Jo Roman (47 Ergebnisse)

Taschenbuch. Zustand: Gut. 188 Seiten Papierqualität und Alter führten zu einer Nachdunklung der Seiten und der Buchschnitt ist angestaubt. Im Übrigen ist das Taschenbuch in einem guten Zustand. Sprache: Deutsch Gewicht in Gramm: 110.

Zustand: Gut. TB. Ausgabe 1993;239 S.,Buchdeckel oben Druckstellen, Buchschnitt und Seiten Lichtrandig,ansonsten gut erhaltenes Exemplar.18447;K64;200gr. K64 Sprache: Deutsch Gewicht in Gramm: 200.

Zustand: befriedigend. Pb, 239 S., befriedigender Zustand Sprache: deu.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5.

Zustand: Good. Roman, Irena (illustrator). Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

240 Seiten, 8°, Obroschur, geringe Gebrauchsspuren Stichworte: Medizin, Heilkunde Deutsch 300g.

Zustand: Very Good. Roman, Irena (illustrator). Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

239 S. Orig.-Brosch. Gut erhalten.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: NEW.

Zustand: NEW.

Témoignages du professeur Paul Milliez, de Jean Toulat et de Michel L. Landa. Pygmalion. Broché. 189 pages.

Zustand: New. Idioma/Language: Español. Si los bosques son los pulmones del planeta, los animales migratorios que atraviesan océanos, arroyos y montañas son su corazón y arterias, quienes bombean nutrientes vitales como nitrógeno y fósforo desde las profundidades marinas hasta las cumbres montañosas, del Ártico al Caribe. Durante décadas, la ciencia ha estudiado las dinámicas evidentes que moldean nuestro mundo físico. Sin embargo, fuerzas menos glamurosas como los cadáveres en descomposición y los excrementos depositados han sido largamente ignoradas, a pesar de su profundo impacto en los ecosistemas locales y en el ciclo climático global. La pura verdad es que defecar y orinar son rituales cotidianos para casi todos los animales, las elipsis invisibles de la ecología que fluyen a través de toda vida. Esta obra nos transporta en una aventura global estimulante e instructiva, desde los volcanes islandeses hasta las aguas tropicales hawaianas, pasando por las grandes llanuras estadounidenses, con el propósito de revelar las extraordinarias formas en que las actividades biológicas de los animales construyen y reconstruyen constantemente nuestro mundo. Una lectura imprescindible para comprender de manera más profunda estos ciclos fundamentales que ofrece oportunidades inesperadas para revertir el daño ambiental que la humanidad ha infligido a nuestro planeta, recordándonos que, en la naturaleza, incluso los procesos más elementales son esenciales para mantener el delicado equilibrio de la vida. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Zustand: New. In.

Paperback. Zustand: Brand New. 352 pages. 9.25x6.10x0.71 inches. In Stock.

Zustand: Very good. - Quarto, 11 inches high by 8-1/2 inches wide. Softcover, 10 mechanically reproduced pages, including a cover sheet, titled "Jochen Seidel's Life Notes by Jo Roman, 1974", stapled together at top left. Folded in half horizontally with some minor light brown stains to the verso of a few pages. Together with a 16 page catalog for an exhibition at the Goethe house illustrated in color and black & white with photos of Jochen Seidel's drawings and paintings. The softcover octavo catalog, bound in stapled white wraps, measures 9-1/8 inches high by 6 inches wide. There is minor soiling & creasing to the covers. Very good. On the cover sheet of her essay on Jochen Seidel's work, Jo Roman has written: "Enclosed material has not been edited.For further information contact Ms. Jo Roman", followed by her address and phone number. The work consists of a 2-page "Outline" in which Roman pieces together biographical material drawn from "family and friends" and from "a scramble of papers he left". Following the biographical outline is a very personal 2-1/2 page essay about which she observes that it "is part of my personal overview and, so, subjective. I admired Jochen as an artist and platonically loved him throughout his seven years in New York City". Following this essay is a page titled "Jochen Seidel: Exhibits and Awards". The concluding three pages are what Roman calls a "Descriptive Outline", an attempt to show the range of Seidel's work in chronological order.The Goethe House catalog includes a lead essay by Jo Roman, an essay by the abstract expressionist artist Ethel Kremer Schwabacher, and an essay by art historian and curator Harry Rand. Laid into the catalog is a postcard invitation to the reception.Jochen Seidel, (1924-1971), was a German artist who studied with Ernst Schumacher in West Berlin. In 1961 and 1964 he exhibited at the Carnegie International Exhibition in Pittsburgh, PA. In 1962 he accepted an offer to teach at Fairleigh Dickinson University in New Jersey. From 1964 Seidel resided in a loft at 812 Broadway in New York City and befriended Jo Roman and her husband Mel for the last 7 years of his life. He hung himself in his studio sometime around May 30, 1971.Jo Roman, (1917-1979), was an artist and an advocate for the right of people to commit suicide. This advocacy became particularly defined after the death of her friend Jochen Seidel. A diagnosis of breast cancer put her on the path of her own suicide. In 1980 PBS broadcast a then controversial program titled "Choosing Suicide" documenting the reasons for Roman's suicide through interviews with her between February and May of 1979. Her book, "Exit House", was published posthumously in 1980.

Vintage borderless double weight reference photograph from the 1976 film, showing director-actor Roman Polanski and actress Isabelle Adjani. Collection stamp on the verso. Based on the 1964 novel "Le locataire chimerique" (or "The Tenant" in the US edition) by Roland Topor. The third and final film in Polanski's "Apartment Trilogy," following "Repulsion" and "Rosemary's Baby," about a man who finds out that the previous tenant of his Parisian apartment attempted suicide by jumping out the window. Slowly, the man becomes obsessed with the tenant, taking on more and more of her habits, ultimately including her attempts at self destruction. Nominated for the Palme d'Or. Set and shot on location in Paris. 9 x 6.75 inches. Near Fine.