The University of Pittsburgh, Pittsburgh, 1971
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe
First Edition. Red cloth in dust jacket; 8vo. Uncommon cloth issue of the Syrian-born poet's first book published in the US. Signed by Adonis on the title page. Translated by Samuel Hazo. Adonis has long been on the shortlist for the Nobel Prize which only one Arabic writer (the novelist Naguib Mahfouz) has won. This copy very lightly rubbed and soiled, but still essentially fine (in removable archival jacket). Scarce signed.
Verlag: University of Pittsburgh Press, Pittsburgh, 1971
Anbieter: Raptis Rare Books, Palm Beach, FL, USA
Erstausgabe Signiert
First edition of the poet's first book to be translated into English. Octavo, original red cloth. Inscribed by both the poet Adonis and by the translator, Samuel Hazo. Fine in a near fine dust jacket. Modernist novelist Adonis has won the 2007 Bjørnson Prize and the 2011 Goethe Prize. The Blood of Adonis continues Adonis' pioneering of modern Arabic poetry. The poet is often seen as a rebel, an iconoclast who follows his own rules who said "Arabic poetry is not the monolith this dominant critical view suggests, but is pluralistic, sometimes to the point of self-contradiction.".