Made

Reklamemarken - Privates Sammelmäppchen mit 24 Reklamebildern für Zigaretten- und Streichholzschachteln. Verschiedene Hrsg., ohne Jahr, um 1930-40.
Vorhanden sind: 1. Safety Matches. Made in Europe. 2. Solo Works - The Prince of Wales. Made in Czechoslovakia. 3. The Trolley Car. Solo Match Works. Made in Czechoslovakia. 4. The Lamp. Celebrated Solo. Safety Matches. Made in Czechoslovakia. 5. The Policeman. Safety Match "Solo". Made in Czecho-Slowakia. 6. Tatler. Virginia Cigarettes. Matches made by solo Works in Czechoslovakia. 7. Alumettes de Surete. 8. Unleserlich (= ostasiatische Schrift). 9. Bat Brand. Made in Europe. 10. Spare Taendstikker. Fiat Lux. Solo Match Works. Made in Czechoslovakia. 11. The Persian Lion. Safety Match. Robert Wönckhaus & Co., Hamburg. Made in Czechoslovakia. 12. Eskimo. Damp Proof. Solo impregnated Works. Safety Matches. Made in Czechoslovakia. 13. The Spurs. Solo Match Works. Safety Match. Made in Czechoslovakia. 14. Kulturverbands-Zünder. 15. The Three Trees. Impregnated Safety Matches. Made in Czechoslovakia. Solo Match Works. 16. The Key. Safety Match. Made in Czechoslovakia. Solo Match Works. 17. Markenname unleserlich (= aus Bagdad). Haji. Naji. El. H. Saleh. El. Kufaishi. Baghdad. Safety Matches. Made in Czechoslovakia. 18. De Spar. Prima Kwaliteit - Vonkvrij. Gloeien Niet Na. 19. The Sun Brand. Best Safety Matches. Solo Works Impregnated. Solo Safety Matches. 20. The Christmas Tree. Safety Match. Made in Czechoslovakia. Solo Match Works. 21. Unleserlich (aus Nahost mit Darstellung der Gesetzestafel von Moses). Solo Safety Matches. Made in Czechoslovakia. 22. The Scissors. Solo Works. Safety Match. 23. Deutsche Schul-Zünder. Fördert die deutsche Kultur. 24. Pectobon. Contre la toux. Solo Safety Matches. 25. Bryant & May's Ruby Matches. London u. a., Bryant & May Ltd.

Mappenformat 10,5 x 12 cm. Reklamebildchen in verschiedenen Formaten. Mappe mit Knickspur am Vorderdeckeleck oben und montiertem Boutiqueschildchen.

[SW: Zigaretten; Werbung; Streichhölzer]

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TINDALE, Thomas K. et al.. THE HANDMADE PAPERS OF JAPAN. Includes Titles: HAND MADE PAPERS OF JAPAN; THE WA.
A MOST MARVELOUS AND SUPERB WORK AND SAMPLE WASHI BOOK is a bit rubbed at hinges, else the contents are unopened, in the original tissue paper as issued by the publisher. * A most stunning and valuable Washi hand-made paper sample book. This famous work was made just after World War II, while Thomas Tindale was in Japan. He gathered the greats of Washi, and urged them to participate in the compilation of the definitive and most comprehensive book ever documenting Japan's celebrated paper makers, papermaking villages and sample papers. A dying art, handmade paper makers have decreased dramatically since publication of this great book. So many of the makers have already passed away, and were not followed by any disciple, so their technique of papermaking has vanished for ever. * FOREWORD BY DARD HUNTER: The forward was contributed by Dard Hunter, the world's foremost expert and authority on handmade papers. This is the most ambitious and complete post-World War II work on Japanese papers including hundreds of fine samples beginning with the earliest a Komashi from 740 A.D., down to the latest done in 1923. It traces the history of paper making throughout Japan, it lists the various papermaking villages, their handmade paper makers, methods, materials used and applications and techniques. * WATERMARK COLLECTION: With a fantastic collection of twenty especially executed watermarked papers with an accompanying pamphlet, 27 x 33 cm., giving the names of each engraving, engraver's name and title of the image. The watermark subject titles are: Sailboat by Moonlight; Water Lilies; Morning Glories; Okesa Odori [dancing girl]; Mountains Autumn Mist; Grapes; Fujiyama; Chrysanthemum; Ch'ao Fu Leading His Ox and several others with exceptionally fine, intricate and stunningly beautiful designs. * STENCIL COLLECTION BY SOETSU YANAGI: The eight endpaper stencil illustrations showing the process of hand-made paper making and book covers were all designed and made especially by hand for this book by Keisuke Serizawa using his stencil or "Kataezome" technique. Serizawa was designated as a National Living Treasurer by the Japanese government and was widely acclaimed as Japan's most celebrated folk-artist. He worked in the "Sosaku" group of "Creative" people, along with Soetsu Yanagi were his close friends and fellow artists: Hamada Shoji, Bernard Leach and several others. * CONTENTS, BINDING: Stitch stitch-bound titles: 1. THE HAND MADE PAPERS OF JAPAN 2. THE SEKI COLLECTION 3. THE CONTEMPORARY COLLECTION. Folding Chitsu with ivory pegs: THE WATERMARK COLLECTION. All of the above are bound in the original stencil printed covers by Soetsu Yanagi. * ** Volume I: THE HANDMADE PAPERS OF JAPAN: Introduction by Dard Hunter, bibliographical guide by Bunsho Jugaku, Japan's foremost expert and author on Japanese Washi [hand-made papers]. Complete history and description of paper-making in Japan, supplemented with botanical drawings and a series of 32 full-page photographs by then distinguished photographer Francis Haar. The text also includes a facsimile hand-colored reproduction with English translation of the Japanese classic on Washi, KAMI-SUKI TAIGA. 1784, the oldest Japanese illustrated work on papermaking. This is then translated into English by Kinichiro Kanazashi, with title: GENERAL OUTLINE OF PAPERMAKING, translated into English by Kinichiro Kanazashi. GENERAL OUTLINE OF PAPERMAKING]. With a large b.w. photograph of Keisuke Serizawa at work making the stencils for the end paper illustrations. Folding sample of the fibers, threads, paper samples, cloth and bark samples used in the making of Shifu. Full-size page botanical illustrations of the six plants used in Washi paper-making, per below, see THE FIBERS. Micrscopic photographs of the fibers. Discussion of the paper-making villages, including the process of paper-making, 32 full-size photos in all. GENERAL OUTLINE OF PAPERMAKING, translated into English by Kinichiro Kanazashi. ** Volume II: THE SEKI COLLECTION: Portrait and biography of Mr. Yoshikuni Seki, his full-page b.w. photograph as a frontis, followed by his brush signature in Japanese. Introduction by the author, Thomas K. Tindale, follwed by a foreword by Yoshikuni. Essay by Yoshikuni: part I: PAPERS USED FOR THE COPYING OF BUDDHIST SACRED WRITINGS. Part II: PROCESSED PAPERS, includes authentic samples from 1688 onwards, colored papers, those used for Japanese books, book covers and heavy textured papers such as Chirimen-gami &c. Ending with the index. The work continues with 187 authentic mounted specimens of paper from his personal collection. These date from Nara Period [740-793] to 1923. Each paper has been carefully authenticated, with a complete description, type, method of manufacture noted. Final essay: PAPERMAKING MAPS OF OLD AND NEW JAPAN: two large folding black outline maps of Japan shows the old "Kuni" or provinces or Ken. ** Volume III: THE CONTEMPORARY COLLECTION: Foreword by Takema Morizawa, President of Japanese Handmade Paper Assn. CATALOGUE OF PAPERS BY PREFECTURES [Ken]:, A volume of whole page samples of 139 different papers from 18 Prefectures [Ken] and the city of Kyoto. A representative cross section of handmade papers now being produced in various districts. The name, materials, place of anufacture, and use of each paper given. ** Volume IV: THE WATERMARK COLLECTION: A loose portfolio, with twenty of the finest modern Japanese watermarks made in the exclusive mills of the Government Printing Agency, by the hand-rubbing process and is described in volume 1. ** THE FIBERS: A brown Washi paper envelope contains five separate labeled smaller white Washi envelopes each conatins actual specimen samples of the fibers used ito make hand-made [Washi] paper. 1. Gampi 2. Kozo 3 Kuwa 4. Mitsumata 5. Taima ** The inside of the Chitsu folding cloth case are watermarked papers with Tindale's logo. Other volumes use the Yanagi stencil illustrated papers. * LIMITED EDITION OF 150 COPIES This also contains a copy of the original prospectus, and a copy of a June 9, 1977 letter to us from Charles E. Tuttle, the publisher stating the LIMITATION of the EDITION was only 150 COPIES, which is NOT cited in the book. + Another copy of a letter to us from dated 3 December, 1979 to us from the author Thomas K. Tindale stating that the book was originally planned to be published in a [Limited Edition] of 300 copies but due to a lack of ample old specimens the edition was published in an edition of only 250 copies. + We knew Mr. Tindale quite well and understood that that he actually meant to say 150 copies rather than "250 copies" which is supported by the publisher's letter and prospectus. Copies of the three items cited above accompany this copy of the book. * By and large, the most impressive work on Japanese Washi hand-made paper done in the first half of the 20th century. This marvelous reference is a veritable museum of hand-made paper and a distinguished history of this unique craft. It a classic and the known to be the most celebrated premier work on the subject. * THOMAS K. TINDALE Tindale was an American, employed as an advisor to the Japanese Civil Service immediately after the end of World War II. He was assisted by Yoshikuni Seki, the celebrated and noted Japanese paper-making scholar and historian. The work was co-authored by his wife, Harriet R. Tindale. * A DELUXE PRODUCTION ! * * * FIRST AND ONLY LIMITED EDITION OF 150 COPIES * This is a large and heavy item, extra postage, packing and insurance applies. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * BUY WITH * * * * SHIPPING: WE SHIP WORLD WIDE * * * * * The shipping costs displayed for our books on ZVAB are ONLY AN ESTIMATE !!! * ACTUAL costs are based book weight, destination and value. * We will inform you of shipping costs and options once you select the book. **FOREIGN: We usually ship by registered/insured airmail to customers abroad. **DOMESTIC: We ship to USA customers by UPS/FEDEX or U.S. MAIL, appropriate insurance/registry and signature required will appply. ***** Please inquire if you have any questions regarding shipping or payments .

Rutland 1952, Tuttle. Red cloth folding Chitsu case, 28.5 x 35 cm., ivory clasps, complete four volumes set, envelope of fiber samples, profusely illustrated, with large number of actual hand-made paper samples, unwrapped, unopened, Chitsu

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TINDALE, Thomas K. et al.. THE HANDMADE PAPERS OF JAPAN. [!! DEFEECTIVE COPY !!] Includes Titles: HAND MADE.
A MOST MARVELOUS AND SUPERB WORK AND SAMPLE WASHI BOOK DEFECTIVE COPY: !! SOLD AS IS, NOT RETURNABLE !! 1. This copy lacks the sample fiber envelope. * 2. It also has some clipping to some samples: In the "CONTEMPORARY COLLECTION" there are pages IV:1, 2, 3, 4,8 that have been clipped off the samples and some Sumi black and red paint applied to these cut-off pieces. they are placed in the front of the book loose, but most numbered. It also lacks complete sample IV:3,4 where parts are cut out. Other samples in this section have had ink applied here and there. * 3. The folding red Chitsu cloth case is a new replacement, it has the original cover title label, and is nicely done in the same style & color as the original with ivory clasps. Very close to the original. * 4. The balance of the work is complete as issued in the original covers. ************************************************************ * SPECIAL SIGNED COPY: The "CONTEMPORARY COLLECTION" volume is signed and dated in Japanese by Mr. Takema Morizawa, President of the Japanese Handmade Paper Association, with his red Hanko [seal]. This is seldom found in other copies, so we believe it is a special and unusual signed edition. ***** A most stunning and valuable Washi hand-made paper sample book. This famous work was made just after World War II, while Thomas Tindale was in Japan. He gathered the greats of Washi, and urged them to participate in the compilation of the definitive and most comprehensive book ever documenting Japan's celebrated paper makers, papermaking villages and sample papers. A dying art, handmade paper makers have decreased dramatically since publication of this great book. So many of the makers have already passed away, and were not followed by any disciple, so their technique of papermaking has vanished for ever. * FOREWORD BY DARD HUNTER: The forward was contributed by Dard Hunter, the world's foremost expert and authority on handmade papers. This is the most ambitious and complete post-World War II work on Japanese papers including hundreds of fine samples beginning with the earliest a Komashi from 740 A.D., down to the latest done in 1923. It traces the history of paper making throughout Japan, it lists the various papermaking villages, their handmade paper makers, methods, materials used and applications and techniques. * WATERMARK COLLECTION: With a fantastic collection of twenty especially executed watermarked papers with an accompanying pamphlet, 27 x 33 cm., giving the names of each engraving, engraver's name and title of the image. The watermark subject titles are: Sailboat by Moonlight; Water Lilies; Morning Glories; Okesa Odori [dancing girl]; Mountains Autumn Mist; Grapes; Fujiyama; Chrysanthemum; Ch'ao Fu Leading His Ox and several others with exceptionally fine, intricate and stunningly beautiful designs. * STENCIL COLLECTION BY SOETSU YANAGI: The eight endpaper stencil illustrations showing the process of hand-made paper making and book covers were all designed and made especially by hand for this book by Keisuke Serizawa using his stencil or "Kataezome" technique. Serizawa was designated as a National Living Treasurer by the Japanese government and was widely acclaimed as Japan's most celebrated folk-artist. He worked in the "Sosaku" group of "Creative" people, along with Soetsu Yanagi were his close friends and fellow artists: Hamada Shoji, Bernard Leach and several others. * CONTENTS, BINDING: Stitch stitch-bound titles: 1. THE HAND MADE PAPERS OF JAPAN 2. THE SEKI COLLECTION 3. THE CONTEMPORARY COLLECTION. Folding Chitsu with ivory pegs: THE WATERMARK COLLECTION. All of the above are bound in the original stencil printed covers by Soetsu Yanagi. * ** Volume I: THE HANDMADE PAPERS OF JAPAN: Introduction by Dard Hunter, bibliographical guide by Bunsho Jugaku, Japan's foremost expert and author on Japanese Washi [hand-made papers]. Complete history and description of paper-making in Japan, supplemented with botanical drawings and a series of 32 full-page photographs by then distinguished photographer Francis Haar. The text also includes a facsimile hand-colored reproduction with English translation of the Japanese classic on Washi, KAMI-SUKI TAIGA. 1784, the oldest Japanese illustrated work on papermaking. This is then translated into English by Kinichiro Kanazashi, with title: GENERAL OUTLINE OF PAPERMAKING, translated into English by Kinichiro Kanazashi. GENERAL OUTLINE OF PAPERMAKING]. With a large b.w. photograph of Keisuke Serizawa at work making the stencils for the end paper illustrations. Folding sample of the fibers, threads, paper samples, cloth and bark samples used in the making of Shifu. Full-size page botanical illustrations of the six plants used in Washi paper-making, per below, see THE FIBERS. Micrscopic photographs of the fibers. Discussion of the paper-making villages, including the process of paper-making, 32 full-size photos in all. GENERAL OUTLINE OF PAPERMAKING, translated into English by Kinichiro Kanazashi. ** Volume II: THE SEKI COLLECTION: Portrait and biography of Mr. Yoshikuni Seki, his full-page b.w. photograph as a frontis, followed by his brush signature in Japanese. Introduction by the author, Thomas K. Tindale, follwed by a foreword by Yoshikuni. Essay by Yoshikuni: part I: PAPERS USED FOR THE COPYING OF BUDDHIST SACRED WRITINGS. Part II: PROCESSED PAPERS, includes authentic samples from 1688 onwards, colored papers, those used for Japanese books, book covers and heavy textured papers such as Chirimen-gami &c. Ending with the index. The work continues with 187 authentic mounted specimens of paper from his personal collection. These date from Nara Period [740-793] to 1923. Each paper has been carefully authenticated, with a complete description, type, method of manufacture noted. Final essay: PAPERMAKING MAPS OF OLD AND NEW JAPAN: two large folding black outline maps of Japan shows the old "Kuni" or provinces or Ken. ** Volume III: THE CONTEMPORARY COLLECTION: Foreword by Takema Morizawa, President of Japanese Handmade Paper Assn. CATALOGUE OF PAPERS BY PREFECTURES [Ken]:, A volume of whole page samples of 139 different papers from 18 Prefectures [Ken] and the city of Kyoto. A representative cross section of handmade papers now being produced in various districts. The name, materials, place of anufacture, and use of each paper given. ** Volume IV: THE WATERMARK COLLECTION: A loose portfolio, with twenty of the finest modern Japanese watermarks made in the exclusive mills of the Government Printing Agency, by the hand-rubbing process and is described in volume 1. **** * LIMITED EDITION OF 150 COPIES This also contains a copy of the original prospectus, and a copy of a June 9, 1977 letter to us from Charles E. Tuttle, the publisher stating the LIMITATION of the EDITION was only 150 COPIES, which is NOT cited in the book. + Another copy of a letter to us from dated 3 December, 1979 to us from the author Thomas K. Tindale stating that the book was originally planned to be published in a [Limited Edition] of 300 copies but due to a lack of ample old specimens the edition was published in an edition of only 250 copies. + We knew Mr. Tindale quite well and understood that that he actually meant to say 150 copies rather than "250 copies" which is supported by the publisher's letter and prospectus. Copies of the three items cited above accompany this copy of the book. * By and large, the most impressive work on Japanese Washi hand-made paper done in the first half of the 20th century. This marvelous reference is a veritable museum of hand-made paper and a distinguished history of this unique craft. It a classic and the known to be the most celebrated premier work on the subject. * THOMAS K. TINDALE Tindale was an American, employed as an advisor to the Japanese Civil Service immediately after the end of World War II. He was assisted by Yoshikuni Seki, the celebrated and noted Japanese paper-making scholar and historian. The work was co-authored by his wife, Harriet R. Tindale. * A DELUXE PRODUCTION ! * * * FIRST AND ONLY LIMITED EDITION OF 150 COPIES * This is a large and heavy item, extra postage, packing and insurance applies. * Color scans can be sent by email. * * * BUY WITH CONFIDENCE 43 YEARS EXPERIENCE ! * * * !! WARNING: The above description is COPYRIGHT protected material under United States & International Copyright & Intellectual property laws. Unauthorized copying or use of ANY PART is a felony and * * * * SHIPPING: WE SHIP WORLD WIDE * * * * * The shipping costs displayed for our books on ZVAB are ONLY AN ESTIMATE !!! * ACTUAL costs are based book weight, destination and value. * We will inform you of shipping costs and options once you select the book. **FOREIGN: We usually ship by registered/insured airmail to customers abroad. **DOMESTIC: We ship to USA customers by UPS/FEDEX or U.S. MAIL, appropriate insurance/registry and signature required will appply. ***** Please inquire if you have any questions regarding shipping or payments .

Rutland 1952, Tuttle. Red cloth folding Chitsu case, 28.5 x 35 cm., ivory clasps, four volumes set, with many hand-made Washi paper samples. !!Please read the description for thedefects in this copy.!!

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SERIZAWA, Keisuke.. A SUITE OF 10 HAND-PRINTED STENCIL PRINTS ON THE METHOD OF HANDMADE PAPER-MAKING.
SUPERB "KATAZOME" COLOR STENCILS BY A "NATIONAL TREASURE" Keisuke Serizawa [1895-1984] was named a Living National Treasure in 1956 by the Japanese Emperor. A leader in modern folk art, his technique known as "Katazome," or stencil dyeing was a pioneer effort. Born in Shizuoka in 1895, he has been the leading exponent for stencil dyeing ["Katazome"] on cloth and paper. He applied his technique to hand-made Japanese Washi paper and was an active illustrator of books. He used paper cut-out patterns then applied colors to the stencils. His works are highly coveted by museums & collectors throughout the world. * He was the leading exponent for the Sosaku movement [Creative Art Movement] along with his close friends: Yanagi Soetsu, Hamada Shoji and Bernard Leach among others. His works have been hailed as the most typical & charming folk-arts from Japan. * This suite shows Serizawa's great interest and support of the hand-made papermakers and their villages of Northern Japan. The hand process of paper making is done in the winter, when the plants are dormant and the fibers are easily removed. This process requires the makers to immerse their hands in the freezing cold clear river water to separate the fibers and to perform the other hand processes involving freezing cold water, which had inhibited young would-followers of this folk-art from continuing. Few makers are found today using the old and most traditional time-honored methods. * This suite then shows the whole process of hand-made Washi paper from beginning to end in a tribute to the Ogawa village paper-maker's stamina and stubborn attitude to stick with the old ways. Papermaking by hand is now a dying art in Japan, hand-made paper makers are now few and ever dwindling. This is a graphic record of the process and a superb and fine example of Serizawa's unique "Kataezome" technique and printing process on that hand-made Washi paper. This Washi paper is of an unusual large, Deluxe broadside size and was likely made especially for Serizawa to do this series and is 33 x 40.5 cm., except for the last example which is on stiff handmade-paper which is 33 x 38 cm. printed in Aizuri or with indigo-blue ink. Suites or even single prints of Serizawa's work are now exceptionally rare & seldom found on the market for sale. The charm of his illustrations are legendary, with delicate and subtle colors. * BIBLIOGRAPHY: Fine Arts Gallery of San Diego: MINGEI FOLK ARTS OF JAPAN, p.[10-11] for a photos and essay about him. * Six prints from this series are cited & illustrated in the SHIZUOKA MUNICIPAL SERIZAWA KEISUKE MUSEUM OF ART, as item 9 on pages 16-17. * Bunsho Jugaku: NIHON NO KAMI: HANDMADE PAPERS OF JAPAN It is noteworthy to say, that Serizawa worked with Jugaku and even illustrated his book about Washi Japanese handmade papers with his lovely series of papermaking images. * Martha Longenecker in concert with the Mingei International Museum, La Jolla, 1979: SERIZAWA, an exhibition catalogue from June 23-October 14, 1979, for additional biographical notes and illustrated color examples of his work. * Color scans can be sent by email. Images displayed may not be the actual copy in stock for sale at any given time; if you want to see the exact image of the book or edition in stock, please request this by email and an image will be returned to you by attachment. * * * BUY WITH * * * * SHIPPING: WE SHIP WORLD WIDE * * * * * The shipping costs displayed for our books on ZVAB are ONLY AN ESTIMATE !!! * ACTUAL costs are based book weight, destination and value. * We will inform you of shipping costs and options once you select the book. **FOREIGN: We usually ship by registered/insured airmail to customers abroad. **DOMESTIC: We ship to USA customers by UPS/FEDEX or U.S. MAIL, appropriate insurance/registry and signature required will appply. ***** Please inquire if you have any questions regarding shipping or payments .

[Japan c.1960]. Ten sheets, on deckle-edge hand-made Washi paper, 10 polychrome stencil or "Katazome" prints, very good likely done in a very small and Limited Edition of about 200 copies, 33.5 x 40.5 cm., a complete suite. ALWAYS RARE

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