Murphy

Murphy, William Parry,
William Parry Murphy (1892-1987), Mediziner und Nobelpreisträger. Portraitphotographie mit e. U. ("William P. Murphy"). O. O. u. D. [Wohl 1970er Jahre]. 180:125 mm. - Bruststück en face in S/W. - William Parry Murphy hatte i. J. 1934 zusammen mit George Richards Minot und George Hoyt Whipple den Nobelpreis für Physiologie oder Medizin erhalten "für ihre Lebertherapie gegen Anämie".

William Parry Murphy (1892-1987), Mediziner und Nobelpreisträger. Portraitphotographie mit e. U. ("William P. Murphy"). O. O. u. D. [Wohl 1970er Jahre]. 180:125 mm. - Bruststück en face in S/W. - William Parry Murphy hatte i. J. 1934 zusammen mit George Richards Minot und George Hoyt Whipple den Nobelpreis für Physiologie oder Medizin erhalten "für ihre Lebertherapie gegen Anämie".

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(Herausg.): Dudley Murphy, Hollywood Wild Card: Univ of Minnesota Pr, ISBN: 0816646546
leichte Lagerspuren Kurzbeschreibung\nDudley Murphy (1897?1968) was one of early Hollywood's most intriguing figures. Active from the 1920s through the 1940s, Murphy was one of the industry's first independents and a guiding intelligence behind some of the key films in early twentieth-century cinema. In the first full-length biography of Murphy, author Susan Delson gives full rein to an American original whose life was as audacious as his films. As expertly chronicled here, Murphy caromed between film and the other arts, between Hollywood and other cultural capitals?Greenwich Village, Harlem, London, and Paris?hobnobbing with some of the era's leading cultural figures, including Ezra Pound, Man Ray, Duke Ellington, and Charlie Chaplin, and leaving many a scandal in his wake. With artist Fernand Leger, Murphy made Ballet mecanique, one of the seminal works of avant-garde film. He directed Bessie Smith in her only film appearance, St. Louis Blues, and Paul Robeson in The Emperor Jones. He had a hand in shaping Tod Browning's Dracula, gave Bing Crosby one of his first film appearances, and collaborated with William Faulkner in attempting to bring one of the author's most challenging novels to the screen. Murphy also turned out forgettable Hollywood fodder like Confessions of a Co-Ed and Stocks and Blondes, and ended his career making melodramas in Mexico. Delson pays close attention to Murphy's cinematic style, which favored visual play over narrative and character, and she offers provocative new insights into his two most important works, Ballet mecanique and The Emperor Jones. A lively portrait, Dudley Murphy, Hollywood Wild Card provides a fascinating perspective on the evolution of the classical Hollywood aesthetic, the development of the film industry, and the century's broader cultural currents. Susan Delson is based in New York and writes frequently about film, art, and history. \n\nSynopsis\nActive in Hollywood from the 1920s through the 1940s, Dudley Murphy was one of the industry's first independent filmmakers. In this biography, independent scholar Delson pays particular attention to Murphy's visually oriented and musically inspired cinematic style, which was looser and more evocative than that of more mainstream directors. The volu , ISBN-13: 9780816646548

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Venn, Beth und Adam D. Weinberg (Eds.): Frames of Reference. Looking at American Art, 1900-1950. Works from the Whitney Museum of American Art. Berkeley: University of California Press, 1999. ISBN: 9780520218888
Ein gutes und sauberes Exemplar. - Inhalt: Foreword: Maxwell L. Anderson -- Introduction: Adam D. Weinberg -- The Whitney: Biography of an Institution -- LOVE AND STRUGGLE - GERTRUDE VANDERBILT WHITNEY: Kennedy Fraser -- VISUAL CONTEXTS FOR AMERICAN ART: John Sloan, The Picnic Grounds: Kate Rubin -- Gaston Lachaise, Standing Woman: Adam D. Weinberg -- Max Weber, Chinese Restaurant: Kate Rubin -- Charles Burchfield, Noontide in Late May: Kate Rubin -- Marsden Hartley, Landscape, New Mexico: Angela Kramer Murphy -- John Storrs, Forms in Space: Beth Venn -- Arthur Dove, The Critic: Beth Venn -- Charles Sheeler, Interior: Kate Rubin -- Arshile Gorky, The Artist and His Mother: Adam D. Weinberg -- Gerald Murphy, Cocktail: Adam D. Weinberg -- Elsie Driggs, Pittsburgh: Kate Rubin -- Georgia O'Keeffe, The White Calico Flowe: Angela Kramer Murphy -- Charles Sheeler, River Rouge Plant: Angela Kramer Murphy -- Grant Wood, Study for Breaking the Prairie: Kathryn Potts -- Raphael Soyer, Office Girls: Kathryn Potts -- Reginald Marsh, Twenty Cent Movie: Adam D. Weinberg -- Burgoyne Diller, First Theme: Naomi Urabe -- Man Ray, La Fortune: Beth Venn -- Philip Evergood, Lily and the Sparrows: Angela Kramer Murphy -- Theodore Roszak, Bi-Polar in Red: Beth Venn -- Andrew Wyeth, Winter Fields: Adam D. Weinberg -- Richard Pousette-Dart, Within the Room: Adam D. Weinberg -- Jacob Lawrence, War Series: Another Patrol: Beth Venn -- Thomas Hart Benton, Poker Night: Kathryn Potts -- Edward Hopper, Seven A.: Angela Kramer Murphy -- Stuart Davis, Owh! in San Pad: Angela Kramer Murphy -- AMERICAN ICONS INTERPRETED: Joseph Stella, The Brooklyn Bridge: Ellen M. Snyder-Grenier/Henry Petroski/John You -- William J. Glackens, Hammerstein's Roof Garden: Kathryn Harrison/Lewis Erenberg/Brendan Gill -- Ben Shahn, The Passion of Sacco and Vanzetti: Alfred Kazin/Alan M. Dershowitz/Frances K. Pohl -- George Bellows, Dempsey and Firpo: Elliott J. Gom/George Plimpton/Marianne Doezema -- Charles Demuth, My Egypt Kami: Ann Marling/Lisa Mahar/Maurice Berger -- Alexander Calder, Calder's Circus: Howard GardnerRobert Wilson/Neil Harris -- Edward Hopper, Early Sunday Morning: John Updike/Robert Adams/Brian O'Doherty -- Georgia O'Keeffe, Summer Days: Kathleen Norris/Anne M. Wagner/Sarah Whitaker Peters -- Elie Nadelman, Tango: Richard Martin/Martin Puryear/Henry Glassie -- Marsden Hartley, Painting, Number 5: Peter Gay/Charles Eldredge/Patricia McDonnell. ISBN 9780520218888 - , ISBN: 0520218884

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Murphy, Jane M. and Alexander H. Leighton (Eds.).: Approaches to Cross-Cultural Psychiatry. Second printing. (First published 1965). Ithaca, Cornell University Press. 1966.,
Cross-cultural Psychiatry. ALEXANDER H. LEIGHTON AND JANE M. MURPHY -- The Problem of Cross-cultural Identification of Psychiatric Disorders. CHARLES SAVAGE, ALEXANDER H. LEIGHTON, AND DOROTHEA C. LEIGHTON -- Native Conceptions of Psychiatric Disorder. JANE M. MURPHY AND ALEXANDER H. LEIGHTON -- The Use of Psychophysiological Symptoms as Indicators of Disorder among Eskimos. JANE M. MURPHY AND CHARLES C. HUGHES -- The Possibility of Using Physiological Indicators for Detecting Psychiatric Disorder. EDWARD LLEWELLYN THOMAS -- Some Criteria of Psychiatric Disorder in Adolescents. JAMES F. MASTERSON, KENNETH TUCKER, AND GLORIA BERK -- Criteria of Psychiatric Disorder in Children. ALBERT C. SHERWIN AND MARIE-LOUISE SCHOELLY -- Social Science Concepts and Cross-cultural Methods for Psychiatric Research. JANE M. MURPHY -- The Life History in Cross-cultural Psychiatric Research. CHARLES C. HUGHES -- Society and Sentiments in Two Contrasting Socially Disturbed Areas. SEYMOUR PARKER AND TOM T. SASAKI -- Psychophysiological Symptoms and the Status of Women in Two Mexican Communities. THOMAS S. LANGNER -- Concluding Note. ALEXANDER H. LEIGHTON AND JANE M. MURPHY. -

Gr. 8°. XXVI, 406 Seiten mit einigen Tabellen und Schaubildern im Text. Originalleinen mit Umschlag.

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