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Verlag: Springer International Publishing, 2020
ISBN 10: 3030138097ISBN 13: 9783030138097
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the contrasting forms neo-noir has taken on screen, asking what prompts our continued interest in tales of criminality and moral uncertainty. Neo-noir plots are both familiar and diverse, found in a host of media formats today, and now span the globe. Yet despite its apparent prevalence-and increased academic attention-many core questions remain unanswered. What has propelled noir's appeal, half a century on after its supposed decline What has led film-makers and series-creators to rework given tropes What debates continue to divide critics And why are we, as viewers, so drawn to stories that often show us at our worst Referencing a range of films and series, citing critical work in the field-while also challenging many of the assumptions made-this book sets out to advance our understanding of a subject that has fascinated audiences and academics alike. Theories relating to gender identity and neo-noir's tricky generic status are discussed, together with an evaluation of differing comic inflections and socio-political concerns, concluding that, although neo-noir is capable of being both progressive and reactionary, it also mobilises potentially radical questions about who we are and what we might be capable of.
Verlag: Springer International Publishing, 2020
ISBN 10: 3030138097ISBN 13: 9783030138097
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Verlag: Springer International Publishing, 2019
ISBN 10: 3030138062ISBN 13: 9783030138066
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the contrasting forms neo-noir has taken on screen, asking what prompts our continued interest in tales of criminality and moral uncertainty. Neo-noir plots are both familiar and diverse, found in a host of media formats today, and now span the globe. Yet despite its apparent prevalence-and increased academic attention-many core questions remain unanswered. What has propelled noir's appeal, half a century on after its supposed decline What has led film-makers and series-creators to rework given tropes What debates continue to divide critics And why are we, as viewers, so drawn to stories that often show us at our worst Referencing a range of films and series, citing critical work in the field-while also challenging many of the assumptions made-this book sets out to advance our understanding of a subject that has fascinated audiences and academics alike. Theories relating to gender identity and neo-noir's tricky generic status are discussed, together with an evaluation of differing comic inflections and socio-political concerns, concluding that, although neo-noir is capable of being both progressive and reactionary, it also mobilises potentially radical questions about who we are and what we might be capable of.
Verlag: Springer International Publishing, 2019
ISBN 10: 3030138062ISBN 13: 9783030138066
Anbieter: moluna, Greven, Deutschland
Buch
Gebunden. Zustand: New.
Verlag: William Morrow, New York, 2009
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Erstausgabe Signiert
Original printer's proof for the cover of the first edition, published by William Morrow in 2009, SIGNED by editor Michael Connelly. Card stock, 8.25 x 10.75 inches, mechanically folded at the rear spinefold. 14.25 x 10.75 inches unfolded. Fine.
Softcover. Zustand: Fine. Magazine. 16mo. String bound illustrated stiff paper wrappers. About fine. Poetry anthology with contributions from John Updike ("Travel Tips"), Conrad Hilberry, Albert Goldbarth, Marge Piercy, Paul Alexander, James Reed, Peter Wild, Sue Standing, D.A. Fantauzzi, Barbara Drake, W.R. Moses, Leonard Nathan, John Gage, Martha Collins, Shelby Stephenson, Raymond Roseliep, Mark Irwin, Daisy Aldan, Jean Balderston, William Matthews, Frank Short, Nicholas Ranson, William Palmer, and Vern Rutsala. Laid in is a small broadside poem by Robert Wallace, the editor of Bits.