Renaissance Painting Manuscripts

J. Hamburger*, A. Korteweg (eds.): Harvey Miller Tributes HMTRIB 3 Tributes in Honor of James H. Marrow Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance, Brepols ; fester Einband / hard cover ISBN: 9781905375080
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Harvey Miller Tributes HMTRIB 3 Tributes in Honor of James H. Marrow Studies in Painting and Manuscript Illumination of the Late Middle Ages and Northern Renaissance J. Hamburger*, A. Korteweg (eds.) 679 p., 311 b/w ill. + 81 colour ill., 210 x 275 mm, 2006 ISBN: 978-1-905375-08-0 Languages: English Hardback The publication is available. Retail price: EUR 150,00 How to order? Bibliography of James H. Marrow Abbreviations Alfred Acres, 'Elsewhere in Early Netherlandish Painting'; Jonathan J. Alexander, 'A Shepherdess on a Swing in a Netherlandish Book of Hours'; Francois Avril, 'Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, eveque d'Elne'; Gabriele Bartz, 'Adam wird ins Paradies getragen'; Marina Belozerskaya, 'Good Dog: Model Canines in Renaissance Manuscripts'; Adelaide Bennett, 'Christ's Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300'; Paul Binski, 'The Faces of Christ in Matthew Paris's Chronica Majora'; Bodo Brinkmann, 'Happy End für einen Löwen'; Klara H. Broekhuijsen, 'Ende ziet alomme int paradijs: Seth's Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht'; Walter Cahn, 'The Allegorical Menorah'; Bert Cardon, 'The Miroir de la salvation humaine Revisited: Bibliotheque Nationale de France, Ms. Fr. 3275'; Debra Taylor Cashion, 'The Man of Sorrows and Mel Gibson'; Albert Chatelet, 'L'enseignement paternel dans les Heures de Milan-Turin'; Gregory T. Clark, 'Made In Flanders and the Master of the Ghent Privileges: A Second Coda'; Henri Defoer, 'Images as Aids for Earning the Indulgences of Rome'; Christopher de Hamel, 'Dates in the Giant Bible of Mainz'; Albert Derolez, 'Two Notes on Mercatel's Earliest Astrological Manuscripts'; Mark Evans, 'The Afterlife of Saint Jerome: Giovanni Bilivert's Portrait of Neri Corsini'; Reindert L. Falkenburg, 'On Compositional Errata in Pieter Aertsen's Peasant Scenes'; Marc Gil, 'D'Italie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures d'Antoine de Crevecoeur, vers 1450-55 : Leeds, University Library, The Brotherton Collection, Ms. 4'; Liz Guenther, 'Realism and Invention in the Prints of Albrecht Dürer'; Jeffrey F. Hamburger, 'The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany'; Christian Heck, 'Histoire mythique et archeologie au quinzieme siecle: Une representation inedite de Stonehenge'; Lynn F. Jacobs, 'The Miraculous Threshold in Hugo Van der Goes's Portinari Altarpiece'; Eberhard König, 'Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund'; Joseph Leo Koerner, 'Bosch's Enmity'; Anne S. Korteweg, 'Framing the Issues: A Codicological Approach to Dutch Border Decoration'; Thomas Kren, 'Simon Bening, Juan Luis Vives, and the Observation of Nature'; Anne-Marie Legare, 'The Reception of the Dresden Prayer Book Master in the Hainaut'; Jean Michel Massing, 'Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond'; Ruth Mellinkoff, 'Pilate's Wife'; Elizabeth J. Moodey, 'Historical Identity in the Burgundian Netherlands: The Role of Manuscripts'; William Noel, 'William de Brailes in Baltimore, Paris, and Stockholm'; Judith Oliver, 'A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liege Psalters'; Peter Parshall, 'Penitence and Pentimenti: Hieronymus Bosch's Mocking of Christ in London'; Veronique Plesch, 'Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time for the Renaissance Yet?'; Lilian M. C. Randall, 'To Have and to Hold: The Bridal Hours of Isabelle de Coucy'; Kathryn M. Rudy, 'Fragments of a Mental Journey to a Passion Park'; Jochen Sander, 'Anmerkungen zu Jan Gossaert'; Hardcover Buch

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O'Neill, John P. und Kathleen Howard (Eds.): Mexico. Splendors of thirty centuries. Introduction by Octavio Paz. Exhibition Metropolitan Museum of Art, October 10, 1990-January 13, 1991 and more. New York : Metropolitan Museum of Art ; Boston : Little, Brown, 1990.
Umschlag leicht berieben, sonst gutes Exemplar. - Precolumbian Art ANCIENT MEXICAN ART: DIVERSITY IN UNITY Beatriz de la Fuente -- THE OLMEC AT LA VENTA Richard A. Diehl -- IZAPA: BETWEEN OLMEC AND MAYA Gareth W. Lowe -- THE METROPOLIS OF TEOTIHUACAN Ruben Cabrera Castro -- MONTE ALBAN: HILLTOP CAPITAL IN OAXACA Marcus Winter -- THE MAYA OF LOWLAND PALENQUE Roberto Garcia Moll -- EL TAJIN: GREAT CENTER OF THE NORTHEAST S. Jeffrey K. Wilkerson -- CHICHEN ITZA AND PROSPERITY IN YUCATAN Peter J. Schmidt -- IMPERIAL TENOCHTITLAN Eduardo Matos Moctezuma -- Viceregal Art THE PROGRESS OF ART IN NEW SPAIN Jorge Alberto Manrique -- THE MISSION: EVANGELICAL UTOPIANISM IN THE NEW WORLD (1523-1600) Donna Pierce -- PAINTED MANUSCRIPTS Elizabeth Hill Boone -- THE RENAISSANCE AND THE COUNTER-REFORMATION (1550-1650) -- MEXICAN ARCHITECTURE AND SCULPTURE IN RENAISSANCE MODES Johanna Hecht -- MEXICAN PAINTING OF THE RENAISSANCE AND COUNTER-REFORMATION Marcus Burke -- EMERGENCE OF A NATIONAL STYLE (1650-1715) CREOLE IDENTITY AND THE TRANSMUTATION OF EUROPEAN FORMS Johanna Hecht -- A MEXICAN ARTISTIC CONSCIOUSNESS Marcus Burke -- EIGHTEENTH-CENTURY MEXICO: TRADITION AND TRANSFORMATION (1715-1785) -- THE LIBERATION OF VICEREGAL ARCHITECTURE AND DESIGN Johanna Hecht -- PAINTING: THE EIGHTEENTH-CENTURY MEXICAN SCHOOL Marcus Burke -- DECORATIVE ARTS AND FURNITURE Donna Pierce -- CERAMICS Donna Pierce -- THE ACADEMY, NEOCLASSICISM, AND INDEPENDENCE Marcus Burke -- Nineteenth-Century Art THE NINETEENTH CENTURY Fausto Ramirez -- PRINTMAKING: POSADA AND HIS CONTEMPORARIES David W. Kiehl -- Twentieth-Century Art MEXICAN ART OF THE TWENTIETH CENTURY Dore Ashton. -

XV, 712 S. Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

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L. F. Sandler: Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 28 The Psalter of Robert de Lisle in the British Library, Brepols ; weicher Einband / soft cover ISBN: 9781872501321
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Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 28 The Psalter of Robert de Lisle in the British Library L. F. Sandler 118 p., incl. 55 b/w ills., 25 colour plates, 210 x 295 mm, 1999 ISBN: 978-1-872501-32-1 Languages: English Paperback The publication is available. Retail price: EUR 31,00 How to order? The new paperback edition on one of the major examples of 14th-century English illumination, the Psalter of Robert de Lisle, includes the complete illustration cycle reproduced in colour, as well as a comprehensive introduction treating the style and iconography of the miniatures in the context of contemporary English painting. One of the major examples of 14th-century English illumination, the Psalter of Robert de Lisle is among the outstanding treasures in the British Library. The new paperback edition includes the complete illustration cycle reproduced in colour, each miniature being accompanied by the same detailed introductory text as in the original edition. The illustrations are preceded by a compre- hensive introduction treating the style and iconography of the miniatures in the context of contemporary English painting, analysing the pictorial and textual components of the unusual and elaborate moral and theological dia- grams, and offering conclusions about patronage, date and provenance. An appendix provides a handlist of more than thirty manuscripts containing the same group of diagrams, known as the Speculum theologie, with a group of additional copies research since the first edition. This edition also has a new preface and postscript which evaluate recent research bearing on the manuscript, as well as an updated bibliography. 'The Psalter is one of the masterpieces of English Gothic Illumination from the first half of the four- teenth century ... Sandler's book is a welcome contribution to the Literature.' Softcover Buch

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D. Gordon, L. Monnas, C. Elam (eds.): Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 21 The Regal Image of Richard II and the Wilton Diptych, Brepols ; fester Einband / hard cover ISBN: 9781872501727
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Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 21 The Regal Image of Richard II and the Wilton Diptych D. Gordon, L. Monnas, C. Elam (eds.) 368 p., incl. 180 ills., with 24 in colour, 220 x 280 mm, 1997 ISBN: 978-1-872501-72-7 Languages: English Hardback The publication is available. Retail price: EUR 50,00 How to order? This volume offers a collection of selected essays discussing the Wilton Diptych, a work of art with intrinsic beauty and with an evident personal link with Richard II - a king who was ever conscious of the regal image and his God-given monarchical status The Wilton Diptych, in the National Gallery in London, has always been the focus of attention, not only because of its intrinsic beauty as a work of art but also because its evident personal link with Richard II - a king who was ever conscious of the regal image and his God-given monarchical status. Following the important exhibition at the National Gallery in 1992, after the cleaning of the panels, a symposium was held on all aspects of the painting itself, and on the history and arts of Richard II's time. The present volume offers the paper given on that occasion, as well as some additional contributions. The essays included in this book cover many fields. Richard II's ideas of kingship are considered by Niguel Saul; his major architectural achievement, the rebuilding of Westminster Hall, is presented by Christopher Wilson, while its sculptural embellishments, the statues of English kings, are examined, together with Richard's tomb, by Phillip Lindley. Kay Staniland asks whether the King's clothing was extravagant and Marian Campbell describes the jewellery and metalwork known to have been in his possession. Shelagh Mitchell brings out Richard II's profound devotion to the cult of saints. Celia Fisher looks at the meaning of the flowers depicted in the field of Paradise in which the Virgin and Angels are set, and the individual plants on which the White Hart is couched, and Lucy Sandler compares devotional images in contemporary manuscripts. Ashok Roy comments on the technique of the Diptych. Lisa Monnas brings examples of textiles which closely match those in which the figures in the Diptych are apparelled. Nigel Morgan assesses the 'signi fication' of the banner, and Maurice Keen considers the painting as a possible crusading icon. Jonathan Alexander analyses the famous portrait of Richard II in Westminster Abey and Pamela Tud Hardcover Buch

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