Rama
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S.P. Bahadur: Kavitavali: Eng. Trans. (Complete Works of Goswami Tulsidas, Vol. V) New Delhi, India Munshiram Manoharlal Publishers Pvt. Ltd. 1997 ; fester Einband / hard cover; Schutzumschlag / dust cover; 1. Ed. ISBN: 81-215-0702-2
81-215-0702-2 New
Kavitavali is an anthology of poems containing 325 verses. The first part comprises Rama-katha (Deeds of Rama) in which some events from the life of Rama are briefly narrated in 142 verses, bringing out the Purushottama aspect of Rama. The second part comprises Rama-guna-gatha (Glory of Qualities of Rama) in 183 verses. Hailing the Glory of Rama is a feature of bhakti sadhana (discipline of Devotion) of which Tulsidas was an ardent exposition. Printed Pages: Reprint New Hardbound 14 Cms x 22 Cms; Reprint
[SW: Language Linguistics Literature IndiaLiterature]
V.R. Chitra and T.N. Srinivasan: Cochin Murals: Collotype Reproductions of the Mural Paintings of Cochin, Based on Photography, His Highness The Maharaja of Cochin ,1940 ,Cochin
Text Volume - Contents: I.Preface - II.Foreword - III.Descriptive text for the plates contained in Volumes I and II - IV.The " Cochin Murals" - The Historical Background - V.The History of the Mattancheri Palace - VI.Some Aesthetical Aspects of Indian Murals - VII.The Technique of Mural Paintings - List of Plates - 1.Rama and Parasurama - (in colours) frontispiece - 2.Guruvayoor Appan 3.Kiratamurti - 4.Lakshmana disfiguring Surpanaka (in colours) - 5.Rama's return to Ayodhya in the aerial chariot - 6.Queen mothers receiving Rama and others - 7.Mother and Children - (in colours) - 8.Narasimha Avatar - 9.Artists at Work at the Mattancheri Palace. Vol.I. List of Pates- I.Krishna Sporting with Gopis in Brindavana II.A Close Study of Some of the Gopis Portion of Plate III.Another Close Study of the Gopis of Plate I IV.Shiva and Parvati Ardhanareeswara and Durga in the Lower Panel V.Vishnu as Anantasayana Murti VI.Krishna Lifting the Govardana Hill VII.A Close Study of Women and Children of Plate VI Upper Panel, A Close Study of Cows and Calves of Plate VI Lower Panel, VIII. A Hunter Mauled by a Lion a Portion of Plate VI. Upper Panel, An Animal Study Portion of Plate XVII. Lower Panel IX.Cowboys Gopalas Taking Shelter Under the Govardana Hill, Portion of Plate VI X.A Pair of Antelopes Portion of Plate VI. Upper Panel, Lions at Play Portion of PLate Vi. Lower Panel, XI. Devi Worship, XII. Coronation of Rama XIII.Shiva and Parvati in Kailas XIV.A Close Study of Some Women and Narad Portion of Plate XIII Upper Panel A Close Study of the Face od Shiva and Parvati and the Tree Behind of PLate XIII.Lower Panel XV.Subramania Portion of Plate XIII Upper Panel, Ganesh Portion of Plate XIII.Lower Panel XVI.Vishnu as Vaikuntanatha XVII.Shiva Sporting with Ganga and Surprised by Parvati XVIII.Animal Study Deer Portion of Plate XVII. XIX. Animal Study Wild Elephants Portion of Plate XVII. Upeer Panel, Animal Study a Cow and Bull Portion of Plate XVII.Lower Panel XX. Animal Study a Brush Drawing of An Antelope Portion of Plate XVII.Upper Panel, Animal Study Monkeys Portion of Plate XVII.Lower Panel. Vol. II. List of Plates I.King Dasaratha Performing the Yaga and the Birth of Princes II. The Mother of the Heroes III.King Dasaratha Distributing the Payas to the Queens IV.Rama's Departure for the Forest, Bharatha Meeting Him at Chitrakut and the Slaying of Viradha V.Rama, Sita and Lakshmana Crossing the Ganges in Guha's Boat VI.Bharatha Entreating Rama to Return Back, VII.Rama Sitting with Sita, Rama and the Golden Deer and Ravana Begging Alma, Rama Chasing the Golden Deer IX.Ravana As a Sannyasi Begging Alms from Sita X.Ravana's Fight with Jatayu XI.Rama and Sita at Panchavati XII.The Meeting of Sabri, the Oath of Friend with Sugriva XIII. Rama Pledging Lifelong Friendship with Sugriva XIV.Sabri Entertaining Rama with Fruits XX & XVI.The Fight Between Rama and Ravana XVII. The Fight Between Rama and Kumbhakarna XVIII.Hanuman's Meeting with Surasa XIX.The Waking of Kumbhakarna XX.THe Ordeal of Sita. Condition good.; Hardbound
[SW: Art History, Art / Architecture / Archaeology]
Stutterheim, Willem, Rama-Legenden und Rama-Reliefs in Indonesien. München, Georg Müller 1925.
(= "Der indische Kulturkreis in Einzeldarstellungen", hrsg. von Karl Döhring). - Behandelt werden u. a. Rama in Literatur und Volkssage, Rama in der bildenden Kunst, Ursprung der indonesischen Abweichungen sowie die Rama-Reliefs von Panataran. - Guter Zustand
Text- und Tafelband, zus. 2 Bde. Mit 230 Abbildungen auf Tafeln. XX, 333 S. Kl.-4to. Goldgepr. OLwd.
[SW: Indonesien, Rama]
S.P. Bahadur: Minor Works: Baravai Ramayana, Janaki Mangal, Ramalala Nahachhu, Ramajna Prashna, Parvati Mangal, Krishna Gitavali, Hanuman Bahuka, Hanuman Chalisa, Sankata Mochana, and Vairagya Sandipini: Eng. Trans. ( Complete Works of Goswami Tulsidas, Vol. VI ) New Delhi, India Munshiram Manoharlal Publishers Pvt. Ltd. 1998 ; fester Einband / hard cover; Schutzumschlag / dust cover; 1. Ed. ISBN: 81-215-0705-7
81-215-0705-7 New
In ten short works contained in this volume, Tulsi composes verses on themes which evaluate his religious perspectives. Only three of these works are based on the deeds of Rama: In Baravai Ramayana, the rapture of devotion in the Name of Rama is brought out; in Ramalala Nahachhu Tulsi reiterates his faith in the Saguna form of Rama; in Ramajna Prashna, he ostensibly reads omens from the Deeds of Rama but concludes that all welfare depends on the devotion of Rama. Three of the works: Sankata Mochana, Hanuman Bahuka and Hanuman Chalisa are dedicated to Sri Hanuman. Tulsi's avowed principle was 'greater than Lord, the Lord's devotee take to be.' In the long poem Janaki Mangal Tulsi sings of the wedding ceremony of adi-shakti Sita to Rama. In Parvati Mangal, he departs from the story of Rama and sings on the wedding ceremony of adarsha-nari Parvati to Lord Shiva. In Vairagya Sandipini Tulsi observes that vairagya is not renunciation of the worldly duties but of Ego and bonds of 'I and mine.' Krishna Gitavali is a work totally unconnected with the story of Rama, the only common link between them being the supremacy of devotion and bhakti which is the reason for this work finding place in this anthology. Printed Pages:218. Reprint New Hardbound 14 Cms x 22 Cms; Reprint
[SW: Language Linguistics Literature IndiaLiterature]



