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Verlag: Univ of Hawaii Pr, 2007
ISBN 10: 0824831985ISBN 13: 9780824831981
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Buch
Zustand: Used - Like New. 2007. Hardcover. Fine.
Verlag: University of Hawaii Press, 2007
ISBN 10: 0824831985ISBN 13: 9780824831981
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Buch
Zustand: very good. 'Honolulu : University of Hawaii Press, 2007. Hardcover. 20 cm, "Indians first arrived in Fiji as indentured laborers in 1879. Since the Rabuka coup d'etat in 1987, and three subsequent Fiji coups, Indian-Fijians have been emigrating from the country in earnest. Stopover is a haunting suite of photographs by New Zealand artist Bruce Connew from the tiny Indian-Fijian sugar cane settlement of Vatiyaka, taken during seven visits between June 2000 and November 2003, placing an extended family inside the story of migration. Connew's narrative captions and a story by Brij V. Lal take the reader to the heart of an embattled life."--Publisher's web site. Condition : very good copy. ISBN 9780824831981. Keywords : PHOTOGRAPHY,
Verlag: Vapour Momenta Books, Wellington, New Zealand, 2007
ISBN 10: 0473124572ISBN 13: 9780473124571
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Buch Erstausgabe Signiert
Hardcover. Zustand: Fine condition. First edition, limited. 415/600. Sextodecimo. Unpaginated. Original yellow quarter cloth over gray heavy boards with white lettering on cover. Black endpapers. Title printed to three pages, one word per page. Signed and hand-numbered on colophon at rear. Design by Catherine Griffiths and Bruce Connew. "I looked out the window down to the pocket-sized figures about the public car park, half a kilometre away as the crow flies, and said to myself, "Peter Bialobrzeski, damn it, you're right, there's work to be done here. No shilly-shallying. I'll watch these people, and I'll photograph them. They won't know. How good is that, Peter Bialobrzeski, how simple is that?" For twelve months, from the top floor of home, veiled behind an apron of black velvet, through double-glazing and a long lens, I photographed the comings and goings of a car park, an ample piece of reclaiming Wellington land that juts out into the bay, a family beach to one side. Surveillance is routine nowadays. It's everywhere. It's everywhere. We've come to expect it; we've even come to embrace it. It promises social order. Then I took away some of their identity and shuffled them together." (Bruce Connew). Illustrated with fifty-two color photographs, altered and produced in photogravure.